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Women's Movement/ U.S Feminism Women of ColorLesbian/ GenderGlobal FeminismRacismPopular Culture/ Media AnalysesVictims of Crime Resource/ LawViolence Against WomenYouthWomen's Body/ Self-ImageWomen's Health/ DisabilityWomen's Spirituality/ Creativity

To see a list of WRC Video's by Title
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Compiled by: Yuriko Furuhata
M.A. Cultural Studies

Updated by Andréa Mays
Ph.D. student in American Studies
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New Films!

Peace, Propaganda & The Promised Land
Beyond Good & Evil
Understanding America’s Terrorist Crisis:
What Should Be Done
Constructing Public Opinion
Captive Audience: Advertising Invaded The Classroom
Amy Goodman
Seen but Not Heard
La Operacion
I, The Worst of All
Surname Viet Given Name Nam
Abortion: Stories from North and South
Rabbit Proof Fence
See Me: Five Young Latinas
Our Bodies, Our Minds
Desert Hearts
XXXY
The Shape of Water
Black and White
Belfast Girls
The Sermons of Sister Jane: Believing the Unbelievable
The Lost Tribe
Nalini by Day, Nancy by Night
Everyone Their Grain of Sand
Wedding Advice: Speak Now or Forever Hold Your Peace
Flowers for Guadalupe
I Was a Teenage Feminist
Paris Was a Woman
Prison Lullabies


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Women’s Movement/U.S. Feminism

A Century of Women: Work and Family
(1994; 98mins, B & W, Color) Part I of the three in series.
Directed by: Silvia Morales
Produced by: TBS Production, Inc.
Genre: Historical Documentary.
Issue: Social history of American women and labor issues in 20th century.
Rating: Feminist. Educational and informative. Recommended for class.
Note: Less focus on racial and ethnic diversity among “American” women.

This video combines archival footage, photographs, interviews, and fiction to present an overview of the social history of women’s movement in the U.S. focusing on worker’s rights and traditional labor division. It features biographies of earlier activists as well as interviews with contemporary feminists. Figures include Pauline Newman, Clara Lemlich, Elizabeth Gurley Flynn, Charlotte Perkins Gilman, Frances Perkins, Mitsuye Yamada, Dolores Huerta, Betty Friedan, Ruth Bader Ginsburg, and Hillary Clinton.

A Fine and Long Tradition
(1996, 7mins, B/W and Color)
Produced by: National women’s History Project
Genre: Music Video, 135 Historical Images
Issues: Brief comprehensive look at women’s history; through women’s achievements and various women’s movements across the United States.
Rating: Good

This short video illustrates how women have made history during the course of the twentieth and twenty-first centuries. This video encapsulates women’s activism from suffrage, to The Women’s Movement to contemporary feminist activism.

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Chisholm ’72: Unbought and Unbossed
(2004; DVD, 77 mins., Color)
Directed by:  Shola Lynch
Genre: Documentary
Issues: Race, Class, Gender and Presidential Politics.
Rating: Excellent for all informational purposes.

This unsentimental and illuminating documentary examines the campaign, cultural climate and political impact Congresswoman Shirley Chisholm’s 1972 run for the presidency had on the nation. The film combines newsreels, behind the scene footage and interviews with those involved in the campaign, including commentary from Chisholm herself.

Dr. Gerda Lerner – Women and History I & II: Thinking Allowed Video Collection
(1994; 2 x 30mins, Color)
Directed by: Author Bloch
Distributed by: Thinking Allowed Productions
5966 Zinn Dr., Oakland CA 94611
Genre: One on One Interview with Dr. Jeffrey Mishlove
Issues: Women’s right to history, constructions of gender, formations of patriarchy,

In a one on one interview, Dr. Lerner discusses the origins of women’s history as a field of study, her personal experiences researching the topic, and how the institutions of church and state have worked together to naturalize the subordination of women within societies. This two-part video interview is one installment in a series of conversations with cutting edge thinkers of the twenty-first century, produced by Thinking Allowed productions. The program’s host is Jeffrey Mishlove, PhD, psychotherapist, and author of The Roots of Consciousness and Psi Development Systems.

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Dreams of Equality
(Circa 1990; 27mins, Color)
Produced and Distributed by: Cynthia Salzman Mondell &
Allen Mondell
Media Projects Inc.
Genre: Docudrama
Issues: The Women’s Rights Movement, the suffrage, abolition and nineteenth century gender relations.
Rating: Excellent historical illustration of important events and the sentiments of the 19th century.

This docudrama captures the political and power dynamics that existed between women and men in the mid 19th century, particularly focusing on the first women’s rights convention held in 1848. The film chronicles women’s early struggles for equality and voting rights, using written correspondence between a brother and sister over a thirty-year span.

Elizabeth Cady Stanton and Susan B. Anthony: Not For Ourselves Alone: Part I
(1999; 94mins, B&W/Color) W/ Closed Caption in English
Elizabeth Cady Stanton and Susan B. Anthony: Not For Ourselves Alone: Part II
(1999; 64mins, B&W/Color) W/ Closed Caption in English
Directed and Produced by: Ken Burns, Paul Barnes.
Created by: PBS
Genre: Historical Documentary
Issue: Women’s Suffrage Movement.
Rating: Feminist. Educational, political and inspirational.
Recommended for class.

This biographical documentary of two “Founding Mothers” of the Women’s Movement in the United States traces the history of the Women’s Suffrage Movement back to the early 19th century, when women were prohibited of the rights to vote, to own property, to enter the professions and colleges, to testify at a trial, and to have custody of their own children. Elizabeth Cady Stanton and Susan B. Anthony challenged the constitutional and social subordination of women, and worked towards their ultimate goal: women’s right to vote. Although they realized the importance of eradicating all the inequalities in American society and thus worked along with abolitionists, towards the end of the struggle, the limitation of a white women’s movement became clear. Doubly oppressed by her sex and race, black women and women of color were excluded from the heated battle between white women’s organizations and emancipated black male leaders over the idea that “female suffrage should come first, Negro suffrage last.” Finally, it was in 1920 with the ratification of the 19th Amendment that women were granted the right to vote.

Grrlyshow
(2000; 18mins, Color)
Directed by: Kara Herold
Distributed by: Women Make Movies
Genre: Documentary
Issues: Self-publishing, women’s writing co-operatives, alternative press
Rating: Excellent resource for classes dealing with grassroots organizing and publication.

“An 18-minute explosion of fringe feminism and print media, Grrlyshow is a powerful and rebellious message on the girl zine revolution.” Zines are examined as a cultural phenomenon, and an outlet for social and political change. This video gives a short, behind the scenes, look at the benefits of creating zines and offers resources for publishing. The editors of “Bust”, (Debbie Stoller), “Bamboo Girl” (S. Margarita) and “Plotz” (Barbara Klugman) give first hand accounts of getting their zines off the ground and keeping them running.

Guns & Mothers
(2003; 53mins, Color-close captioned)
Directed by: Thom Powers
Distributed by: First Run/Icarus Films
32 Court Street, 21st Floor, Brooklyn, NY 11201
Genre: Documentary
Issues: Gun violence in America.
Rating: Good

This film chronicles two groups, The Million Moms and the Second Amendment Sisters, and their response to the Columbine High School shootings and persistent gun violence in urban areas. Though these groups have opposing positions on gun control, they agree that women should have a voice in shaping gun control laws in America.

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Hair Piece: A Film for Nappy-Headed People
(1985; 10mins, Color)
Directed by: Ayoka Chenzira
Distributed by: Women Make Movies
Issues: African-American history and culture and the politics of beauty.
Rating: Good brief informational and historical look at black women’s beauty practices.

“An animated satire on the question of self image for African-American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free.” This film provides a brief examination of the challenges black women face cosmetically treating their hair to make it conform to Eurocentric standards of beauty. Gives a brief history of African-American hair care products and celebrates black women’s efforts to maintain natural hair with African aesthetics.

I shot Andy Warhol
(1996; 104mins, Color)
Directed by: Mary Harron
Presented by: Playhouse International Pictures
Genre: Narrative drama.
Issue: A radical feminism. Popular Culture of the 1960s.
Rating: Provocative and political.
Note: Includes strong language. (Beware, the videotape case is loose).
Valerie Jean Solanas, a radical anti-male feminist, wrote the ‘S.C.U.M. (Society for Cutting Up Men) Manifest’ in the 60s, advocating female superiority over male. The film introduces her as a survivor of sexual molestation by her father, an extremely bright young psychology student, then a misandrist activist, who tries to get Andy Warhol to produce her play, ‘S.C.U.M.’

Ida B. Wells: A Passion for Justice
(1989; 53mins, Color)
Directed and Produced by: William Greaves
Issues: Activist journalism, anti-lynching campaigns, the suffragists movement, reconstruction and race relations.
Rating: Excellent historical resource.

This documentary offers an interesting and informative look at one of America’s often forgotten civil rights heroes. Ida B. Wells was a tireless activist for anti-lynching laws in the U.S. She used her position as a journalist to bring to light the violence perpetrated against blacks in southern and northern states.

Iron Jawed Angles
(2003; 124mins, Color)
Directed By: Katja Von Garnier
Distributed by: HBO, Inc.
Genre: Feature film/dramatization
Issues: Women’s Suffrage

“Taking a fresh and contemporary look at a pivotal event in American history, IRON JAWED ANGELS TELLS the story of how defiant and brilliant young activist Alice Paul (Hillary Swank) and Lucy Burns (Frances O’Connor) took the women’s suffrage movement by storm, putting their lives at risk to help American women win the right to vote.”

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 I Was a Teenage Feminist
(2005; 62 mins., -Summer ’07)
Directed By: Therese Shecter
Distributed by: Women Make Movies
Genre: Video journal/documentary
Issues: Evolving perceptions of feminism.
Rating: Very

This video follows filmmaker Therese Shecter as she reflects on her experience growing up in a feminist home, and as she questions the dissonance that young women feel identifying with the word feminist in the contemporary context. This humorous, very personal look at the evolving meaning and significance of feminism offers a range of perceptions associated with the F-word.

New Mexico Statewide Women’s Studies Conference
(1997; 53mins, Color)
1) Art and Construction of Women by Andrea Isabel Quijada 2) Sexual Orientation in Cultural Context: The Interwoven Fabric of Identity by Courtney Mitchell and Carolyn Sandoval
Genre: Home Video/ Presentations
Issue: 1) Chicana art and feminism; 2) A holistic understanding of identity
Rating: A good record of the event.

The first presentation by Andrea Isabel Quijada explores a spiritual and cultural connection between the Aztec goddess Coatlicue and the Virgin of Guadalupe, which is expressed in Chicana art. The second presentation focuses on different theoretical models that analyze a formation of ‘identity.’ The presenters discuss importance of integrating as many as 16 variables to understand identity formation.

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NWSA Conference in Las Vegas 2002: “Political Women, Political Power”
(2002; 95mins, Color)
Filmed by: NWSA
Genre: Plenary Speakers
Issues: This video includes women in leadership roles in national and international organizations speaking about the uses of power toward political action.
Rating: Excellent source of women’s personal accounts of their place in history.

This tape includes the following speakers:
Colette Morrow, NWSA President - panel introduction.
Nadine Strossen, ACLU President- “ACLU and Women’s rights.” This speech looks at the ACLU’s history of defending women’s rights and how “legal rights in theory” are the first step in honorning rights in practice.
Ellie Smeal, President, Feminist Majority-“Maximizing the Power of Women’s Movements.” Smeal’s speech offers suggestions to maximize women’s power and gives examples of how women’s activism has influenced foreign policy, particularly in Afghanistan.
Sonali Kolhatker, Vice-President of the Afghan Women’s Mission – “The Impact of U.S. intervention on Afghan Women’s Rights.” Kolhatker gives a personal account of her work with RAWA and her experiences as a radio talk show host on Pacifica Radio and how important it is for Western women to be conscious and respectful of their potential to impact positively and negatively women’s struggles around the globe. She also discussed are U.S./foreign policy and the CIA’s historical involvement with conservative and extremist religious groups in the far and Middle-East.

NWSA Conference in Las Vegas 2002: “NWSA: Women of All Colors Building an Inclusive Organization Together”
(2002; 117mins, Color)
Filmed by: NWSA
Genre: Plenary Speakers
Issues: Interracial organizing, activism and coalition building. Examines racism in Women’s Studies and other activist organizations and introduces new models to create change in existing practices that make organizations more inclusive.
Rating: Excellent generative and historical resource examining Women’s Studies.

This tape includes the following speakers:
Beverly Guy-Sheftall, Director of Women’s Studies, Spellman College – “Disloyalty to Whiteness, Practicing What We Preach.” Sheftall speaks to the need for feminists to gain more personal involvement in community and in their professions to challenge racism. Guy-Sheftall
defines the phrase white “sollopsism” as a mindset that allows for pronouncing “the word racism while withholding…body and soul from the reality that word could evoke…”
Note: feedback on first 10 mins of audio.

Lisa Albrecht, University of Minnesota – “New paradigms for Social Justice: 21st Century Feminist Work.” Albrecht claims, “To do work toward the transformation of higher education in this country we must do activist work both inside and outside higher education institutions.” Albrecht offers the essential elements for movement as consciousness, vision, and strategy. She claims this element would allow for an inclusion of the complexity of lived experiences and breaking away from fear. She offers presenting “whiteness” as a lack to break the paradigm in Women’s Studies white focus.

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NWSA Conference in Las Vegas 2002: “Body Politic”
(2002; 90mins, Color)
Filmed by: NWSA
Genre: Plenary Speakers
Issues: The speakers on this tape examine the female body as a present factor in the discourse and activism of feminist politics.
Rating: Excellent classroom resource for Women’s Studies, political science and social sciences courses.
The speakers on this tape include the following:
Introduction by Barbara G. Brents, University of Nevada

Catherine Holland, University of Missouri – “Gender and Political Universalism in the Age of the Federalists.” Holland examines the impact of how certain notions of personhood encoded in the Constitution (primarily whiteness, maleness and property holding persons) are present and function in feminist scholarship today. She also suggests that citizens have to be mindful of the ways that claims of universalized citizenship collapse the “two notions of the body.” According to Holland, these notions appear disembodied but claim cultural authority, i.e. that of white males. Secondly, they imprison certain persons in their historical marginalized bodies.

Ann Russo, DePaul University -“White Innocence, White Accountability.”
Russo makes the case for women, white women in particular, to be conscious and accountable for how women’s bodies have been used historically to justify among other political action, slavery, nationalism and the rhetoric of white supremacy. Russo specifically uses U.S. foreign policy towards Afghanistan and the War on Drugs as depicted in film, Traffic (2000) for examples.
Rosemary Garland-Thompson, Emory University- “Integrating Disability/Transforming Feminist Theory.” Garland-Thomson lays out her framework for the Integration and Transformation of Feminist Theory, “Considering Disabilities, I want to argue, shifts the conceptual framework to strengthen our understanding of how multiple systems of oppression intertwine and redefine and mutually constitute one another.”

