Multimedia
Journalism (Also
known as
"Advanced Reporting")
C&J
475 University
of New Mexico
Spring Semester 2009
Instructors:
Dennis Herrick
and Dr. Ilia Rodríguez
Class Location:
Windows Computer Pod 134 and Mac pod 124
Time:
Tuesdays and Thursdays
5 to 6:30 p.m.
Herrick Home Page Herrick Office Hours:
Room 223
10 to 10:45 a.m. and
2 to 3 p.m. on
Tuesdays and Thursdays
Drop-ins welcome
or by appointment
Rodríguez Office Hours:
Room 234
2 to 3:30 p.m. Tuesdays
1 to 3 p.m. Thursdays
Reporting
Projects News coverage for print and Web In C&J 475 this semester, you will undertake one major print
and three major multimedia reporting projects. Your multimedia reporting projects
may be about people, places or phenomena (one from each category, in any
order). This component is the same as in previous "475 Advanced Reporting"
classes. Therefore, to provide continuity from that course structure,
much of the following is taken verbatim from Dr. Bob Gassaway's previous
475 syllabi, with adjustments for multimedia reporting.
The difference this semester from print-only 475
classes, of course, is that you will be implementing a multimedia approach
in covering news for both print and a Web site rather than writing only
for a print publication. You will be expected to maintain a personal blog,
contribute to the class blog, take photos, work on videos, upload your
story packages to the Web, and consider other forms of reporting.
Prior to undertaking a multimedia reporting project,
you must write a proposal no more than one double-spaced page in length.
The proposal should summarize the story you want to do, how you plan to
present the story, and why your story package will be of interest to your
potential readers. Your proposal will be returned to you with comments and
suggestions. When your proposal has been approved, you may begin work
on your project.
In general, your stories should be prepared as a package of whatever is needed to help your readers understand the person,
place or phenomenon about which you are reporting. A package will include an in-depth print story, probably with one or more sidebars,
and at least one of the following: one or more photographs, a slide show,
a podcast, a video, a graphic or an interactive aspect.
In addition to writing a story, you also will be responsible
for providing digital photographs, video, podcasts, blogs, graphics, etc.,
that could be used to present your coverage in the Web's multimedia environment.
If your story would benefit from tables of data, submit the completed
tables with the stories.
The first story, written in class on deadline Jan. 29,
will be a fairly routine print story on a presentation in the previous class. This will be an indicator of your reporting and
writing skills so we can address any problems early on.
The three in-depth stories that your three multimedia
reporting projects will come out of, also adapted from Dr. Gassaway's
former advanced reporting class, are:
People stories: They tend to be features
about one or a few people who are engaged in some interesting activity
or who have been engaged in some interesting activity in the past. These
stories could be about a well-known person, a person who is retiring
and who can look back on his or her career to talk about the changes
he or she has seen over the years, or a person who is taking on a new
and demanding position and how he or she intends to manage the job. Or
the stories may simply be about someone your readers would find interesting.
You will certainly need more than one interview (one-source stories are
not allowed in 475), and often you will want to arrange several visits
to ensure that you understand the life of the person or the lives of
the several people who will be the major subjects of your story.
Place stories: They generally are about
a town, a neighborhood or even a single building that is somehow unusually
interesting. You could visit the Legislature to write about the lives
of lawmakers or the capitol staff or even the people who clean the Roundhouse,
visit the broadcast towers atop Sandia Peak and interview the broadcast
engineers who have a rather lonely job but a tremendous view of central
New Mexico; you could do a word portrait of one of New Mexico's historic
adobe churches and the congregations that keep them going, both physically
and spiritually; you could visit a casino, a race track, a rodeo or a
retirement center and write about the swirl of life that goes on in each
— especially life behind the scenes, which most people don't see.
You could visit one of the city's homeless shelters. There are more homeless
deaths than there are homicides each year in Albuquerque, but no one ever
writes about the homeless deaths and everyone writes about the homicides.
You likely will need to visit any place at various times and spend a significant
number of hours there to understand the place and the people you find
there. Few places are interesting in and of themselves. They usually are
made interesting by the people who live, work or play there, so these
stories usually become people stories. Observe and interview some of these
people.
Phenomenon or event stories: They look in detail at a particular event, which may be new or a longstanding
tradition or a social fad. A phenomenon is an event or a happening.
It could be a parade, an election, the trend toward healthy living, a
musical trend, the changing moral values of a society, life in a particular
business, and many other things. But you should always consider the phenomenon
(or phenomena, which is the plural, and the word you need if you are looking
at more than one thing) from the perspective of the people involved. As
with stories about places, phenomenon stories usually are interesting
to your readers primarily because of the people caught up in whatever
you are covering.