Course
Description and Purpose
This course
will trace the collection of mental images, stereotypes, and imaginings based
loosely on American Indians. We will also explore American Indians’ responses
to those images, which run anywhere from the critical to the humorous. Our
exploration will begin with excerpts from the travel narratives of Christopher
Columbus and John Smith and work its way through historical moments as Indians
have moved between portrayals of the savage and the noble savage. We will read,
examine, and critique multiple genres and forms including art, photography,
novels, poetry, and more. Students completing this course will have a deeper
understanding of how popular culture creates and maintains American Indian
stereotypes and imagery and how American Indians have responded to these
stereotypes and imagery in their own creative and political works.
Specifically,
the course this semester will cover several areas:
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UNIT ONE:
The Indian as an Idea--Invention and Perpetuation
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UNIT TWO:
Captivity Narratives--From the Puritans' Wilderness to Hollywood Films
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UNIT THREE:
William Apess (Pequot)--Connecting Past with Present
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UNIT FOUR:
The Indian as Object of Study
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UNIT FIVE:
The Museum Indian
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UNIT SIX:
"The Indian Past" Influences Indians’ Present
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UNIT SEVEN:
Indians as Objects of Desire
The weekly
lessons explore images in popular culture in order to demonstrate how American
Indian stereotypes and imagery reveal deep-seated cultural issues and values.
We will also explore imagery in the various formats that depict American Indians
within mainstream American society. Finally, we will learn how American Indians
have responded in kind to Indian imagery, mocking and parodying non-Indian
representations.
Readings
Readings for
this course will be text-based or from online resources available on the World
Wide Web. Assigned readings will be listed in the Weekly Lessons for each
week. Because Web sites come and go on the Internet, assigned online readings
may be updated during the course to add new relevant Web sites or to delete
sites that have been retired. Students are invited to browse the Web and
recommend additional sites for the class to visit.
Required
texts:
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Robert F.
Berkhofer, Jr. The White Man's Indian
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Mary
Rowlandson Sovereignty and Goodness of God
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William
Apess
Son of the
Forest
-
Sherman
Alexie Indian Killer
-
Nora
Naranjo-Morse Mud Woman: Poems from the Clay
Screenings
Students are
required to view excerpts from films for this course. Here is the tentative
screening list so far for this semester:
-
Disney's
Pocahontas
-
Last of the
Mohicans
Requirements
Students
should expect to spend about eight to ten hours per week on course work for The
American Indian in Popular Culture. Course requirements include weekly lessons
with discussion topics, annotated bibliography, argument proposal, and a 4-6 pg.
final research project that analyzes any aspect of popular culture involving
American Indians or American Indians' responses to Indian imagery in popular
culture: film; theater; literature; poetry; oral tradition; arts (painting;
sculpture; weaving; basketry; pottery; dance; music, etc.); fashion; artifacts;
journalism; imagery in mainstream media; photography; anthropology; identity;
cultural and spiritual appropriation; stereotypes, mascots, etc.
Course
requirements and activities include:
-
reading
assigned texts and online materials
-
posting
responses to online discussion questions
-
replying
thoughtfully to other students' postings
-
exploring
and commenting on relevant Web sites
-
compiling
an annotated bibliography
-
creating an
argument proposal
-
writing a
final research paper that will be your job to post on the class wiki
There are no
examinations for this online course unless students appear to be falling behind
in their work.
Here is the
value of each assignment in the final grade for this course:
-
Original
postings 20%
-
Response
postings 20%
-
Annotated
bibliography 15%
-
Argument
proposal 15%
-
Final paper
and contribution to wiki 30%
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