She Wants to Talk to You
(2001; 29mins, Color, Video; Subtitled-Nepal/U.S.)
Directed by: Anita Chang
Distributed by: Women Make Movies
Genre: Documentary
Issues: Human rights, women’s health, Asia, education, literacy, global gender politics.
Rating: Excellent resource for information about living conditions for women on the global landscape.

“In October 1999 filmmaker Anita Chang befriended three 13-yaer-old-girls while living in Kathmandu, Nepal. Honestly presenting themselves in front of the camera, these girls share with the filmmaker their ideas on marriage, friendship and spirituality.” Chang uses a montage of mediums including poetry and music testimonies to paint a complex picture of the lives of young women in Nepal. The video focuses on young women’s limited opportunities, in Nepal, given that they are culturally denied education. It also includes testimonies from seven women explaining their oppression and liberation in direct relationship to the educational opportunities they received.

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Shortchanging Girls: Shortchanging America
Two separate documentaries on one tape
Shortchanging Girls
(N/A; 17mins, Color)
Created by: American Association of University Women
Genre: Educational video
Issue: Gender equality in education.
Rating: Encouraging but somewhat jingoistic.

This promotional video advocates for gender equity and the development of support system for young girls to remain interested in traditionally male dominated academic disciplines, such as science, math and engineering. Combining interviews with prominent scholars, such as Carol Gilligan, and video footage of conferences and class room sessions, the video links the national defense issue with women’s educational advancement: “provide young girls education, so that America can compete.”

Step By Step: Building A Feminist Movement
(1998; 57mins, B&W/Color)
W/ Closed Captions in English
Created by: University of Wisconsin, Joyce Follet.
Produced by: Joyce Follet.
Distributed by: Women Make Movies, Inc.
Genre: Historical Documentary
Issue: Feminist movement in the ‘40s and ‘50s.
Gender equality and work.
Rating: Feminist. Informative, political and concise.

Focusing on the lives of eight Wisconsin women, six of whom became founders of NOW, this straightforward documentary recaps the history of 20th-century feminism. Interweaving archival footage of the war production industry during WWII, the equal rights movement in the ‘60s and ‘70s, and personal interviews, the film explores the development of women’s movement through various angles (e.g. labor unions, Equal Rights Amendment, class divisions, racism and lesbianism as feminist issues).

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The F Word
(1994; 10mins, Color)
By: Marcia Jarmel and Erin Gallagher
Distributed by: Women Make Movies
Genre: Short form documentary.
Issues: Feminism, women’s rights, women’s history, women’s studies
Rating: Excellent introductory resource on widely held perceptions of feminism.

Jarmel and Gallagher examine the meaning of the word ‘feminism’ through a montage of interview responses that reflect the various stereotypes, misconceptions and ultimately truths, about the what feminism encompasses. This short-form video covers a lot of ground in 10 minutes and is a useful introduction to the subject.

The Life and Times of Rosie the Riveter
(1987; 65mins, B&W/Color)
Directed by: Connie Field
Distributed by: Direct Cinema Ltd.
Genre: Historical Documentary
Issue: Women’s experience in war-production industry.
Rating: Engaging, feminist, uplifting and educational.
Recommended for class.
Note: Very low audio quality. Several bad cuts during the first 5 minutes.

Based on interviews with several women who worked in the war-production industry, this remarkable film explores these women’s experiences during and after WWII. Through a brilliant juxtaposition of their stories with archival footage of government propaganda films (which first encouraged women to become war workers, then pressured them to “return to their homes” after the war), the film offers a historical look at job discrimination based on sex and race during the wartime and post-war America. While unprecedented numbers of women entered the traditionally male world of welding, engineering, and building airplanes and ships for the war, black women were getting paid 5¢ less than white women. Similarly, only white women were allowed to have their own locker rooms and washer rooms.

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The Righteous Babes
(1998; 50mins, Color; England)
Directed by: Pratibha Parmar
Distributed by: Women Make Movies
Genre: Documentary
Issues: Feminism, women’s activism, music as popular culture, women’s music history, politics and media.
Rating: Excellent resource for popular culture and cultural studies courses.

“Acclaimed filmmaker Pratibha Parmar (A Place of Rage, Warrior Marks) explores the intersections of feminism with popular music, focusing on the role of female recording artists in the 1990s and their influence on modern women.” Popular music entities Crissie Hynde, Ani DiFranco, Tori Amos, Sinead O’Conner and others discuss the potential politics and power of performing their music. These artists are joined by Gloria Steinem, Camille Paglia and others who critique shifts in feminism and link these shiftsto music’s cultural impact on political activism.

The Sermons of Sister Jane: Believing the Unbelievable
(2006; 53 mins., Color-Spring ’07)
Directed By: Irving Saraf, Allie Light and Carol Monpere
Distributed by: Women Make Movies
Genre: Documentary
Issues: Nun’s speaking out against the corruption and misconduct in the Catholic Church.
Rating: Good.

This documentary profiles the life of controversial nun, Sister Jane Kelly, who refused to let the institutional forces of the Catholic church silence her from speaking out against wrong-doing within the faith. In an in-depth interview Sister Jane discusses her experiences as a whistle-blower in a sexual abuse scandal and her controversial views homosexuality, women priest and birth control.

Trickle Down Theory of Sorrow
(2002; 15mins, Color & B/W)
Directed by: Mary Filippo
Distributed by: Women Make Movies
Genre: Experimental Documentary
Issues: Women’s oppression and sexual discrimination.
Rating: Good. The information is interesting, but the montage makes it visually challenging.

This experimental documentary by Mary Filippo examines class and gender roles in employment practices using Filippo’s mother’s testimony as the centerpiece for the film. Filippo’s mother recounts her experiences with work exploitation and gender discrimination in the 1950s. This film’s erratic and non-narrative stylistic quality is at once engaging and difficult to follow.

Women’s Studies Summit 2000
(a.k.a. New Mexico: A Land of Beauty, Culture, Enchantment)
(2000; 22mins, B&W, Color)
Designed and Produced by: Elaina Montoya, Rebecca Padilla
Genre: Educational video.
Issue: Women in education, teenage pregnancy, domestic violence, substance abuse.
Rating: Formal and promotional.
Note: Problematic representations of women of color.

As a commemoration of the Women’s Studies Summit 2000, this video presents a brief introduction to various issues surrounding women of New Mexico, such as education, rape, domestic violence, drug and alcohol use, and health care. Unfortunately, the video exclusively profiles white women as feminist thinkers and leaders, while women of color are associated with substance abuse and teen pregnancy.

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WRC: 20th Celebration Forum
WRC: 20th Celebration Forum Continuation

(1992; 122mins, Home Video, Color) Two tapes
Filmed by: Women’s Resource Center, UNM.
Genre: Panel Discussion
Issue: Women in Education
Rating: A good record of the event.
Note: The second tape “Forum Continuation” has the same content, shot by a different camera.

This video presents the main panel discussion of “women in education” held during the 20th Celebration of Women’s Studies and Women’s Resource Center at UNM in 1992. The panelists include Ann Nihlen, Vivian Ng, Deborah Louis, Paul Risser, Teresa Cordova and Brenda Manuelita. The topics of their talks include, ‘gender and equality in school,’ ‘sex discrimination on campus,’ ‘anti-feminism in academia,’ and ‘history of women’s studies and women’s resource center at UNM.’

WRC: 20th Celebration: Angela Bowen, March 5, 1992
(1992; 62mins, Home Video, Color)
Created by: Women’s Resource Center
Genre: Public Speech
Issue: Women/lesbian of color, feminism and coalition building.
Rating: Feminist. Inspiring.

“I am not the postfeminist feminist, I am the Third Wave.” A black feminist writer, activist and educator, Angela Bowen speaks as a keynote speaker at the Women’s Resource Center’s 20th Celebration. She is a co-chair of the National Coalition for Black Lesbians and Gays, as well as a member of the Commission on Lesbian, Gay, Bisexual Concerns, and teaches in Women Studies and English at Cal State Long Beach. She discusses the current political and social climate of anti-feminist backlash, and emphasizes the importance of coalition building among diverse groups of people.

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WRC: 20th Celebration: Angela Bowen
(1992; 88mins, Home Video, Color)
Filmed by: Women’s Resource Center, UNM.
Genre: Public Speech
Issue: Women/lesbian of color, feminism and coalition building.
Rating: Feminist. Inspiring. Low audio quality.
Note: There are two copies of the same talk, shot by different cameras.

Featuring Angela Bowen, this video records her public lecture for the celebration of Women’s Resource Center at UNM. She addresses various issues surrounding contemporary feminism through her personal anecdotes: her experiences of becoming a professional dancer, marriage, an encounter with Audre Lorde, etc. The content of her talk overlaps with her keynote speech in the tape “WRC: 20th Celebration: Angela Bowen, March 5, 1992.”

WRC: 20th Celebration: Anita Hill
(1992; 66mins, Home Video, Color)
Filmed by: Women’s Resource Center, UNM.
Genre: Public Speech
Issue: Sexual Harassment as Abuse of Power
Rating: Feminist. A good record of the event. Low audio quality.

Human rights advocate and law professor Anita Hill from the University of Oklahoma speaks at the Women’s Resource Center’s 20th Celebration. This video records her talk titled “Harassment in the work place: some historical perspective on abuse of power.” Providing historical references of sexual exploitation of black women during slavery to the present, professor Hill emphasizes the importance of developing a “reasonable woman’s standard” in the legal system.

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Writing Desire
(2000; 25mins, Color)
Directed by: Ursula Biemann
Distributed by: Women Make Movies
Genre: Documentary
Issues: Female subjectivity in electronic media, human relationships in electronic global culture, the circulation of sex and desire across transnational landscapes through electronic media.

“A compelling video essay on the dream screen of the Internet and its impact on the global circulation of the women’s bodies from the Third World to the First.” This video also examines electronic written and visual mediums, such as the Internet and email, for their impact on human social and dating behaviors. It ponders how the global market place, through electronic media, facilitates the commodification of women in developing nations for Western buyers.

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Women of Color

A Video Book
(1994; 6 mins., Color)
Directed by: Beverly Singer
Genre: Autobiographical, experimental documentary
Issues: Indian identity, Indian cultural expression.
Rating: Very good.

This video expression of Singers life, thoughts, and images born out of cultural memory, offers the earnest candid voice of the filmmaker as an artist, woman and cultural, social and political subject.

Adio Kerida (Goodbye Dear Love)
(2002, 82mins, Color; Subtitled-Cuba)
Directed by: Ruth Behar
Distributed by: Women Make Movies
Genre: Documentary
Issues: Diaspora, interfaith families, Judaism, immigration, Latin America, National identity, International relations.
Rating: Excellent introduction to how intersections of nationality, religion, and geography shape identity. This is an excellent classroom resource for cultural studies and auto-ethnography.

“Distinguished anthropologist Ruth Behar (recipient of the MacArthur Genius Award) returns to her native Cuba to profile the island’s remaining Sephardic Jews and chronicle her family’s journey to the U.S. as Cuban-Jewish exiles.” Behar’s search to excavate the intricacies of her identity as Cuban and Jewish, take her to Havana, Cuba; Queens, N Y; Miami, FL and finally return her to her current home in Michigan. Issues of identity are at the heart of the film, which examines how people who are part of Diasporas experience relationship to nation, religion, community and family.

Adelante Mujeres!
Adelante, Mujeres! /Women of Hope: Latinas Abriendo Camino
Two separate documentaries on one tape
(1992; 30mins, B & W, Color)
Researched and Written by: Mary Ruthsdotter
Presented by: National Women’s History Project:
Distributed by: Women Make Movies, Inc.
Genre: Historical documentary.
Issue: History of Chicana/Mexican American Women:
Colonization, migration, cultural traditions, assimilation,
gender equality, and civil rights movement.
Rating: Feminist, political and informative. Recommended for class.

The film traces the history of Mexican American/Chicana women from the early colonial era of the 1600s to the late 1980s. Through a collage of archival photographs of remarkable Mexican American/Chicana workers, leaders, and educaters, it highlights five centuries of struggle. Featured historical figures include Eulalia Arrira de Pérez, Judith Idár, Alicia Montemayor, Emma Tenayuca, Luisa Moreno, Dolores Huerta, Jessie Lopez de la Cruz, and Francisca Flores. These courageous women founded various labor unions and political and cultural organizations, such as Alianza Hispano Americana, League of United Latin American Citizens, and Commicion Feminine Mexicana Nacional.

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Apple
(1998; 85mins, Color)
Directed by: Samirah Makhmalbaf
Genre: Docudrama.
Issue: Patriarchal values, oppression, and liberation of Iranian women.
Rating: Poetic, feminist, political and innovative. Excellent for class use.

Directed by 17-year-old Samirah Makhmalbaf, daughter of acclaimed Iranian filmmaker Mohsen Makhmalbaf, this fascinating docudrama recounts a real-life story of 12-year-old twin girls, who were locked up all their lives by their impoverished and deeply religious father in Teheran. Instead of simply condemning the father for his repressive actions, the film reveals the complexity behind this national scandal.

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As The Mirror Burns
(1990; 58mins, Color)
Directed by: Christina Pozzan
Distributed by: Women Make Movies
Genre: Documentary
Issues: The Vietnam War, women in war, perceptions of Vietnamese women.
Rating: Not Rated

This video offers a drastically different image of Vietnamese women than the timid, victimized women often seen in Western depictions of the Vietnam War. It is estimated that 70% of the Vietnamese guerilla forces fighting against foreign domination were women. Through interviews and file footage from media coverage, we see that Vietnamese women were active participants in the war, often leading the resistance against western invaders.

Beah: A Black Woman Speaks
(2003; 90mins, Color)
Directed by: LisaGay Hamilton
Distributed by: Women Make Movies
Genre: Documentary
Issues: Black actors in Hollywood, blacks in the Communist Party, black cultural intellectuals in the 20th century.
Rating: Excellent biographical and historical resource and a wonderful classroom teaching tool.

This film is a powerful autobiographical and biographical account of the life and times of actress Beah Richards. Beginning with her early life in the south, the film follows Beah’s careers as an actress, writer and activist in early and mid twentieth century California and New York. Richard’s complex and inspiring life story is told mostly in her own words which relay her commitment and love to the arts and the African-American people.

