An exploration of the emerging canon of the U.S. Hispanic
Literary Heritage, from colonial times until 1940, and the critical and
scholarly challenges of recovery and reconstruction. Emphasis on
the Hispano / Mexicano / Chicano “Southwest,” with attention to
selected Cuban and Puerto Rican projects. Analysis of recovered texts
and identification of new oral and written texts.
Survey
of new critical appraisals. Fulfills A
& S Group V Requirement for Humanities. Course
in
Spanish.
Ch St
393.003
Chicano History of Nuevo Mexico
syllabus
Dr. Charles Truxillo
Call # 14994
This
course
will survey the entire history of New Mexico from Anasazi times to the
present. Special emphasis will be placed
on Colonial Mestizaje, the territorial period, struggle for land and
power,
and the
20th Century’s rise of Chicano Nationalism. Fulfills A
& S Group V Requirement for Humanities.
Ch
St
393.004
Anthropology of New Mexico
Dr.
Sylvia
Rodríguez
Call # 13914
This
course
looks at contemporary New Mexico, with focus on the Río Grande
Valley, from an anthropological perspective. It draws on New Mexico
history to illuminate present social, cultural,
political, economic, and environmental issues. Readings emphasize the
twentieth century. Instructional methods
include readings, lectures, audiovisual materials, discussion, written
assignments,
and ethnographic field exercises designed to
explore aspects of life in New Mexico. Fulfills A
& S Group IV Requirement for
Humanities.
Ch
St
393.005
Chicanos & the Mexican Revolution
syllabus
Dr. Charles Truxillo
Call # 12788
This
course
will survey the impact of the Mexican Revolution on Chicanos. The major events and people of the Revolution
will be discussed along with the re-Mexicanization of El Norte/the
American
Southwest placed in the larger context of 20th Century ideological
conflicts. Fulfills A
& S Group V Requirement for Humanities.
Ch
St
393.006
Identity and Group Rights
Dr. Michael Candelaria
Call # 11694
This
course is
meant to be a philosophical examination of some of the most fundamental
social problems confronting Hispanics today. Demographic growth rates
in the United States indicate that
Hispanics
cannot be ignored. But Hispanics differ in race, ethnicity,
nationality, religion, class and culture. These differences raise
questions about identity, group membership and group rights.
One
key question that will guide our inquiry concerns the relation between
identity and ethnicity or race. Another important question deals with
the matter of rights. Are Hispanics entitled to
special rights as members of sub-altern groups? Consequently, we will
explore the meaning of identity and the different ways of relating
identity to ethnicity and race—essentialist and
relational
accounts. Our next focus of attention will be on the relation between
ethnic identity and social institutions. We will consider whether
questions of ethnic identity can better inform
discussions about rights. We will also examine the distinction between
collective rights and individual rights. In particular, we will study
the ethical issues raised by debates about affirmative
action and bilingual education. Fulfills A
& S Group V Requirement for Humanities.
Ch
St
393.007
Indo-Hispano Art in New Mexico
Mary Montaño
Call# 10567
This is a survey course designed to explore the arts, crafts and
cultural traditions of the Nuevomexicano people; to examine and
understand the influences of Native
American, Mexican and Mediterranean cultures that contributed to the
shaping of historic and contemporary Nuevomexicano practices and
worldviews; and to gain the knowledge necessary to
access additional information for study or dissemination. Spanish
fluency is not required to complete this course. TW: Fine Arts 329.015.
Fulfills
A & S Group VII Requirement for
Humanities.
Ch St
393.008
Survey of Chicano Literature
Dr.
Miguel
López
Call # 20595
This is
an
introductory course to Chicano/a literature which comprehends different
periods of cultural production. The primary texts to be analyzed
comprehend canonical works such as Tomás
Rivera's Y No
Se Lo
Tragó la Tierra,
Rudolfo
Anaya's Bless me,
Ultima, Sandra
Cisneros‘s House On
Mango Street,
Arturo
Islas’s The
Rain God, and
Josefina
López's play and filmic hit
Real
Women
have Curves.
Course
requirements include active participation in class discussions, short
papers, midterm exams and a research paper. Fulfills A
& S Group V Requirement for Humanities.
Ch
St
393.009
Intro Chicano/a literature
Staff
Call # 19500
A
survey of
Chicana/o novels, short stories, essays, poetry, and drama from
nineteenth century to the present, with emphasis on major themes such
as history, culture, identity, language, and region.
Fulfills A
& S Group V Requirement for Humanities.
