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JEFF POTTER Inspiration Pinpointing a galvanizing point in my creativity as an artist, I often come to realize it is actually a life-long process. My experience of growing up in the American southwest undoubtedly had a strong effect on my perception of light, form and color. I have nurtured an art career for 25 plus years while working at the University of New Mexico from 1981 - retirement in 2006. I am tickled every time someone buys one of my paintings, as it brings me great pleasure knowing they were captivated by my efforts enough to pay money to take it with them! I also cherish my interactions with fellow artists and always enjoy another artist working and sharing their particular current creative success. Be sure to visit my recent explorations into abstract art with 6 other artists. Recently, I have found that the words of Richard Schmid are very relevant to where I am in my life as an artist. In his book, Alla Prima, Schmid explains how he prefers to work from life, in one session, which is called "Direct painting" or alla prima. I really agree with his thoughts and especially his simple but eloquent description of what is so appealing to be a painter:
Artistic Media and Perceptions Watercolors. Although I am by no means an impressionist in the classical sense, my watercolors do capture the immediacy of my experience on site. They are usually 12" x 16" and smaller. Pastels. There has been an upsurge in interest in pastels due in part to remarkable new products. I have utilized hard and soft pastels on a variety of papers: charcoal, watercolor, and sanded papers. Pastel is pure pigment, the same pigment used in making all fine art paints, has no liquid binder and thus is the most permanent of all media. Oils. A medium that offers interplay of pigments and strokes and its flowing liquidity is in essence frozen in time. Each of these media I've mentioned allow differing windows to the viewer on my perceptions of light, color and depth. Finally, depth in my landscapes is an important component. I utilize exaggerated atmospheric clarity to enhance the perception of distance. Another vehicle for depth is through composition: a viewer's eye movement is led into the drawing along landscape lines or shapes.
Plein Air
Working
on-site outdoors is one of my favorite ways of working,
demanding intense observation, keen eye to clean methods
and trying to narrow down the visual stimulation.
Probably 40% of my work over the last 20 years has been
and continues to be done Plein Air. Recent highlights: 2009 66th Invitational Art Exhibit,Southern Utah University, Cedar City, Utah MasterWorks of New Mexico Exhibition - 2009, 2008, 2007, 2006. Honorable Mention Award in 2008. Pastel Society of New Mexico Signature Member Shows at Albuquerque Museum 2006 and South Broadway Cultural Center in 2008 One-person show at the University of New Mexico Health Sciences Hospital Art Gallery - 2003 Public Service Company of New Mexico Calendar ( March 2005 image)
Finally, I do exhibit at selected summer arts and crafts fairs in New Mexico, Arizona, Utah and Colorado.
I
offer an expanding selection of
archived
digital reproductions. Please call, email or write. last updated June 2009 |
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