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LAND
ARTS OF THE AMERICAN WEST is a studio-based, field study
program dedicated to the investigation of land arts from pre-contact
Native American to contemporary Euro-American cultures. Land
arts practices can include everything from constructing a
road, to taking a walk, to building a monument, to leaving
a mark in the sand. The program seeks to expand upon connections
between typically separate fields. We learn from the fact
that Donald Judd surrounded himself with both contemporary
sculpture and Navajo rugs; that Chaco Canyon and Roden Crater
function as celestial instruments; and
that the Very Large Array is a scientific research center
with a powerful aesthetic presence on the land. Fourteen students
lead by two faculty, spend a semester living and working in
the southwestern landscape with guest scholars and artists
in disciplines including archeology, art history, architecture,
ceramics, criticism, writing, design, and studio art. In
LAND ARTS students become cognizant of human interventions
in their region across time and cultures. Occupying the land
for weeks at a time, living as a nomadic group and working
directly in the environment, students navigate issues of culture,
site, community and self. They develop skills of perception
and analysis unattainable in a standard classroom setting.
LAND ARTS is an interdisciplinary model of education for creative
engagement with our world.
LAND ARTS is a collaboration between Studio
Art at the University of
New Mexico and Design
at the University of Texas
at Austin.
» Land
Arts of American West website
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article at Quantum Online
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