Beauty In The Bricks
(1980; 29mins, Color)
Directed by: Cynthia Salzman Mondell &
Allen Mondell
Distributed by: Media Projects Inc.
Genre: Documentary; the first installment of a two part series.
Issues: Poverty, urban housing, urban community relations, at risk women of color, community organizing, mentoring, and peer pressure.

This film examines the lives of four young women growing up in a west Dallas housing project as they navigate and talk about their challenges in their poor urban community. We watch as these teens participate in activities organized by a local girls club and forge friendships that help them aspire to a better life.

Beauty Leaves The Bricks
(1995; 45mins, Color)
Produced and Distributed by: Cynthia Salzman Mondell &
Allen Mondell
Media Projects Inc.
Genre: Documentary
Issues: Poverty, urban community relations, at risk women of color, community organizing, mentoring, peer pressure, and urban flight.

It is recommended that viewers screen Beauty in the Bricks prior to screening this sequel.
This documentary is a compelling sequel to the 1980 film Beauty in the Bricks. Cynthia Salzman Mondell returns to the west Dallas housing project nicknamed, The Bricks, for a 15-year follow-up with the young ladies who surprised and inspired us in the first film. We see how these young women’s lives have changed as they have moved away, married, and blossomed into womanhood. Their accounts of success, disappointment, and family relations are candid, earnest, and always moving as they talk about growing up together, leaving The Bricks and drifting apart.

Black Women On: The Light/Dark Thang
(1999; 52mins, Color)
Produced by: By Celeste Crenshaw &Pauls Caffey
(No production company listed.)
Genre: Panel Discussion and Personal Narratives
Issues African-American women and assimilation, Colonization, Media Images, Interracial Dating, and Body Image.
Rating: Informative and provocative. Suggests screening with discussion group.
This video offers an examination of the ‘pigmentation politics’ that exist within African-American communities. Black women testimonials about their acceptance of Euro-centric standards of beauty, enforced through popular culture, reveal how complexion politics have affected their family, social and professional interactions.

Black Women Writers
(1989; 53mins. [44mins. w/o commercials], Color)
Produced by: Donahue Multimedia Entertainment, Inc.
Genre: Donahue’s TV talk show.
Issue: Feminist black women writers.
Sexism in black communities. Silencing black peoples’ voices.
Rating: Controversial and critical.
Note: The tape contains about 9 minutes of commercials in between.

This episode of Donahue’s talk show hosts a panel discussion of the works and contributions of contemporary black women writers, including Alice Walker, Angela Davis, Maya Angelou, Michelle Wallace, and Ntozake Shange. These writers discuss dilemmas of being black women in feminist and civil rights movements as well as being censored as writers by their own communities. Black men in the audience express their feelings about stereotypes of domineering black women. The white host Donahue often silences these women panelists as if to stir up controversies.

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Brown Sugar: Part I, Part II, Part III & Part IV
(1985; 52mins/ 58mins/ 52mins/ 58mins, B&W, Color)
W/ Closed Captions in English.
Created by: Ebony Productions, Inc. /
Corporation for Public Broadcasting (CPB)
Genre: TV documentary.
Issue: History of African American women entertainers: 1920s-1980s.
Rating: Educational, political and entertaining.
Note: A little grainy: low audio-visual quality.

Based on the book, Brown Sugar: Eighty Years of America’s Black Female Superstars by Donald Bogle, this comprehensive documentary recaps the history of pioneering black women entertainers from the 1920s to the 1980s through archival footage, photographs and interviews. Part One focuses on pioneering black women singers and actresses, such as Ma Raniey, Bessie Smith, Josephine Baker, and Nina Mae McKinney. Part Two features Billie Holiday, Hattie McDonald, Fredi Washington, and Ethel Waters, who emerged during the depression era of the 1930s. Part Three profiles Lena Horne, Hazel Scott, Katherine Durham, Dorothy Dandrige, Eartha Kitt, and Joyce Bryant, who challenged older stereotypes of black women in the 1940s and 1950s. Part Four covers 1960s, 1970s, and 1980s when Aretha Franklin, Dione Warwick, Dee Dee Sharp, Diana Ross, Donna Summer and Cicely Tyson became icons of popular culture. These extraordinary women struggled against racism, sexism, and stereotypes of black women imposed by mainstream society, such as the images of ‘super-sexy noble savage,’ ‘endurable black matriarch,’ and ‘ all-knowing-self-sacrificing-mammy.’

Chisholm ’72: Unbought and Unbossed
(2004; DVD, 77 mins., Color)
Directed by:  Shola Lynch
Genre: Documentary
Issues: Race, Class, Gender and Presidential Politics.
Rating: Excellent for all informational purposes.

This unsentimental and illuminating documentary examines the campaign, cultural climate and political impact Congresswoman Shirley Chisholm’s 1972 run for the presidency had on the nation. The film combines newsreels, behind the scene footage and interviews with those involved in the campaign, including commentary from Chisholm herself.

Dam/age
(2002; 50mins, Color-Close Captioned)
Directed by: Aradhana Seth
Distributed by: First Run/Icarus Films
Genre: Documentary
Issues: Globalization, multinational corporations, displacement, free speech, global activism, environmental justice, post colonial commerce.
Rating: Excellent contemporary account of the previously listed issues.

This film follows Booker Prize Winning writer (1998) Arandhati Roy through her experiences fighting in the heroic campaign against the Narmada River Valley dam project in India. Roy faces personal challenges and legal danger when she uses her fame to bring attention to attention to the hardships forced on India’s poor by their government and powerful multinational corporations.

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Daughters of the Dust
(1991; 113mins, color)
Directed by: Julie Dash
Produced by: Julie Dash, Arthur Jafa
Distributed by: Kino International video
Genre: Narrative drama
Issue: Oral history. African American identity.
Rating: Imaginative, compelling and political. Excellent for class use.

Shot with exquisite beauty and sensitivity, this award-winning film tells a story of an extended black family on the eve of their migration to North in 1902. Juxtaposing a rich matriarchal tradition of Gullah people (descendants of African slaves living on the Sea Islands off the Georgia coast) with modern Christian ways of mainstream America, the film provides a poetic exploration of African American history, spirituality, and cultural identity.

Everyone Their Grain of Sand
(2005; 87 mins., Color-Spring ’07)
Directed By:  Beth Birth
Distributed by: Women Make Movies
Genre: Documentary
Issues: Corporatization of private lands, globalization, capitalism, grass-roots activism.
Rating: Good.

This documentary chronicles the struggles of the fiercely determined citizens of Maclovio Rojas, Tijuana, Mexico as they fight to keep their land in the face of government bullying and corporate development. Over a three-year period we see these resourceful and spirited residents fight bureaucratic stonewalling and persecution.

Fire
(1996; 104mins, Color)
Directed by: Deepa Mehta
Genre: Narrative Drama
Issue: Indian (South Asian) lesbian identity.
Rating: Feminist, entertaining and political. Recommended for class.

This controversial film is a portrait of two contemporary middle-class Indian women, whose romantic relationship causes turmoil in a patriarchal joint family in New Delhi. Their personal struggle for freedom and questioning of traditions alludes to post-colonial India’s transformation into a modern sovereign nation.

Flowers for Guadalupe
(-Summer ’07)
Produced By: Judith Gleason
Distributed by: The Filmmakers Library
Genre: Documentary
Issues: The Virgin of Guadalupe
Rating: Very Good.

This documentary looks at the cultural, political and religious significance of the Virgin of Guadalupe to Mexican women today.  This video includes interviews with a range of women scholars, artists and other Mexican nationals who discuss the significance of the Virgin of Guadalupe in their lives, and in Mexican culture in general. This documentary also follows hundreds of women on an annual pilgrimage from the rural state of Queretaro, Mexico to Mexico City.

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Four Women of Egypt

(1997; 90mins, Color)
Directed by: Tahani Rached
Distributed by: Women Make Movies
Genre: Documentary, personal narratives.
Issue: Egyptian and Middle-Eastern politics. Excellent historical material with inspiring and insightful message

Four Egyptian women from very different backgrounds, lives, and perspectives, share their endearing and enduring friendship through director Tahani Rached’s 35 mm lens. Political and social justice activists Amina Rachid, Shahenda Maklad, Wedad Mitry, and Safynaz Kazem are the subjects of this documentary that dares to lay the poignant narratives of these women’s lives along side Egypt’s political history. It is abundantly clear from their voices that political myths are always only part of the story and that political and intellectual differences are a breeding ground for growth and invaluable alliances. This is excellent learning tool forthose interested in politics in Egypt and the Middle East.

Forbidden Fruit
(2000; 30mins, Color)
Directed by: S. Bruce, B. Kunath, and Y. Zukmantel
Distributed by: Women Make Movies
Genre: Docudrama
Issues: sexuality, sexual and gender politics in Africa.
Rating: Fair.

This video breaks barriers about lesbian relationships and sexual identity in African society.
Using as its centerpiece the re-enactment of a lesbian relationship within the politics of a rural Zimbabwean village, Bruce, Kunath and Zückmantel tell a powerful and engaging story that Amy Villarejo of Cornell University says, “exploits passion in the service of transformation” and makes a “call to queer, global solidarity.”

From Hollywood to Hanoi
(1992; 78mins, B&W/ Color)
Directed by: Tiana Thi Thanh Nga
Distributed by: Indochina Film Arts Foundation
Genre: Documentary
Issue: Vietnamese/ American identity. Vietnam today.
Rating: Highly critical, innovative and entertaining. Recommended for class.

This engaging and intelligent film by Tiana, a Vietnamese/ American filmmaker, explores complex issues of exile, displacement, assimilation, and reconciliation. Searching for her own doubleness of identity, Tiana travels back to ’90s Vietnam, after leading a life of an assimilated Asian actress in Hollywood. Witty and critical, the film combines clips from old propaganda war films, music videos, childhood photographs, and interviews in order to narrate a personal-as-political story of one woman’s effort to bridge her two homelands.

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Girls Like Us
(1997; 57mins, Color)
Produced by: Jane C. Wagner & Tina Difeliciantonio
Distributed by: Women Make Movies
Genre: Documentary, Personal Narrative
Issue: Young women in adolescence and how they navigate peer pressure and societal influences.
Rating: Educational and relevant to social, cultural, gender and economics.

This documentary follows the lives of four very different young women raised on the urban east coast over the course of four years (while they are between the ages of 14 and 18). Lisa, Anna, De’Yona, and Raelene struggle to find themselves amidst their parent’s generational, cultural and religious influences and social pressures from their peers. This documentary is a triumphant and heartbreaking tale of four girls journeys into womanhood at the turn of the 21st Century.

Girls Still Dream
(1995; 21mins, Color)
Distributed by: Women Make Movies
Directed by: Ateyyat El Abnoudy
Genre: Documentary
Issues: The impact of early marriage (sometimes before the age of 12-years) and illiteracy on the living conditions of Egyptian women. Secondary issues are the Middle East, Islam, young women and human rights.
Rating: Excellent teaching resource for classes about international women’s rights, global conditions of women, and
This video illuminates the struggle Egyptian women face acquiring basic human rights. Because marriage is compulsory and girls are often married by the age of 16, their educations are interrupted or end, and they find themselves at the mercy of their husbands and husband’s families. The women’s stories featured in this documentary show how cultural traditions clash with these women’s dreams of self-determination.

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Go Home Baby Girl
(2005; 50+ mins., Color-Summer 2007)
Directed By: Audrey Huntley
Genre: Documentary
Issues: Missing and Murdered Native American Women in Canada
Rating: Good

This powerful documentary sheds light on the little known fact that hundreds of Native American women have gone missing and have been found murdered in Canada in recent years. This documentary talks to their friends and family members about their experiences of losing loved ones and their attempts to solicit help from the authorities, and attention from society at large.

Guide to Healthy: Information for a Winning Lifestyle
(1998; 30mins, Color)
Produced by: Ebony/National Medical Association
Johnson Publishing Company, Inc./Conrad & Associates, Inc.
Genre: Educational Video
Issues: Health and Wellness concerns for African-Americans
Rating: Informative about diabetes, hypertension, asthma and other illnesses
that have a high incidence in the Black community.
This brief informational video offers explanations for the causes of diseases that frequently affect members of African-American communities. In addition to testimonials from celebrities such as Della Reese, Malik Yoba and Patti LaBelle, expert medical advice is provided by Black physicians. The experts also provide basic fitness and wellness tips for improving physical, mental and spiritual health.

Guts, Gumption and Go-Ahead
(1992; 24mins, Color)
Produced and Directed by: Cynthia Salzman Mondell
Distributed by: Media Projects, Inc.
Genre: Docudrama
Issues: One black American women’s experiences during the civil rights, voting rights, and slave eras in the U.S.
Rating: Good.

This video dramatizes an account of activist Annie Mae Hunt’s life performed by actress Irma Hall. Hall offers a moving account of one courageous African-American women’s life as a political activist before, during and after the Civil Rights Movement. Events are recounted in the words of Annie Mae Hunt, and capture the personality, vitality and courage of her experiences fighting for the rights of African-Americans. Her story is a lesson in the rewards of fearless independence.

Heart of the Sea
(2002; 57mins, Color)
Directed by: Lisa Denker and Charlotte Lagrade
Distributed by: Women Make Movies
Genre: Documentary
Issues: Hawaii’s matriarchal heritage, breast cancer, and women’s professional surfing.

This video offers a portrait of Rell “kapolioka’ehukai” Sunn, recognized as the founder of professional women’s surfing. Sunn died in 1998 of breast cancer, but her legacy as an icon of women’s surfing and Oahu, Hawaii community leader lives on in the women’s International Surfing Association and the annual Menehune surfing contest for children that she founded. The video is an example of the important contributions women make to sports and community that are often missing from the mainstream media’s depictions of leadership.

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Hózhó of Native Women
Wellness & Native Women (V Conference) 1994, Phoenix, AZ.
Health Promotion Program, Continuing Education, University of Oklahoma
(1997; 29mins, Color)
Directed by: Beverly Singer
Genre: Documentary and personal narrative.
Issues: Indigenous Peoples, Indians, Native Americans
Rating: Informative, empowering and inspirational.
This documentary uses clips from the fifth Wellness and Native Women’s conference and native women’s personal testimonies for insights on how native people maintain cultural resiliency and natural harmony despite non-native influences. This video by Singer, who is Navajo and Tewa, shows how native women scholars and healers integrate traditions into their current lifestyles. Native women give their thoughts on balanced approaches to life.

Iraqi Women: Voices From Exile
(1994; 54mins, Color)
Directed by: Maysoon Pachachi
Distributed by: Women Make Movies
Genre: Historical Documentary, Personal Narrative
Issues: The social and political circumstance of Iraqi women exiled in Britain. Also, immigration and the Middle East.
Rating: Educational, feminist and informative international account of Iraqi politics and their impact on women. Excellent teaching reasource.