Ch
St
393.010
Physical Activity, Culture & Academic Success
Dr.
Joy
Griffin
Call # 18396
This course introduces educators to three
cultures that are so prominent in New Mexico.
In
this class
we will
study different World View dimensions, different cultural values,
ethnic identity development, and societal/socioeconomic factors
associated with high risk for academic success.
Using
this
information, we will study and evaluate existing sport/physical
activity programs developed to retain students labeled at risk.
Not
Applicable to A& S Groups.
Ch St
393.011
Women & Transnational Migration
Ire
Kerlee
Call # 17291
Women
&
Transnational Migration: Why do women leave “home” for other places? Do they choose how they move? Are the choices
made for them? What does it mean to be
“in-between” for
women? We will examine these questions and others in
this course in order to develop a theory of women’s migration in the
global age. Readings will include theory,
ethnography, and literature. Final project is an undergraduate conference
to be held in the spring. Fulfills A
& S Group IV Requirement for Social Sciences.
Ch
St
393.013
Liberation
Theology
Dr.
Michael
Candelaria
Call # 16199
Liberation
theology purports to do theology from the perspective of the poor, the
marginalized, the oppressed, in short, the
victims of modernity. From this
perspective, radical views have emerged
challenging
traditional interpretations of religious doctrine the Kingdom of God as
a socialist society, Christ as Liberator, the social structural causes
of sin, the political dimension of faith, the preferential option for
the poor. We will explore these and other
themes by means of a close reading and lively discussion of some of the
most influential texts by prominent Latin American, U.S. Hispanic, and
feminist theologians and philosophers.
We
will consider early Marxist thought in the socialist anthropology of
Jose Carlos Mariategui, philosophical approaches to the problem of
cultural identity in Samuel Ramos and Salazar Bondy, the conceptual
relation between freedom, reason, and history in Leopoldo Zea and
Arturo Roig, and perspectives of Feminist theory with a particular
focus on U.S. Third World Feminism. We
will give special consideration to the theologies of Gustavo
Gutiérrez, and Leonardo Boff and the philosophy of Enrique
Dussel. Fulfills A
& S Group V Requirement for Humanities.
Ch St
393.015
Chicana Autobiographies syllabus
Patricia
Perea
Call # 15099
(W)Riting
Ourselves: Chicana Autobiography
In this
class,
we will investigate the politics behind the production of Chicana
autobiography. We will look at each autobiographical work from an
interdisciplinary perspective. In other words, we will use the
theoretical and historical work of Chicana feminists and historians to
read and understand this particular kind of cultural production. I use
the terms cultural production here because Chicana autobiography is not
limited solely to written works. In fact, I believe we can read
autobiographical tendencies in art and film as well. Autobiography is
an interesting subject because it allows us to ask
questions like
the following: Why do you want to write about ourselves? And why do we
choose to write what you write or film what we film or paint what we
paint? Why do we include some things and leave out others? These kinds
of questions help us to understand what Chicana autobiographers are
trying to say about Chicana and Chicano culture. What kind of critiques
are they offering and exactly how do they accomplish these critiques
through autobiographical practice?
This course will be based in Chicana thought and cultural
production. We will read works by Chicana theorists, historians,
essayists, poets and novelists. We will also look at work by Chicana
artists and filmmakers. Some of these writers and artists may include:
Gloria Anzaldúa, Cherrie Moraga, Pat Mora, Norma Cantú,
Yolanda López, Lourdes Portillo, Cleofas Jaramillo, Jovita
González, etc. By the end of the course, I hope that we will all
have a new understanding of this aspect of Chicana/o cultural
production. Fulfills A
& S Group V Requirement for Humanities.
Ch St 393. 025
Latino/a Identity & Schools
Dr.
Ruth
Galván
Call
# 14001
This
course
focuses on the cultural, linguistic, historical and contemporary
identity construction of Latinas and Latinos in the United States
through a cross-disciplinary approach that draws from literature,
visual arts, music and the fields of sociology, history, and
anthropology, in order to understand how Latino identities are
constructed, used, dismissed, and/ or appropriated in the school
systems. We will draw from and use various
modalities-such as music, poetry, literature, visual arts-and
theoretical tools, such as, Chicano/a studies, cultural studies,
women’s studies and literary criticism to explore Latino identities. From our exploration of Latino identities we
will also examine a number of ethnographic studies focusing on the
Latino/o experience in schooling. Not
Applicable to A& S Groups.