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tamarind staff

Marjorie Devon

 

director

 

Arif Khan

 

gallery director

 

Rodney Hamon

 

education director

 

Bill Lagattuta

 

master printer

 

Becky Schnelker

 

curator

 

Cynthia Barber

 

development and marketing

 

Angie Rudy

business manager (not shown)

from left to right: (seated ) Chris Polansky, Arif Khan, Cynthia Barber
(standing) Rodney Hamon, Marjorie Devon, Becky Schnelker, and Bill Lagattuta.
 

 

Dorian McKenzie

 

office/ financial assistant

 

Hannah Treder

 

gallery assistant

 

Sharon Lee

 

senior printer

 

Brandon Gunn

 

senior printer

 

Brandon Gunn, Sharon Lee and Bill Lagattuta printing in the shop.

tours

We offer tours on the first Friday of each month at 1:30 p.m. The tour lasts for approximately 1 1/2 hours and includes:

Space is limited, so please reserve your space by calling (505) 277-3901 or send us an e-mail message. There is no charge for the tour.

The 2008 schedule is as follows:
  • January 4
  • February 1
  • March 7
  • April 4
  • May 2
  • June 6
  • July 11 (we will be closed July 4)
  • August 1
  • September 5
  • October 3
  • November 7
  • December 5
  • history

    A brief synopsis of our history follows. For more details, see "An Informed Energy: Lithography and Tamarind", written by Clinton Adams, and published in Grapheion, 1st Issue 1997. (Prague, Czech Republic). Clinton Adams was a founding director of Tamarind Lithography Workshop, Inc. and Tamarind Institute's director from 1970 - 1985.

    Tamarind Lithography Workshop, Inc. (TLW) was founded in Los Angeles in 1960 as a means to "rescue" the dying art of lithography. Fully funded by the Ford Foundation until it became affiliated with the University of New Mexico in 1970, founding director June Wayne (right), together with Associate Director Clinton Adams and Technical Director Garo Antreasian, established multiple long-range goals: June Wayne looks at destroyed lithographic stones.

    When considerable progress toward the achievement of these goals had been made after ten years in Los Angeles, it was clear that the innovative programs developed at TLW were filling a void. With Wayne's resignation as director and the end of the third Ford Foundation grant, TLW needed a new home.

    TLW moved to Albuquerque, New Mexico, where it became Tamarind Institute, a division of the College of Fine Arts of the University of New Mexico, under the directorship of Clinton Adams who served in that capacity until 1985 when Marjorie Devon was appointed director.

    Tamarind Institute continues its programs of education, research, and creative projects with partial funding from the university. Tamarind also depends heavily upon revenue from contract printing and the sale of lithographs it publishes to support the costs associated with its educational and artistic programs. Grants from a number of federal and philanthropic sources have funded the Institute's many special projects, including a variety of international programs which have been developed over the past decade.

    The tamarind Archives, housed in the Center for Southwest Research at Zimmerman Library at UNM, are another source of information about Tamarind Lithographic Workshop and Tamarind Institute. There are two series:


    We welcome your questions and comments: tamarind@unm.edu
    All contents ©1998 Tamarind Institute All rights reserved.
    Web site maintenance by Tamarind Institute,
    tamarind@unm.edu
    Last updated: December 2007.