This video offers a thoughtful critique of Iraq’s recent history and how it’s political shifts have affected Iraqi women. These first person narratives from the rarely heard voices of Iraqi women, offer a reflective look at Iraqi politics in the ’40s and 50s, and the July 14, 1958 revolution. The video also gives a thorough account of Iraqi women’s living conditions following Hussein’s rise to power from 1991 to the Gulf War.

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La Boda
(2000; 53mins, Color)
Directed by: Hannah Weyer
Distributed by: Women Make Movies
Genre: Documentary
Issues: Marriage customs, migrant families, U.S./Mexican border issues, and cultural studies.
Rating: Excellent resource for cultural studies and humanities classes.

“In an intimate portrait of migrant life along the U.S.-Mexican border, Hannah Weyer’s film La Boda, delves into the challenges faced by a community striving to maintain their roots in Mexico, while pursuing the ‘American Dream’ across the border.” Twenty-two year-old Elizabeth, prepares for her wedding and recounts moments of her life as a child in a migrant working family. The story unfolds between Shafter, CA and Mission, TX, where the (Luis) family splits their time between in-season and off-season harvest work. This documentary reveals the commitment and strong relationships people foster by living in collectivistic communities that depend on each as friends and extended family.

La Operacion
(Wmst Grant Contribution-Women Studies Grant Film -Spring 07)
Directed by: Ana Maria Garcia
(1982; 40 Mins., Color)
Cinema Guild Release: www.cinemaguild.com
Genre: Documentary
Issues: Population control, forced sterilization, women’s health, reproductive rights.
Rating: Good

This documentary examines the use of female sterilization, as a means of population control in Puerto Rico, a geographic region with the highest incidence of sterilization in the world.

Made in Thailand
(1999; 33mins, Color)
Directed by: Eve-Laure Moros and Linzy Emery
Distributed by: Women Make Movies
Issue: Exploitation of Women’s Labor in Thailand/Factories and Labor Union Organization.
Genre: Documentary
Issues: Global trade, transnational corporations, sweatshops, international labor laws, human rights, and global working conditions for women.
This documentary examines the deadly working conditions and the union struggles women factory workers in Bankok Thailand faced before and after the May 10, 1993 Kader toy factory fire where 500 workers were injured and 188 died. This video focuses on the economic exploitation of factory and textile workers (90% of whom were women) during a time when Thailand was being hailed by the US as a model economy. Workers testimonies reveal that factory doors were locked to protect inventory and profits from theft, and this was the reason for the high number of fatalities in the fire.

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Mai’s America
(2002; 72mins, Color Subtitled)
Directed by: Marlo Poras
Distributed by: Women Make Movies
Genre: Documentary
“Mai’s America is a personal journey that defies all expectations. Mai, a smart, vivacious, and resilient Vietnamese teenager, travels to America for her senior year of high school, shouldering her family’s high expectations and her own visions of western-style success.” Though Mai expected he student exchange to land her in the glitz and glamour of Hollywood or New York, she finds herself in the heart of the deep South in a rural Mississippi town.

Monday’s Girls
(1993; 50mins, Color; Subtitled-England)
Directed by: Ngozi Onwurah
Distributed by: Women Make Movies
Genre: Documentary

“This fascinating documentary, by the acclaimed filmmaker of The Body Beautiful, follows two young Nigerian women’s different experiences of a traditional rite of passage.”

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My Name is Kahentiiosta
(1995; 30mins, Color)
Directed by: Alanis Obomsawin
Distributed by: Women Make Movies
Issues: Kahnawake Mohawk sovereignty and self-determination, Indian women leaders, triumphs and plights of indigenous peoples.
Rating: Good.

“This affecting film from acclaimed director of Abnaki Kanehsatake: 270 Years of Resistance profiles a young, courageous Kahnawake Mohawk woman who was arrested after a 78 day armed standoff in 1990 between the Mohawks and the Canadian federal government. My name is Kahentiiosta is a compelling look at a people’s movement for self-determination.”

Nobody Knows My Name
(1999; 58mins, Color)
Directed and Produced by: Rachel Raimist
Edited by Christine Kim
Genre: Documentary, personal narratives
Issue: Women in Hip-Hop music.
Rating: Innovative, informative and provocative. This video contains explicit language and deals with mature themes. Recommend
for classes dealing with feminist issues, popular culture, and musical subcultures.

Rachel Raimist insightful documentary features five women who are rooted in various aspects of the Hip-Hop music scene despite the fact that as women they are often unseen and heard by the music culture they support. The artists featured are Leschea (singer), T-Love (rapper), Asia (dancer), D.J. Symphony and Lisa (wife & mother), and funk and R & B based rapper, Madusa. These women have carved out a space for themselves in a formerly marginalized music medium. Despite their love for Hip-Hop, these women draw little fame and financial reward from their careers in this male dominated music arena. The video also raises questions about the music industry’s sexual and racial politics and calls for greater participation and visibility of women in Hip-Hop.

Salt of the Earth
(1953; 114mins, B&W)
Directed by: Herbert Biberman
Created and Distributed by: Independent Productions Corporation
Genre: Narrative Drama
Issue: Social injustice against Mexican American miners.
Gender equality at home.
Rating: Feminist. Poetic, political and educational.
Excellent for class use.

This compelling historical narrative film is based on a 1950 strike by Mexican American zinc miners in New Mexico. People in the mining community not only fought racism but also dealt with sexism at home. The strength of the film lies in its empowering depictions of gender role reversal; over the course of the strike women take over the picket line and men become in charge of domestic duties. The film was created by a group of ‘blacklisted’ filmmakers during the height of the McCarthy era.

Seen but Not Heard
(WmSt Grant Contribution-Women Studies Grant Film-Spring ‘07)
Directed by: Calogero Salvo
(2002; 57 Mins., Color)
Cinema Guild Release: www.cinemaguild.com
Genre: Documentary
Issues: Immigration, Terrorism, Victims Rights
Rating: Good

This documentary follows the lives of four undocumented women who lost their husbands and spouses in the New York 9-11 terrorist attack.  Filmed in New York and Mexico, this video gets at both the sacrifices these women have made to create a better life for their families, and their contributions to American society.

Senorita Extraviada
(2001; 74 mins., Color, Some Spanish w/English Subtitles)
Directed by: Lourdes Portillo
Issues: Murders of young Latina women along the U.S.-Mexico border, U.S.-Mexico relations, NAFTA, sex crimes, corruption in U.S. and Mexican law enforcement, and violence against women.
Rating: Excellent overall and an invaluable classroom tool.

This gripping documentary meticulously tells the legal, emotional and political stories about the more than 500 young women who have been abducted and murdered along the U.S.-Mexico borders. Most of them have been employed at U.S. owned factories. Evidence suggests that these young women are being preyed on by co-workers at the factory where they work and/or members of a transnational drug cartel.

Sister Song
(2001; 30+mins., Color)
Produced by: Sister Song Women of Color Collective
Ph. (404) 344-9629 Fax (404) 346-7517
Genre: Interviews
Rating: Excellent

This collection of interviews by women of color reproductive rights activists and advocates provides a diverse range of opinions, philosophies and reflections on the subject. These women connect the political battles over reproductive health to the social, cultural an spiritual concerns that surround them for women of color.

Slaying the Dragon
(1988; 60mins, Color)
Directed by: Deborah Gee
Distributed by: Women Make Movies, Inc.
Genre: Documentary
Issue: Asian women’s stereotypes, racialized sexism in media.
Rating: Feminist, entertaining, and highly critical.
Excellent for class use.

Tracing the history of racist and sexist stereotypes of ‘exotic’ ‘docile,’ and ‘subservient’ Asian and Asian American women, such as ‘dragon lady,’ ‘geisha girl,’ and ‘china doll,’ this insightful film offers a critical look at historical and political forces behind the Hollywood caricatures of Asian women. Combining clips from classic and contemporary film with personal interviews, the film reveals the socio-cultural and psychological impact of those ubiquitous images upon Asian American women’s identity.

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Song Journey
(1994; 57mins, Color)
Directed by: Arlene Bowman and Jeanine Moret
Distributed by: Women Make Movies
Issues: Native women’s contributions to artistic and creative traditions, native women’s cultural self-determination in male dominated power structures.
Rating: Good

“Song Journey takes Arlene Bowman (Navajo) on the pow-wow circuit in the hope of reviving her connection to traditional Native culture. There she finds a fascinating movement amongst Native American female musicians who are both carrying forward the musical traditions of the First Nations as well as conducting a gentle by effective rebellion against male monopoly of the “inner circle” represented by the drum. Song Journey is a powerful illustration of the strength of contemporary Native cultural identity and a wonderful companion to Bowman’s awarding winning Navajo Talking Picture.”

Standing On My Sisters' Shoulders
(2002; 60mins, Color)
Directed by: Laura Lipson, Joan Sandoff and
Dr. Robert Sandoff
Distributed by: Women Make Movies
Genre: Documentary
Issues: Women’s influences on civil and voting rights in America during the 1950s and 60s.
Rating: Excellent historical account of unsung local heroes. Highly recommended for classroom use and general informational purposes about gender politics in the civil rights era.

This video is an insightful look at the American Civil Rights Movement through the eyes of seldom seen heroes including: Annie Devine, Fannie Lou Hamer, Victoria Gray Adams, Unita Blackwell and Mae Bertha Carter. These Mississippi residents and descendents of slaves provide an unwritten chapter in our nations struggle for racial equality and democracy. These women emerged as grassroots leaders whose fight for voting rights propelled them onto the national landscape. Joan and Robert Sandoff and Laura J. Lipson compile photos, archival footage and extensive interviews from participants and witnesses of the deep sacrifices suffered by the women, black and white, who stood for civil rights.

Surname Viet Given Name Nam
(1989; 108 Mins., Color, Wmst Grant Film Spring ’07)
Directed by: Trinh T. Minh-ha
Genre: Documentary format including poetry and testimony
Issues: Survivors of Vietnam, identity, popular memory, culture, interrogates the format and politics of interviewing and documenting.
Rating: Good

This experimental form documentary uses poetry, music, art and spoken narrative to capture some of the experiences of the women of North and South Vietnam.

The First People, The Last World
(Circa 1990s, 44mins, Color)
Produced by: Film Makers Library, Inc.

Genre: Educational, Documentary
Issues: Indigenous Peoples, Indians, Native Americans, assimilation, the politics of native art, hate crimes and casino commerce.
Rating: Educational, informative and inspirational.

This video takes a look at native peoples triumphant spirits despite their challenges with settlers and governments in the United States of America.Tribal members of the Apache, Navaho, Lakota, Sioux and the Mashantucket Pequot tribes, discuss the historical influences informing the conditions of their people today and what individuals and tribes are doing now to reclaim, restore, and honor their heritage and lands. Tribal members offer their ideas and philosophies about building and strengthening native communities. They also speculate about native people’s place in society at large in the future in North America.

The Life and Times of Sara Baartman: The Hottentot Venus
(1998; 52mins, Color)
Directed by: Zola Maseko
Distributed by: First Run/Icarus Films
Genre: Documentary
Issues: Colonization, constructions or race; social and cultural constructions of womanhood.
Rating: Excellent historical source about the visual constructions of black womanhood.

This documentary offers a compelling look at the life of Sara Baartman, woman from South Africa from the Khoi Khoi people who was brought from Cape Town to London in 1810 and exhibited as a sideshow curiosity. This video traces Baartman’s (also know as the Hottentot Venus) journey from London to where she was ultimately exhibited in Paris and became the subject of medical experimentation until her death in 1814. This video examines Eurocentric assertions about “primitive” sexuality, and reveals how they served Baartman’s demise and inform current social and sexual constructions of women of African descent.

The Passion of Maria Elena
(2003; 76mins, Color)
Directed by: Mercedes Moncada Rodriguez
Distributed by: First Run/Icarus Films
Genre: Documentary/Docu-drama/Interviews
Issues: Rights and Justice for indigenous peoples, racism, governmental corruption and cultural identity, grief and healing.
Rating: Excellent resource for looking at systems of social, political, and cultural oppression.

Maria Elena is indigenous Raramuri and Mirasela woman living in Chihuahua, Mexico. Her 3-year-old-son, Jorge is killed by a White man in a hit-and-run accident. In the midst of her grief, community gossip, and ridicule, Maria Elena embarks on a heart-wrenching struggle for justice from corrupt, racist institutions that block her case at every turn.

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The Return of Sara Baartman
(2003; 55mins, Color)
Directed by Zola Maseko
Distributed by: First Run/Icarus Films
Genre: Documentary
Issues: Racial reconciliation and post colonization, global feminism, human rights, repatriation of indigenous remains and artifacts, South Africa peoples and culture. Visual and political constructions black womanhood.
Rating: Excellent historical record.

This documentary chronicles the repatriation of the remains of Sara Baartman to South Africa. Baartman was taken to London in 1810 where she was cruelly displayed in a sideshow as a symbol of savagery and sexuality. After a legal battle over her inhumane treatment, her captors fled with her to Paris, France with where she eventually died. Baartman was dissected by the French scientific icon Georges Courvier and placed on display in Musee de l’Homme. This documentary offers closure to a tragic tale of racism and imperialism.

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Visions of the Spirit: A Portrait of Alice Walker
Three separate documentaries on one tape (1989; 58mins, Color)
Directed and Produced by: Elena Featherston
Distributed by: Women Make Movies, Inc.
Genre: Biographical Documentary
Issue: Alice Walker: African American women’s literature and feminism.
Rating: Feminist. Inspiring and educational.

This intimate portrait of Pulitzer Prize-winning author Alice Walker explores a rich cultural and political background of Walker as a writer, an African American, a feminist, a Southerner, a mother, and an activist. Walker grew up in Eatonton, a small Georgia town known as the home of writers Flannery O’Connor and Joel Chandler Harris (whose works present stereotypical caricatures of African Americans). Through interviews with Walker, her family members, Barbara Christian (literary scholar), and crews from the film The Color Purple, this film offers an insightful tribute to one of the most admired contemporary feminist writers in the United States.

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Women of Hope: Latinas Abriendo Camino
Adelante, Mujeres! /Women of Hope: Latinas Abriendo Camino
Two separate documentaries on one tape
(1996; 29mins, Color)
Directed by: Robert Rosenberg
Created by: Bread & Roses Cultural Project, Inc.
Presented by: Films for the Humanities & Sciences
Genre: Documentary with autobiographical interviews
Issue: Bilingal education, sexism and racism in professional jobs, women’s rights and cultural traditions.
Rating: Feminist. Political and empowering.
Recommended for class.
This inspiring film interviews Latina professionals with various occupational and cultural backgrounds, who discuss what it means to be a “Latina” in the United States. Interviewees include Adriana Ocampo (planetary geologist), Antonia Hernandez (civil rights lawer), Ana Sol Guiterrez (engineer), Miriam Colón (actress), Dolores Huerta (labor union activist), Julia Alvarez (novelist), Helen Rodríguez (physician), Sandra Cisneros (novelist), Antonia Pantoja (educator), and Nydia Velázquez (congresswoman).

