One of the most difficult tasks in discussing another writer’s work is to find the words to articulate our discoveries. The problem is, in part, an insufficient specialized vocabulary. The problem is also not knowing how to be precise, as well as personal, without simply saying, “I like this,” or “I think this is just beautiful,” which is no good, empty, unless you can say why. Instead of asking what this essay or book means, in our reading responses, we ask: how was it made? What can we learn for our own writing from how this was made? Remember this is not a class focused on teaching you solely how to analyze literature. This is a class focused on teaching you how to make literature.
For this class, the reading response will have four distinct parts:
What to Avoid:
When reading responses go wrong, they summarize. The reader of your reading response (me, your peers) has read the work. Go right to the point.
Reading Responses should be more than one page double-spaced, and no more than two pages double spaced, typed.
Good Luck!