Ph.D., Arizona State University,
2007
Office: Room 235
Assistant Professor
Communication
Research:
My current research generally explores the rhetorics of marginalized
groups in contexts of neo-liberalism. Particularly, my work meets
at the intersections of queer theory, feminist post-structuralist
theory, and critical race theories. My most recent work examines social
movements and coalition building, and I am most interested in the
relationships between sexuality and immigration.
Sample Publications:
Chávez, Karma R. (forthcoming 2010). "Spatializing Gender Performativity: Ecstasy and Possibilities for Livable Life in the Tragic Case of Victoria Arellano." Women’s Studies in Communication
Chávez, Karma R., Sara McKinnon, Lucas C. Messer and Marjorie Hazeltine. (2009). "Home: Hospitality, Belonging and the Nation." Liminalities: A Journal of Performance Studies
Chávez, Karma R. (in press, 2009). "Exploring The Defeat of Arizona’s Marriage Amendment and the Specter of the Immigrant as Queer." Southern Communication Journal
Chávez, Karma R. (2009). "Re-mapping Latinidad: A Performance Cartography of Latino/a Identity in Rural Nebraska." Text and Performance Quarterly 29.2: 166-183.
Chávez, Karma R. and Cindy L. Griffin (2009). "Power, Feminism, and Coalitional Agency: Inviting and Enacting Difficult Dialogues." Women’s Studies in Communication 32.1: 1-14.
Chávez, Karma R (2009). "Between the Lines: Identifying the Needs of LGBTQ Immigrants and Refugees in Southern Arizona." Tucson, AZ: University of Arizona LGBT Institute.
Chávez, Karma R. (2009). "Embodied Translation: Dominant Discourse and Communication with Migrant Bodies-as-Text." Howard Journal of Communications 20.1: 18-36.
Chávez, Karma R. (2008). "Breaking Trances and Engaging the Erotic: The Search
for a Queer Spirituality." Liminalities: A Journal of Performance
Studies. 4.2. liminalities.net
Chávez, Karma R.(2004). "Beyond Complicity: Coherence, Queer Theory, and
the Rhetoric of the ‘Gay Christian Movement.’"
Text and Performance Quarterly 24.3/4: 255-75.
Methods: I use critical/cultural
qualitative methods including rhetorical criticism, field methods,
personal narrative and performative writing.