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Lesbian/Gender

A Soldier’s Girl (Donated)
(2003; 111mins, Color)
Directed by: Frank Pierson
Distributed by: Showtime Entertainment
Genre: Feature film
Issues: Hate crimes, gender identity, gays in the military, don’t ask don’t tell.

This film recounts the story of the 1999 murder of U.S. infantryman, PFC Barry Winchell (Troy Garity), who was the victim of a hate crime in Ft. Cambell, KY after his platoon found out that he was involved with a local transsexual performer.

Black and White
(2006; 17 mins., Color-Spring ’07)
Directed By: Kristy McDonald
Distributed by: Women Make Movies
Genre: Documentary
Issues: The treatment of intersex people in rigid intuitional categories of male and female and gender identity.
Rating: Good.

In a small New Zealand hospital in 1953, the birth of mani Bruce Mitchell caused a mild pandemonium. Fifty years later, Black and White interweaves the stories of this intersex activist and the acclaimed photographer Rebecca Swan, exploring their potent creative collaboration. This documentary introduces and elaborates on views and notions of gender fluidity.

Closer
(2000; 24mins, Color)
Directed by: Tina Gharavi
Distributed by: Women Make Movies
Genre: Documentary
Issues: Coming of age issues, coming out, sexual orientation and identity, teen lesbian sex and dating.
Rating: Good resource for classroom.
“A poignant character study of a 17-year old lesbian living in Newcastle, England … ” This experimental form documentary combines, re-enactment and dramatizations to chronicle the life of Annelise Rodger as she negotiates her lesbian identity in her family and on the streets of Newcastle. She explores the local lesbian bar scene, dating, and comes out to her family. The film is an inspiring portrait of a self-assured young woman finding her way in the world.

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Consenting Adult
(1985; 115mins [w/commercials] Color)
Directed by: Gilbert Cates
Distributed by: American Broadcasting Company (ABC)
Genre: Narrative Drama
Issue: Gay coming-out drama. Family conflict.
Rating: Encouraging.
Note: It contains TV commercials every 15minutes.

Based on the novel by Laura Z. Hobson, this coming-out drama tells the story of Jeff, a white middle class college student, whose parents deny his sexual identity. The film explores parental and societal pressures to ‘convert’ Jeff into being straight, as well as his parents’ gradual acceptance of his identity and life style.

Fiction and Other Truths: A Film About Jane Rule
(1995; 58mins, B&W, Color) Great Jane Production.
Directed by: Lynne Fernie, Aerlyn Weissman
Produced by: Rina Fraticelli
Genre: Biographical Documentary.
Issue: Lesbian and gay writers’ rights for freedom of expression.
A history of censorship over publications of gay and lesbian literatures.
Rating: Feminist. Political, informative, and entertaining.

This compelling film explores the history of censorship and prejudice against lesbian literatures from the 1950s McCarthy era to the present through a collage of archival footage, photographs and interviews with author/activist Jane Rule and people who have known her. This is a powerful life story of Jane Rule, outspoken activist and internationally acclaimed writer whose book The Desert of the Heart (1964) was made into the classic lesbian film. The film also traces the history of criminalization and the civil rights movement of lesbians and gays in U.S. and Canada.

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Forbidden Fruit
(2000; 30mins, Color)
Directed by: S. Bruce, B. Kunath, and Y. Zukmantel
Distributed by: Women Make Movies
Genre: Docudrama
Issues: sexuality, sexual and gender politics in Africa.
Rating: Fair.

This video breaks barriers about lesbian relationships and sexual identity in African society.
Using as its centerpiece the re-enactment of a lesbian relationship within the politics of a rural Zimbabwean village, Bruce, Kunath and Zückmantel tell a powerful and engaging story that Amy Villarejo, of Cornell University, says “exploits passion in the service of transformation” and makes a “call to queer, global solidarity.”

Forbidden Love: The Unashamed Stories of Lesbian Lives
(1992; 85mins, Color)
Directed by: Aerlyn Weissman, Lynn Fernie.
Produced by: The National Film Board of Canada
Distributed by: Women Make Movies, Inc.
462 Broadway, Suite 500WI, New York, New York 10013
Tel: (212) 925.0606; Fax: (212) 925.2052
Genre: Documentary
Issue: Lesbian history, sexuality and identity. Popular culture.
Rating: Compelling, critical, entertaining and educational.
Excellent for class use.

Through a brilliant collage of personal interviews, film clips, archival footage and re-enactments of 50s’ lesbian pulp novels, this compelling and entertaining film presents a vibrant portrait of lesbian sexuality and survival during the oppressive period of the 1950s and 1960s in Canada. Interweaving an interview with author Ann Bannon and memories of women who read popular lesbian pulp fictions, the film explores desires, dreams and struggles of these women in search of an affirming community.

I Exist
(2003; 57 mins., Color)
Directed by: Peter Barbosa and Garrett Lenoir
Genre: Personal interviews about first hand experiences.
Issues: Gay and lesbian of Arab and Middle Easterner descent.
Rating: Excellent classroom resource.

This video is a long overdue compilation of interviews by gay and lesbian Middle Eastern men and women from a range of backgrounds. They discuss their experiences, how their homosexuality has impacted their family and community relations. They also discuss issues of invisibility in the larger Gay Rights community in North America, coming out in traditional Arab and Muslim households, and balancing their cultural and sexual identities.

Last Call at Maud’s
(1993; 77mins, B& W, Color)
Directed by: Paris Poirier
Produced by: Karen Kiss
Presented by: Water Bearer Films
Genre: Documentary.
Issue: History of San Francisco lesbian community.
Rating: Feminist. Political, critical and entertaining.

The film discusses the history of gay and lesbian communities surrounding the legendary lesbian bar Maud’s in San Francisco, which opened in 1966 and closed down in 1989. The film interweaves personal anecdotes with old black and white footage, photographs, and new paper articles in order to recap memories of the 1940s social scenes at gay bars, infamous police raids of the 1950s, and the counter culture and political activisms of the 1960s and 1970s.

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Lesbian Tongues: Lesbians Talk About Life, Love and Sex
(1989; 90mins, Color)
Produced by: Lil Pitcaithy, Joyce Compton
Distributed by: Pop Video Inc.
Genre: Documentary.
Issue: Sexual politics, women’s issues from lesbian perspectives. Gay and lesbian rights.
Rating: Feminist. Inspiring and intimate interviews.
Note: Low audio-visual quality.

This intimate film offers honest discussions about lesbian love, life, and sex through a series of autobiographical interviews. Women with various backgrounds are interviewed, including a therapist, a photographer, writers, poet, dairy goat farmers, and self-labeled lesbians. They discuss issues of self-definition, power, feminism, work, and sexuality.

Man to Man
(Circa 1990s; 30mins, Color)
Produced by: The New Mexico Health and Human Service Department.
(w/News 101 Team Video Crews)
Genre: Documentary with commentary and interviews.
Issue: Cultural masculinity, male social development, male identity, and emotional and physical health.
Rating: Good general resource about gender performance and masculinity.

This locally produced health project video looks at the various elements that comprise male masculinity by asking the question, “What makes a man a man?” Men from Albuquerque, Carlsbad, Farmington, and Espanola communities in New Mexico attempt answer this question. The men featured in this video are Judge Tommy Jewell, Martial Artist--Victor La Cerva, and Cowboy/Rancher--Don Hofman.

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Not Just Passing Through
(1994; 52mins, B&W, Color) order# 01332
Directed by: Jean Carlomusto, Catherine Gund,
Dolores Perez, Polly Thistlethwaite
Distributed by: Women Make Movies, Inc.
462 Broadway, Suite 500WI, New York,
New York 10013
Tel: (212) 925.0606; Fax: (212) 925.2052
Genre: Documentary
Issue: Lesbian history/herstory.
Rating: Educational and political. Entertaining.

This uplifting documentary about lesbian life and its rich history/herstory commemorates Mabel Hampton, a legendary African American lesbian activist; Marge McDonald, who left a huge collection of diaries and lesbian literatures; Asian Lesbians of the East Coast (ALOEC), a support group for Asian lesbian communities; and WOW café, New York’s avant-garde lesbian theater group. The film combines interviews with various activists and members of the community with archival footage and photographs.

One Nation Under God
(1993; 83mins, B&W, Color)
Directed by: Teodoro Maniaci, Francine Rzeznik
Presented by: 3Z/ Hourglass Productions, Inc.
Distributed by: First Run Features:
Genre: Documentary
Issue: ex-gay ministry movement, political history of
Rating: Political, informative and entertaining. Recommended for class.

With humorous and insightful interviews with former ‘ex-gay’ co-founders of Exodus—one of the largest ‘ex-gay’ ministries that promote ‘conversions of homosexuals’— the film examines the history of oppression, shocking medical treatments and institutional ‘cures’ of gay people. By interweaving interviews by current members of Exodus, former ‘ex-gay’ people, and chilling archival footage of political persecution, it provides a thoughtful discussion of the ‘ex-gay’ movement.

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Oranges Are Not The Only Fruit
(1989; 175mins [165min w/o commercials], Color)
Directed by: Beeban Kidron
Distributed by: BBC Television
Genre: Narrative Drama
Issue: Coming of age drama. Lesbian identity.
Rating: Feminist. Critical and entertaining. Recommended for class.
Note: The tape contains 10 minutes of TV commercials, and has a tracking problem.

This critically acclaimed film tells a poignant coming of age story of Jessie, who grows up in a passionate evangelical household in 1960s England. When she falls in love with Melanie, she is challenged not only by her religious adoptive mother but also by a whole congregation. The film is based on the semi-autobiographical novel by Jeanette Winterson.

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Our House
(2000; 56 mins, Color-Close Captioned)
Directed by: Meema Spandola
Distributed by: First Run/Icarus Films
Genre: Documentary
Issues: Gay parenting and families with gay teens, generational friction related to gender and sexuality issues.
Rating: Excellent classroom, general information resource.

The documentary profiles three families headed my gay and lesbian parents as the negotiate issues of co-parenting, community and identity. The families featured cut across racial and gender lines, and rural, urban and suburban landscapes. This video offers a range of first-hand accounts of the experiences gays, lesbians, and their children face creating homes and families in often oppositional circumstances.

Out in Suburbia: The Stories of Eleven Lesbians
(1988; 28mins, Color)
Directed by: Pam Walton
Distributed by: Wolfe Video
Genre: Documentary
Issue: Autobiographical accounts of lesbian life and identity.
Rating: Uplifting. Encouraging.

This encouraging portrait of eleven middle-class lesbians living in suburbia explores various issues surrounding these women from pregnancy to butch/femme stereotypes. Although it is short of discussions about race, ethnicity and class differences, the video provides an intimate look at contemporary lesbian life.

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Shinjuku Boys
(1995; 53mins, Color-Subtitled)
Directed by: Kim Longinotto and Jano Williams
Distributed by: Women Make Movies
Rating: Good.

“From the makers of Dream Girls, Shinjuku boys introduces three onnabes who work as host in the New Marilyn Club in Tokyo. Onnabes are women who live as men and have girlfriends, although they don’t usually identify as lesbian. As the film follows them at home and on the job, all three talk frankly to the camera about their gender-bending lives, revealing their views about women, sex, transvestitism and lesbianism. This is a remarkable documentary about the complexity of female sexuality in Japan today.”

SPEAK UP!: Improving the Lives of Gay, Lesbian, Bisexual, & Transgendered Youth 
(2001; 30 mins., Color)
Written and Directed by: John Kazlaukas
Produced by: Sut Jhally
Genre: Documentary/Educational Video
Issues: Gender and sexuality for today’s youth and how they’ve organized to support eachother.
Rating: Very Good

This video contains interviews with students, their parents, teachers and school administrators about the need to create safe environments for queer youth. It also offers strategies and resources they have used to transform their communities to improve the climate for GLBT youth.

Teens with Gay Parents
(1987; 70mins, Color)
Directed & Produced by: Kevin White
Full Frame Productions
Genre: Personal Narrative, Documentary
Issues: Homosexuality and Parenting
Rating: Good resource because if its poignant personal stories aimed at general audiences, but it has Mediocre production quality.

This documentary allowed teens growing up in San Francisco in the 80s to give a first hand account of their experiences of being raised by gay and lesbian parents. Director Kevin White profiles the families of three teens to examine the social and psychological impacts their parents homosexuality has on them. This tape examines myths about the influences gay parents have on their children and looks the societal pressures parents endure. Content includes discussions of AIDS, child custody, sexual prejudice and how these issues strain family relationships.

The Families We Choose: A Film About Lesbian Lives
(1985; 37mins, Color)
Directed and Produced by: Lisa Pontoppidan, Cheryl Qamar
Distributed by: Charis Video
Genre: Documentary
Issue: A family by choice.
Rating: Inspiring and supportive.

Challenging a traditional notion of family, many lesbians today live with their “family by choice.” This film profiles four alternative families, such as an interracial couple living with children, co-workers forming a lesbian collective, and best friends becoming legal guardians to each other.

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The Lost Tribe
(2005; 56 mins., Color -Spring ’07)
Directed By: Rachel Landers
Distributed by: Women Make Movies
Genre: Documentary
Issues: GLBTQ people in the Mormon Faith
Rating: Good
Ex-Mormon-lesbian-atheist Sue Ann Post has molded a career as an award-winning stand-up comic from the lurid and toxic brew of tales from her childhood and adolescence…tales of a lesbian Mormon. The Lost Tribe is an observational documentary following Sue-Ann’s funny, bizarre, and confronting journey to Mormon Zion and an intimate portrait of one of the world’s least understood religions.

Treyf
(1998; 54mins, B&W/Color)
Directed by: Alisa Lebow, Cynthia Madansky
Distributed by: Women Make Movies, Inc.
Genre: Documentary
Issue: Jewish-American lesbian identity,
Israeli-Palestinian relations.
Rating: Witty, political and engaging. Excellent for class use.

Through a cultural motif of “treyf” —“unkosher” in Yiddish— this intelligent and poetic film documents two Jewish-American lesbian filmmakers’ journey from New York to Jerusalem in search of their secular Jewish identity and history. Integrating the current politics of Israeli-Palestinian conflict on West Bank, the film explores the cultural and political meanings of being a “treyf,” a Jewish outsider. Combining archival footage, childhood photographs, and interviews, it is more than autobiographies of the filmmakers.

Tough Guise: Violence, Media, and the Crisis of Male Masculinity
(1999; Approx. 80mins, Color)
Directed by: Sutt Jhally (Featuring Jackson Katz)
Distributed by: Media Education Foundation
Genre: Lecture/documentary.
Issues: gender, masculinity, male violence, female violence, media’s normalization of male violence, sexualized violence, and politics and masculinity. Other topics covered are domestic violence, 1990’s rash of school shootings, and the growing militia movements.
Rating: Excellent media, communications, and gender studies resource for classroom and research use.

Jackson Katz’s offers compelling arguments connecting the constructions and socialization of masculinity directly to the increased levels of violence in American society during the past half a Century. Katz provides a decade-by-decade examination of media and commercial images that outline a relationship between how men are depicted in popular culture texts such as film, video games, actions figures and television programming and how the side affects of these depictions appear in the crimes and behaviors of young males.

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West Coast Crones: A Glimpse into the Lives of Nine Old Lesbians
(1990; 28mins, Color)
Directed by: Madeline Muir
Distributed by: Frameline Distribution
Genre: Documentary
Issue: Aging. Lesbianism.
Rating: Encouraging.

“We are Old Lesbians inventing ways to live out our aging.” This intimate portrait of a support group of white middle-class older lesbian women presents personal stories and experiences of nine women-loving women, all of them over 60. They candidly discuss their own internalized ageism as well as the joy and strength that they discovered through the support group.

Youth Out Loud
(Circa 1990s; 46mins, Color)
Produced by: Moon vision Productions
Genre: Documentary with testimonials.
Issues: Gay, lesbian, bi-sexual and transgender issues; hate crimes, obstacles of coming out.
Rating: Informative, great basic gender issues source.

This Documentary takes a broad look at the experiences of gay youth who have come out of the closet and encountered hostile responses and opposition from their schools and families. Through the personal tales of Bev, Jason, and Danielle viewers see the need for creating safe spaces for gay youth and for supporting them in their adolescent self-discovery.

XXXY
(2000; 13 mins.,Color, WMST Grant Film-Spring ’07)
Directed by: Porter Gale and Laleh Soomekh
Genre: Short form Documentary
Issues: Intersex, radical sex assignment surgery on infants.
Rating: Good.

This short documentary looks at clitorectomies and other radical sexual assignment surgeries performed on infants that are intended to help them fit into societal sex and gender norms. Healthcare professionals are also interviewed about the conventional thinking and professional medical standards in place that have facilitated these surgeries, and why they should be changed.

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Global Feminism

Against My Will
((2003; 50 mins, Color)
Directed by: Eyfer Ergun
Distributed by: First Run/Icarus Film
Genre: Documentary
Issues: Culture and women in Pakistan, domestic abuse, honor killings, human rights.
Rating: Excellent account of how cultural practices perpetuate violence against women.

This video gives an unflinching account of what women in Pakistan face when they leave abusive marriages. Shot at the Dastak women’s shelter in Lahore, a safe haven for abused women, this video shows the courage of Pakistani women saving each other and resisting pressure from their families, friends and communities to return to their marriages under the threat violence and even murder.

Anonymously Yours
(2002; 88 mins., Color-Burmese w/English Subtitles)
Directed by: Gayle Ferarro
Genre: Documentary
Issues: Sex trafficking, Global economic conditions for women in poverty.
Rating: Good

This documentary takes an in-depth look at the poverty conditions and oppression that drive the sex trafficking in Southeast Asia. This film looks at how women in Myanmar fall prey to forces brokers who sell them into slavery.

As The Mirror Burns
(1990; 58mins, Color)
Directed by: Christina Pozzan
Distributed by: Women Make Movies
Genre: Documentary
Issues: The Vietnam War, women in war, perceptions of Vietnamese women.
Rating: Not Rated

This video offers a drastically different image of Vietnamese women than the timid, victimized women in Western depictions of the Vietnam War. It is estimated that 70% of the Vietnamese guerilla forces fighting against foreign domination were women. Through interviews and file footage from media coverage, we see that Vietnamese women were active participants in the war, often leading the resistance against western invaders.

Becoming a Woman in Orika
(1990; 27mins, Color)
Filmakers Library, Inc. New York, NY
Directed by: Judith Gleason, Elisa Mereghetti Tesser
Produced by: Kamel Film
Genre: Ethnographic Documentary
Issue: Cultural tradition, gender roles.
Rating: Informative and observational.
Note: A slight damage on the tape.

This ethnographic film documents the iriapu (an initiation ceremony) of young girls of the Orika tribe in Rivers State of Nigeria. A narrator and interviewees explain cultural meanings and values of this tradition in relation to woman’s fertility. Although it is constructed through an ethnographic gaze, the video offers an intimate view of traditional activities, such as the tribal face and body painting, fattening, and the ritual confinement of the girls who are initiated into womanhood.

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Beyond Beijing
(1996; 42mins, Color)
Created By: Shirini Heerah and Enrique Berrios
Distributed by: Women Make Movies
Issues: Women’s Rights, Human Rights on a Global stage, women’s impact on foreign policy. Gives the viewer a behind the scenes look at what it takes to coordinate an international event.
Genre: Documentary

This is an inspiring historical account of a monumental women’s event.
An estimated 30,000 women attended the Non-Governmental Organizations 4th World Conference on Women in Beijing. This video takes the viewers behind the scenes of the conference’s goal for a global platform for action to improve women’s lives. It gives moving accounts of what this conference meant to its participants on personal and political levels.

Bringing Durban Home: Combating Racism Together
(2002; 13mins, Color)
Produced by: Mallika Dutt, Thom Powers
(Narrated by Alice Walker)
Distributed by: Breakthrough at www.breakthrough.tv
Genre: Documentary
Rating: Informative and clear brief explanation of the Third World Conference Against Racism and how racism operates within a societies.
Issues: Racial discrimination, the plights of indigenous peoples, migrant workers, refugee treatment, international sexual trafficking of women, and reparations for women who suffer these social ills.

This brief documentary, narrated by writer Alice Walker summarizes the 2001 Third World Conference Against Racism, held in Durban, South Africa. This tape looks racism and its impact on global, governmental and economic policies and how policies in tern affect people in industrialized and developing nations. This video highlights important moments during the drafting of the conference platform.

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Covered
(1995; 25mins, Color)
Directed by: Tania Kamal-Eldin
Distributed by: Women Make Movies
Genre: Documentary comprised of first person accounts.
Issues: Veiling and the hejab in Egypt and Islam.
Rating: Excellent for classroom uses in cultural studies and women’s studies course.

“Covered” offers alternative views to western conceptions about Veiling as a repressive, male dictated practice of the Muslim faith. A little over a decade ago, veiling was a rare practice in Cairo, Egypt because the custom was overthrown at the beginning of the 20th century. Recently, many women have voluntarily embraced this Muslim tradition. In their own words, women of Cairo explain why they have returned to the practices of veiling, or wearing a headscarf called the hejab, and why for them it is an empowering and pride-filled part of their lives.

Dam/Age
(2002; 50mins, Color-Close Captioned)
Directed by: Aradhana Seth
Distributed by: First Run/Icarus Films
Genre: Documentary
Issues: Globalization, multinational corporations, displacement, free speech, global activism, environmental justice, post colonial commerce.
Rating: Excellent contemporary account of the previously listed issues.

This film follows Booker Prize Winning writer (1998) Arandhati Roy through her experiences fighting in the heroic campaign against the Narmada River Valley dam project in India. Roy faces personal challenges and legal danger when she uses her fame to bring attention to attention to the hardships forced on India’s poor by their government and powerful multinational corporations.

Forbidden Fruit
(2000; 30 mins., Color)
Directed by: S. Bruce, B. Kunath, and Y. Zukmantel
Distributed by: Women Make Movies
Genre: Docudrama
Issues: sexuality, sexual and gender politics in Africa.
Rating: Fair.

This video breaks barriers about lesbian relationships and sexual identity in African society.
Using as it centerpiece the re-enactment of a lesbian relationship within the politics of a rural Zimbabwean village, Bruce, Kunath and Zückmantel tell a powerful and engaging story that “exploits passion in the service of transformation” and makes a “call to queer, global solidarity.” Amy Villarejo, Cornell University

Four Women of Egypt
(1997; 90mins, Color)
Directed by: Tahani Rached
Distributed by: Women Make Movies
Genre: Documentary, personal narratives.
Issue: Egyptian and Middle-Eastern politics. Excellent historical material with inspiring and insightful message

Four Egyptian women from very different backgrounds, lives, and perspectives, share their endearing and enduring friendship through director Tahani Rached’s 35 mm lens. Political and social justice activists Amina Rachid, Shahenda Maklad, Wedad Mitry, and Safynaz Kazem are the subjects of this documentary, that dares to lay the poignant narratives of these women’s lives along side Egypt’s political history. It is abundantly clear from their voices that political myths are always only part of the story and that political and intellectual differences are a breeding ground for growth and invaluable alliances. This is excellent learning tool for those interested in politics in Egypt and the Middle East.

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Ghandi: A Life and Death of A Dynasty
Two separate documentaries on one tape
(N/A; 63mins, [w/ TV commercials] B&W, Color)
Created by: William Benton Broadcasting Project of the University of Chicago.
Produced by: Drew Associates.
Genre: TV documentary.
Issue: A political and familial history of the Ghandi dynasty.
Rating: Informative, not critical on gender issues.
Note: Low visual quality.

This TV program presents three generations of prime ministers of India, popularly referred to as ‘the Ghandi dynasty.’ It includes old newsreel footage of the first prime minister Jawaharlal Nehru; interviews with his daughter Indira Ghandi, the second prime minister; and his grandson Rajiv Ghandi. It effectively relates the personal experiences of the Ghandi family to a national history of post-colonial India and its political instability.

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Heart of the Sea
(2002; 57mins, Color)
Directed by: Lisa Denker and Charlotte Lagrade
Distributed by: Women Make Movies
Genre: Documentary
Issues: Hawaii’s matriarchal heritage, breast cancer, and women’s professional surfing.

This video offers a portrait of Rell “kapolioka’ehukai” Sunn, recognized as the founder of professional women’s surfing. Sunn died in 1998 of breast cancer, but her legacy as an icon of women’s surfing and Oahu, Hawaii community leader lives on in the women’s International Surfing Association and the annual Menehune surfing contest for children that she founded. The video is an example of the important contributions women make to sports and community that are often missing from the mainstream media’s depictions of leadership.

I Exist
(2003; 57 mins., Color)
Directed by: Peter Barbosa and Garrett Lenoir
Genre: Personal interviews about first hand experiences.
Issues: Gay and lesbian of Arab and Middle Easterner descent.
Rating: Excellent classroom resource.

This video is a long overdue compilation of interviews by gay and lesbian Middle Eastern men and women from a range of backgrounds. They discuss their experiences, how their homosexuality has impacted their family and community relations. They also discuss issues of invisibility in the larger Gay Rights community in North America, coming out in traditional Arab and Muslim households, and balancing their cultural and sexual identities.

Iraqi Women: Voices From Exile
(1994; 54mins, Color)
Directed by: Maysoon Pachachi
Distributed by: Women Make Movies
Genre: Historical Documentary, Personal Narrative
Issues: The social and political circumstance of Iraqi women exiled in Britain. Also, immigration and the Middle East.
Rating: Educational, feminist and informative international account of Iraqi politics and their impact on women. Excellent teaching reasource.

This video offers a thoughtful critique of Iraq’s recent history and how it’s political shifts have affected Iraqi women. These first person narratives from the rarely heard voices of Iraqi women, offer a reflective look at Iraqi politics in the ’40s and 50s, and the July 14, 1958 revolution. The video also gives a thorough account of Iraqi women’s living conditions following Hussein’s rise to power from 1991 to the Gulf War.

I, The Worst of All
(1990; 107 Mins., Color, Spanish w/English Subtitles-Wmst Grant Film Spring ‘07)
Directed by: Maria Luisa Bembers
First Run Film Release
Genre: Feature length film; drama.
Issues: The life and work of Sur Juana Ines de la Cruz
Rating: Excellent

This film is a creative and compelling fictional telling of the life and times of the brilliant Nun and poet Sur Juana Ines de la Cruz, who lived in 17th Century Mexico. This telling is based on Octavio Paz’s fictionalized novel. Actresses Asumpta Serna (Sur Juana) and Dominique Sanda (Vicereine) bring to the screen a vibrant depiction of women’s lives and their passionate friendship under the oppressive times of the inquisition.

La Cueca Sola
(2003; 52mins, Color)
Directed by: Marilu Mallet
Distributed by: Women Make Movies
Genre: Documentary
Issues: The Sept 11, 1973 coup de taut that brought Ernesto Pinochet to power, Chile’s national fallout after the coup, Chile’s internal politics and national reconciliation.
Rating: Excellent historical source for info. on the 1973 coup in Chile. This film is highly recommended for classroom use because of its historical information and first hand accounts.

This video takes a compelling and thorough look at the events surrounding and resulting from the coup against Salvador Allende that brought Ernesto Pinochet to power. Drawing from file news footage and interviews with women who lost spouses, sons, brothers and fathers in the aftermath of the coup, Mallet paints a picture of Chile’s national healing and pain. Chilean women have danced the traditional Chilean courtship dance, La Cueca Sola, in protest against the dictatorship that has marred their country.

Mama Wahunzi!
(2002: 57 mins., Color-Subtitled)
Directed by: Lewan Kirasurade
Genre: Documentary
Issues: Grassroots organizing around disabilities, women in nontraditional roles, disabilities and stereotypes.
Rating: Good

This documentary captures the efforts of three disable East African women who organized to meet their communities’ needs for wheelchairs by learning how to build them. The group named itself Mama Wahuzi (which literally means women blacksmiths), and has been able to contest societal gender role and common perceptions about poverty and disability.

Mann ke Manjeere: An album of Women’s Dreams
Produced and Distributed by Breakthrough.
www.breakthrough.tv

This tape contains two music videos and a short documentary video, which details the making of these video projects and the album the songs appear on. The album and tapes were collaborative efforts to use the popular mediums of music and music videos to inform traditional Middle Eastern communities about the impact of controversial subjects such as domestic violence and arranged marriage.

“Mann ke Manjeere” (2002; 5 mins/15secs, Color)
Directected by: Sujit Sircar and Gary
Genre: Music video
Rating: Excellent public service message about domestic abuse and an example of global self-empowered movements.
This National Screen Award winning video chronicles a woman’s journey from being a battered wife to her personal triumph of reclaiming her life, spirit, and place in society in a non-traditional occupation as a truck driver. Inspired by the real life story of Shamim Pathan.

“Babul” (2002; 5 mins/38secs, Color)
Directed by: Prasoon Pandey
Genre: Muxic video
Rating: Excellent generative tool for dialogs about global women’s movement projects.
This music video exposes, through the eyes of a young girl, the fates and limitations of young women and girls, who find themselves in abusive relationships.

“The Making of Mann ke Manjeere” (2002; 17 mins./4 secs., Color, Video)
Genre: Documentary
Directed by:
This video documents the making of the “Album of Women’s Dreams” and features artists on the album as well as the Mann ke Manjeere production team.

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My Name is Kahentiiosta
(1995; 30 mins., Color)
Directed by: Alanis Obomsawin
Distributed by: Women Make Movies
Rating: Not rated

“This affecting film from acclaimed director of Abnaki Kanehsatake: 270 Years of Resistance profiles a young, courageous Kahnawake Mohawk woman who was arrested after a 78 day armed standoff in 1990 between the Mohawks and the Canadian federal government. My name is Kahentiiosta is a compelling look at a people’s movement for self-determination.”

Nalini by Day, Nancy by Night
(2005; 27 mins., Color/BW-Spring ’07)
Directed By: Sonali Gulati
Distributed by: Women Make Movies
Genre: Documentary
Issues: Outsourcing of American jobs to India, globalization, capitalism, and identity.
Rating: Good

This documentary looks as the outsourcing of American jobs to India as told from the perspective of an Indian living in the U.S. This film incorporates animation, live action and archival footage to explore the complexities of globalization, capitalism and identity.

New Mexico Statewide Women’s Studies Conference: La Duke
(1997; 93mins, Color)
Created by: Women’s Resource Center.
Genre: Public speech/ Home Video.
Issue: Women’s and indigenous people’s rights to self-determination.
Rating: Feminist. Informative.

The keynote speaker Winona La Duke from White Earth reservation (Anishinabeg), a leading environmental activist and a founder of Indigenous Women’s Network, discusses self-determination for women and indigenous people, and calls for a global awareness of environmental destruction and related health hazards.

Nu Shu: A Hidden Language of Chinese Women
(1999; 59mins, Color)
Directed by: Yue-Qing Yang
Distributed by: Women Make Movies
Genre: Documentary
Issues: Women overcoming Patriarchal, oppressive systems through linguistic and creative means. This video also includes explanation of feet binding, Chinese wedding practices, sexism and physical abuse. Other areas covered include anthropology, gender, history, and Asia.
Rating: Excellent anthropological and ethnographic resource for the classroom.

This documentary excavates the history of a secrete Chinese language created by women called NU SHU (female writing), which was used by women in feudal China’s Yao and Confuscian Han Chinese provinces to communicate their circumstances to each other. The language was the foundation of a sisterhood summed up in the Nu Shu saying, “Beside a well one wont thirst, beside sisters one wont despair.” Director, Yue-Qing Yang documents this language through members of the sisterhood and their artifacts discovered in the 1960s. She locates the language now through the stories of people currently living in those provinces. The documentary includes an interview an 86-year old woman who is the last living Nu Shu-speaker.

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Paris Was a Woman
(1997; 75 mins,-Women Studies Grant Film-Summer ’07)
Directed By: Greta Schiller
Distributed by: Zeitgeist Video
Genre: Documentary
Issues: Paris as a site of the cultural, political, and sexual cosmopolitanism.
Rating: Excellent

This documentary offers a historical look at the cultural and intellectual significance of Paris in the early twentieth century as one of the most important artistic centers of the world. This film offers viewers a virtual walking tour of the Left Bank, and locates the residences belonging to intellectual and artistic celebrities who lived there. The salons and their attendees include a number of influential women such as Gertrude Stein, Sylvia Beach, Adrienne Monnier, and Marie Laurencin.

Performing the Border
(1999; 42mins, B&W, Color)
Directed by: Ursula Biemann
Distributed by: Women Make Movies, Inc.
Genre: (Experimental) Documentary
Issue: The U.S./Mexico border. Exploitation of female labor.
Rating: Political, imaginative and educational. Recommended for class.
Note: It contains explicit descriptions of brutal murders and rapes.

This stunning and intelligent documentary on transactions of consumer goods and female bodies on the border region of Juarez, Mexico, interrogates the ‘border’ as both pragmatic and discursive space, which has become one of the most intensive sites of high-tech production and low-wage labor. Mixing stylish digitalized images of the militarized border control, maquiladoras (factories), and interviews with factory workers, journalists, and sex workers, the film reveals correlations among the capitalization and exploitation of Mexican women’s bodies, sexual violence against women, the expression of female desire and entertainment industry, and the modernization of the nation.

Rabbit Proof Fence
(2002; 94 Mins., Color WMST Grant Film-Spring ‘07)
Directed by: Phillip Noyce
Genre: Feature Length Film
Issues: Colonialism, Indigenous Peoples, Scientific Racism and Assimilation.
Rating: Excellent

This feature length film, based on a true story, is a compelling drama about three little girls who walked 1500 miles to return to their indigenous community after being removed from it by the Australian government. The film follows the girls as they elude the authorities on their trek across the Australian outback.  It also offers a scathing critique of colonialism and colonial racism administered through imperial governments’ policies of assimilation.

Ramleh
(2001; 58mins, Color)
Directed by: Michal Aviad and Yulie Gerstel
Distributed by: Women Make Movies
Genre: Documentary
Issue: Jewish-Arab relations, women’s rights in the Middle-East and human rights. This tape is educational and historical in content.
Rating: Excellent

This documentary offers a snapshot into the lives of four women who live in the Jewish-Arab town of Ramleh. These women’s stories unfold in a climate of cultural and religious difference and discord during the Barak/Netanyahu elections. This video explores issues of female oppression, dislocation, and empowerment through religious beliefs, and it examines what marriage, veiling and family mean under Judaic and Islamic Laws. Quoting one of the women featured, “Tradition is stronger than everything.”

Seniorita Extraviada
(2001; 74 mins., Color, Some Spanish w/English Subtitles)
Directed by: Lourdes Portillo
Issues: Murders of young Latina women along the U.S.-Mexico border, U.S.-Mexico relations, NAFTA, sex crimes, corruption in U.S. and Mexican law enforcement, and violence against women.
Rating: Excellent overall and an invaluable classroom tool.

This gripping documentary meticulously tells the legal, emotional and political stories about the more than 500 young women who have been abducted and murdered along the U.S.-Mexico borders. Most of them have been employed at U.S. owned factories. Evidence suggests that these young women are being preyed on by co-workers at the factory where they work and/or members of a transnational drug cartel.

She Wants to Talk to You
(2001; 29mins, Color, Video; Subtitled-Nepal/U.S.)
Directed by: Anita Chang
Distributed by: Women Make Movies
Genre: Documentary
Issues: Human rights, women’s health, Asia, education, literacy, global gender politics.
Rating: Excellent resource for information about living conditions for women on the global landscape.

“In October 1999 filmmaker Anita Change befriended three 13-year-old-girls while living in Kathmandu, Nepal. Honestly presenting themselves in front of the camera, these girls share with the filmmaker their ideas on marriage, friendship and spirituality.” Change uses a montage of mediums including poetry, music testimonies to paint a complex picture of the lives of young women in Nepal. The video focuses on young women’s limited opportunities in Nepal given the fact that they are culturally denied education. It also includes testimonies from seven women explaining their oppression and liberation in direct relationship to the educational opportunities they received.

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Sixteen Decisions
(2000; 60 mins., Color)
Directed by: Gayle Ferraro
Genre: Documentary
Issues: Global feminism, women’s economic empowerment in developing nations, international commerce and development, and traditional cultural challenges to economic growth in developing nations.
Rating: Good, slightly experimental in nature.

Direct loans, from institutions like the Grameen Bank, help women in developing nations acquire the cash to finance their dreams of getting their families out of abject poverty.   This film takes an up-close look at the struggles of 18-year-old, Bangladeshi wife and mother, Selina, as she attempts to break out of the traditional roles set for her by becoming business woman and entrepreneur.

The Kidnapping of Ingrid Betancourt
(2003; 76mins, Color)
Directed by: Victoria Bruce and Karin Hayes
Distributed by: Women Make Movies
Issues: Women on the global political landscape, Columbian politics and corruptions, kidnapping and political terrorism.
Rating: Good

In February 2002 during her unprecedented run for Columbia’s presidency, Senator Ingrid Betancourt was kidnapped. She was viewed as both a reformer of corruption and a dangerous instigator. “Using voiceovers from radio interviews taken before her abduction, footage from the campaign trail and a chilling proof of life video released by her captors, Betancourt narrates her own story.”

The Shape of Water
(2006; 70 mins., Color-Summer ‘07)
Directed by: Kum-Kum Bhavani
Distributed by: theshapeofwater.com
Genre: Documentary
Issues: Global women activism on issues of environmentalism, military occupation, trade unions, and female genital mutilation.
Rating: Good.

Creating intimate portraits of Khady, Oraiza, Gila and Bilkusben, The Shape of Water drives the dusty roads of Senegalese villages, and the energetic streets of Dakar, walks into Brazil’s Amazonian rainforest, stand on a busy corner in Jerusalem, and takes a train ride into Himalayan foothills to take a look a women’s activism to protect their lives and their communities.

Thunder In Guyana
(2003; 50mins, Color)
Directed by: Suzanne Wasserman
Distributed by: Women Make Movies
Genre: Documentary
Issues: Colonialism, Guyanese racial and cultural politics, Communism, Marxism, interracial marriage
Rating: Excellent historical and cultural record of Guyanese poltics during the Cold War Era.

Thunder In Guyana is a close look at the life and presidential campaign of Janet Rosenberg-Jagan, the first woman and the first foreign-born person, elected president of Guyana. The film provides a colorful portrait of Rosenberg-Jagan’s life from her childhood in Chicago to her marriage and revolutionary work with Guyanese, Indian activist Cheddi Jagan. Suzanne Wasserman, Rosenberg-Jagan’s cousin, uses family interviews, excerpts from letters, archival photos and footage to chronicle Rosenberg-Jagan’s political campaign.

Warrior Marks
(1993; 54mins, Color)
Directed by: Pratibha Parmar
Executive Produce: Alice Walker
Distributed by: Women Make Movies, Inc.
Genre: Documentary
Issue: Female genital mutilation
Rating: Highly political, feminist, and innovative. Excellent for class use.

A collaboration by Alice Walker and Pratibha Parmar, this compelling and poetic film explores the controversial subject of female genital mutilation, a religious and social practice which affects over 100 million of women throughout the world. Interviews with women from various African countries, England, and the U.S.A. are intercut with Walker’s story of being mutilated by a brother who blinded her eye. Relating her own survival of the injury to the experiences of the survivors of genital mutilation, Walker draws the viewer’s attention to the persistent power structure of male dominance and the control of women’s bodies.

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Racism

A Question of Color
Two separate documentaries on one tape
(1992; 70mins, B&W, Color)
Directed by: Kathe Sandler
Distributed by: California Newsreel
Genre: Documentary
Issue: Color consciousness. Internalized oppression.
Rating: Critical, educational and innovative. Recommended for class.

This vibrant and sensitive film about contemporary African American “color consciousness” traces the history of racism based on “colorism” back to slavery and preferential treatment of light-skinned black people by mainstream white America. The film tackles difficult and painful issues of color hierarchy and white standards of beauty internalized by many people of color through an autobiographical narration, candid interviews, archival photographs, and performance.

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Beah: A Black Woman Speaks
(2003; 90mins, Color)
Directed by: LisaGay Hamilton
Distributed by: Women Make Movies
Genre: Documentary
Issues: Black actors in Hollywood, blacks in the Communist Party, black cultural intellectuals in the 20th century America.
Rating: Excellent biographical and historical resource and a wonderful classroom teaching tool.

This film is a powerful autobiographical and biographical account of the life and times of actress Beah Richards. Beginning with her early life in the south, the film follows Beah’s careers as an actress, writer and activist in early and mid twentieth century California and New York. Richard’s complex and inspiring life story is told mostly in her own words which relay her commitment and love for the arts and African-American people.

Beyond Black and White
(1995; 28 mins, Color)
Directed by: Nisma Zaman
Distributed by: Women Make Movies
Genre: Documentary; mostly interviews.
Issues: Race, class, mixed-race identity, cultural and identity politics, history, family, racial acculturation and body image.
Rating: Good.

This video is a good basic introduction to issues affecting people of mixed cultural and racial heritage. The director uses her mixed heritage (Caucasian, Asian, Begali) as the point of entry to a larger discussion of experiences with five other women of various mixed heritage backgrounds including: Caucasian and Puerto Rican, Cajun, African and English, and Persian and Caucasian.

Bringing Durban Home: Combating Racism Together
(2002; 13mins, Color)
Produced by: Mallika Dutt, Thom Powers
(Narrated by Alice Walker)
Distributed by: Breakthrough at www.breakthrough.tv
Genre: Documentary
Rating: Informative and clear brief explanation of the Third World Conference Against Racism and how racism operates within a societies.
Issues: Racial discrimination, the plights of indigenous peoples, migrant workers, refugee treatment, international sexual trafficking of women, and reparations for women who suffer these social ills.

This brief documentary, narrated by writer Alice Walker summarizes the 2001 Third World Conference Against Racism, held in Durban, South Africa. This tape looks racism and its impact on global, governmental and economic policies and how policies in tern affect people in industrialized and developing nations. This video highlights important moments during the drafting of the conference platform.

Black Women On: The Light/Dark Thang
(1999; 52mins, Color)
Produced by: By Celeste Crenshaw &
Pauls Caffey
(No production company listed.)
Genre: Panel Discussion and Personal Narratives
Issues African-American women and assimilation, Colonization, Media Images, Interracial Dating, and Body Image.
Rating: Informative and provocative. Suggests screening with discussion group.

This video offers an examination of the ‘pigmentation politics’ that exist within African-American communities. Black women testimonials about their acceptance of Euro-centric standards of beauty, enforced through popular culture, reveal how complexion politics have affected their family, social and professional interactions.

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The Color of Fear
(1994; 90mins, Color)
Directed by: Lee Mun Wah
Distributed by: Stir-Fry Productions
Genre: Documentary
Issue: Racism, internalized oppression, and assimilation.
Rating: Highly critical, political and unforgettable. Excellent for class use.

This groundbreaking film about the social and psychological impact of race relations in America offers a compelling look at everyday experiences of racism seen through the eyes of eight California men of African, Asian, Latino and European descent. Through intimate, intelligent, and often emotional debates over the painful subject, these men open up a remarkably honest dialogue about racism. The film was chosen as the “Best Social Studies Documentary of 1995” by the National Educational Media Association.

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Daring to Resist
(1999, 57mins, Color, Video; Subtitled-Holland, Hungary & Poland)
Directed by: Barbara Attie and Martha Lubell
Distributed by: Women Make Movies
Genre: Documentary
Issues: The Holocaust, fascism,
Rating: Excellent source of first hand accounts of the resistance in Nazi Germany during WWII.
“This stunning documentary introduces us to three Jewish women who as teenagers in the early days of World War II, living in Holland, Hungary and Poland, had the wits and the intelligence to grasp what their parents could not—that the Nazi genocide would engulf them and resistance for them was not an option but a necessity.”

Erase the Hate
(1994; 45mins, Color)
Produced by: Susan Lich, Stein Spiegel
Created by: USA Networks
Genre: Educational Video
Issue: Combating hate and racism, youth education.
Rating: Educational, critical and inspiring.

Erase the Hate is USA Networks' Emmy Award-winning program dedicated to combating hate and racism. It includes interviews with members of several youth organizations, such as C.U.R.E. and Youth Dares, which encourage young people to acknowledge and celebrate racial, cultural, and religious differences in order to build coalitions among youth.

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Ethnic Notions
(1987; 57mins, B&W/Color)
With Closed Captions in English
Directed by: Marlon Riggs
Produced by: Marlon Riggs in association with KQED
Genre: Documentary
Issue: Racism in popular culture. Stereotypes of African Americans in media.
Rating: Highly political, critical and sensitive. Excellent for class use.
Note: It contains disturbing images of slavery, including lynched and burnt bodies.

This highly acclaimed film by Marlon Riggs traces the American history of dehuminizing stereotypes of black people, such as “Uncle Toms,” “Sambos,” “Mammies,” “Coons,” “Brutes,” and “Pickaninnies.” Films, cartoons, minstrel shows, advertisements and household artifacts popularizing these racist caricatures have long justified institutional racism and anti-black prejudice. The film historically situates each stereotype that permeated American popular culture from the 1820s to the 1960s, and reveals political motivations behind these representations.

Ida B. Wells: A Passion for Justice
(1989; 53mins, Color)
Directed and Produced by: William Greaves
Issues: Activist journalism, anti-lynching campaigns, suffragists, reconstruction race relations.
Rating: Excellent historical resource.

This documentary offers an interesting and informative look at one of America’s often forgotten civil rights heroes. Ida B. Wells was a tireless activist for anti-lynching laws in the U.S. She used her position as a journalist to bring to light the violence perpetrated against blacks in southern and northern states.

Mandela: Free at Last
(1990; 79mins, B& W, Color)
Created by: South Africa Now
Distributed by: JCI Video:
Genre: TV documentary.
Issue: Apartheid, human rights, police brutality and censorship in South Africa.
Rating: Highly political, educational and informative.
Recommended for class.

This award-winning program contains three news segments on the socio-political climate of South Africa in 1990, the year of Mandela’s release. It includes interviews with both white and black South Africans. The first segment combines old news footage to recap the brutal history of Apartheid and a resistant black revolutionary movement headed by the African National Congress (ANC). The second segment deals with the issues of racially imposed poverty and survival; the focus is on working mothers, who question the concept of western ‘feminism.’ The third segment discusses the ‘media ban’ over news on human right violation after Mandela’s release. The western media is complicit with the state censorship to hide images of racial incidents, which ironically have increased since Mandela’s release.

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NWSA Conference in Las Vegas 2002: “NWSA: Women of All Colors Building an Inclusive Organization Together”
(2002; 117mins, Color)
Filmed by: NWSA
Genre: Plenary Speakers
Issues: Interracial organizing, activism and coalition building. Examines racism in Women’s Studies and other activist organizations and introduces new models to create change in existing practices that make organizations more inclusive.
Rating: Excellent generative and historical resource examining Women’s Studies.

This tape includes the following speakers:
Beverly Guy-Sheftall, Director of Women’s Studies, Spellman College – “Disloyalty to Whiteness, Practicing What We Preach.” Sheftall speaks to the need for feminists to gain more personal involvement in community and in their professions challenging racism. Guy-Sheftall defines the phrase white “sollopsism” as a mindset that allows for pronouncing “the word racism while withholding…body and soul from the reality that word could evoke…”
Note: feedback on first 10 mins of audio.

Lisa Albrecht, University of Minnesota – “New paradigms for Social Justice: 21st Century Feminist Work.” Albrecht claims, “To do work toward the transformation of higher education in this country we must do activist work both inside and outside higher education institutions.” Albrecht offers the essential elements for movement as consciousness, vision, and strategy. This element would allow for an inclusion of the complexity of lived experiences and breaking away from fear. She offers presenting Whiteness as a lack to break the paradigm in Women’s Studies white focus.

Rabbit Proof Fence
(2002; 94 Mins., Color WMST Grant Film-Spring ‘07)
Directed by: Phillip Noyce
Genre: Feature Length Film
Issues: Colonialism, Indigenous Peoples, Scientific Racism and Assimilation.
Rating: Excellent

This feature length film, based on a true story, is a compelling drama about three little girls who walked 1500 miles to return to their indigenous community after being removed from it by the Australian government. The film follows the girls as they elude the authorities on their trek across the Australian outback.  It also offers a scathing critique of colonialism and colonial racism administered through imperial governments’ policies of assimilation.

Racism 101
(1988; 30mins, Color) W/ Closed Caption in English.
Created by: Frontline/ PBS.
Written and Directed by: Tom Lennon.
Genre: TV documentary.
Issue: Racism on college campus.
Rating: Highly political and critical. Recommended for class.

This powerful Frontline special program offers a critical look at increasing numbers of racial incidents at various elite colleges and universities across the nation, such as U of Michigan, U of Massachusetts, and Dartmouth. Both black and white college students are interviewed to discuss issues of Affirmative Action, racial discrimination against minority black students and faculty on campus, segregation among students, and resurgent student movements, such as the Black Action Movement at the University of Michigan.

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Standing On My Sister’s Shoulders
(2002; 60mins, Color)
Directed by: Laura Lipson, Joan Sandoff and
Dr. Robert Sandoff
Distributed by: Women Make Movies
Genre: Documentary
Issues: Women’s influences on civil and voting rights in America during the 1950s and 60s.
Rating: Excellent historical account of unsung local heroes. Highly recommended for classroom use and general informational purposes about gender politics in the civil rights era.

This video is an insightful look at the American Civil Rights Movement through the eyes of seldom seen heroes including: Annie Devine, Fannie Lou Hamer, Victoria Gray Adams, Unita Blackwell and Mae Bertha Carter. These Mississippi residents and descendents of slaves provide an unwritten chapter in our nations struggle for racial equality and democracy. These women emerged as grassroots leaders whose fight for voting rights propelled them onto the national landscape. Joan and Robert Sandoff and Laura J. Lipson compile photos, archival footage and extensive interviews from participants and witnesses of the deep sacrifices suffered by the women, black and white, who stood for Civil Rights.

The Life and Times of Sara Baartman: The Hottentot Venus
(1998; 52mins, Color)
Directed by: Zola Maseko
Distributed by: West Glen Films
Genre: Documentary
Issues: Colonization, constructions or race; social and cultural constructions of womanhood.
Rating: Excellent historical source about the visual constructions of black womanhood.

This documentary offers a compelling look at the life of Sara Baartman, woman from South Africa from the Khoi Khoi people who was brought from Cape Town to London in 1810 and exhibited as a sideshow curiosity. This video traces Baartman’s (also know as the Hottentot Venus) journey from London to where she was ultimately exhibited in Paris and became the subject of medical experimentation until her death in 1814. This video examines Eurocentric assertions about “primitive” sexuality, and reveals how they served Baartman’s demise and inform current social and sexual constructions of women of African descent.

The Return of SARA BAARTMAN
(2003; 55mins, Color)
Directed by Zola Maseko
Distributed by: First Run/Icarus Films
Genre: Documentary
Issues: Racial reconciliation and post colonization, global feminism, human rights, repatriation of indigenous remains and artifacts, South Africa peoples and culture. Visual and political constructions black womanhood.
Rating: Excellent historical record.

This documentary chronicles the repatriation of the remains of Sara Baartman to South Africa. Baartman was taken to London in 1810 where she was cruelly displayed in a sideshow as a symbol of savagery and sexuality. After a legal battle over her inhumane treatment, her captors fled with her to Paris, France with where she eventually died. Baartman was dissected by the French scientific icon Georges Courvier and placed on display in Musee de l’Homme. This documentary offers closure to a tragic tale of racism and imperialism.

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The Passion of Maria Elena
(2003; 76mins, Color)
Directed by: Mercedes Moncada Rodriguez
Distributed by: First Run/Icarus Films
Genre: Documentary/Docu-drama/Interviews
Issues: Rights and Justice for indigenous peoples, racism, governmental corruption and cultural identity, grief and healing.
Rating: Excellent resource for looking at systems of social, political, and cultural oppression.

Maria Elena is indigenous Raramuri and Mirasela woman living in Chihuahua, Mexico. Her 3-year-old-son, Jorge is killed by a White man in a hit-and-run accident. In the midst of her grief, community gossip, and ridicule, Maria Elena embarks on a heart-wrenching struggle for justice from corrupt, racist institutions that block her case at every turn.

The Way Home
(1998; 92mins, B&W/ Color)
Directed by: Shakti Butler
Distributed by: World Trust
Genre: Documentary
Issue: Racism, assimilation, cultural heritage and ethnic identity.
Rating: Highly critical, innovative and inspiring. Excellent for class use.

This touching documentary features intimate and engaging dialogues among 63 women with diverse ethnic and cultural backgrounds. These women grouped into 8 different councils (indigenous, African-American, Arab, Asian, Latina, Jewish, Euro-American, multiracial) to exchange stories of their experiences of institutionalized oppression, assimilation, and of celebrations of cultural and spiritual heritage.

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Popular Culture/ Media Analyses

 

Amy Goodman
(2003; 35 mins., Color-Fall ‘06)
Genre: Lecture
Issues: Independent Media, Media coverage of the Iraq War
Rating: Excellent

Independent Journalist, Amy Goodman speaks out about the media’s coverage of the invasion of Iraq.

Barbie Nation
(1998; 53 mins., Color)
Directed by: Susan Stern
Genre: Documentary
Issues:  The social, political, and cultural impact of the Barbie doll.
Rating: Very good resource for courses on gender and popular culture.

This film captures Barbie fans, owners, and collectors allowing them to give their personal accounts of Barbie’s impact on their lives. Additionally, this film looks at the cultural impact that Barbie (and Ken) dolls have had on the relationships young girls have had with their bodies.

Beyond Good & Evil
(2003; 37 mins, Color-Fall 06)
Genre: Documentary and critical thinking analysis
Issues: The framing on 911 in the narrative of “good and evil”.
Rating: Good

The documentary examines how leaders and news media framed the 911 attacks in narratives of “good and evil” and how this shaped perceptions and responses to the conflict. This video asks viewers to consider the long-term consequences of reductive thinking.

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Constructing Public Opinion
(2001; 32 mins., Color-Fall ‘06)
Genre: Documentary
Issues: Polling, Public Opinion and built in bias.
Rating: Good

Professor Justin Lewis examines how polling data presented in the media not only reflects but helps to construct public opinion. This video reveals how elites promote militarism while a mainstream media promotes and electoral system with built in bias.

Dream Worlds: Desire, Sex, and Power in Rock Video
(1990; 55mins, B&W, Color)
Written, Edited, and Narrated by: Sut Jhally
Distributed by: Foundation for Media Education: P.O. Box 2008, Amherst, MA 01004-2008
Genre: Documentary/Media Analysis
Issue: Fetishization and commodification of women in media.
Gendered stereotypes. Violence against women.
Rating: Critical, informative and provocative. Recommended for class.
Note: It contains an explicit and violent rape scene from a film Accused.

Created by Sut Jhally, a professor of Communication at the University of Massachusetts, this video offers a comprehensive study of ideological and cultural impact of fetishized and highly sexualized images of women in various 80s’ rock videos. Although there are various ‘types’ of women in these popular music videos, ranging from prostitutes to schoolgirls, they are uniformly portrayed as nymphomaniacs, who present themselves as objects of the consuming heterosexual male gaze. Consequently, subliminal messages sent by these images affect the ways in which women are treated in society. Through sociological and semiotic theories, the video effectively analyzes a broader cultural system of signs, to which these images inevitably belong.

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Game Over: Gender, Race & Violence in Video Games
(2001; 41mins., Color)
Produced and Directed by: Nina Huntemann
Produced by: Sut Jhally
Genre: Informational Video
Issues: Media Studies, video games and the impact of electronic media on racial, class and violent behavior.
Rating: Very good

This film examines video games as the fastest growing segment of electronic entertainment media. It also looks at video games as a cultural industry and challenges viewers to think critically about their impact on society’s youth.

Grrlyshow
(2000; 18mins, Color)
Directed by: Kara Herold
Distributed by: Women Make Movies
Genre: Documentary
Issues: Self-publishing, women’s writing co-operatives, alternative press
Rating: Excellent resource for classes dealing with grassroots organizing and publication.

“An 18-minute explosion of fringe feminism and print media, Grrlyshow is a powerful and rebellious message on the girl zine revolution.” Zines are examined as a cultural phenomenon, and an avenue for social and political change. This video gives a short, behind the scenes, look at the benefits of creating zines and offers resources for publishing. The editors of “Bust”, (Debbie Stoller), “Bamboo Girl” (S. Margarita) and “Plotz” (Barbara Klugman) give first hand accounts of their experiences getting their zines off the ground and keeping them running.

Impact N.M.:Violence Against Women
(1992; 29mins, Color,)
Created by: Impact N.M.
Genre: Documentary/Media analysis.
Issue: Violence against women in the media.
Sexualization and objectification of children through the media.
Rating: Educational.
Note: It contains some violent images, such as a killing of a woman in the film Psycho and photographs of bondage. Low audio-visual quality.

The video features a round-table discussion of images of women in the media, including pornography, which promotes commodification and violence against women. The discussants include three UNM professors; Jane Caputi from American Studies, Ann Scales from the Law School, and Teresa Cordova from Women Studies.

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MacKinnon, Catharine
(1992; 120mins, Color, Home Video)
Filmed by: Women’s Law Studies, UNM
Genre: A public talk
Issue: Sexual harassment, abuse, and pornography. Racism and sexism in the legal system.
Rating: Feminist. Somewhat informative.
Note: Low audio-visual quality.

The acclaimed law scholar Catharine MacKinnon from the University of Michigan law school speaks at UNM. She questions a legal status of pornography protected as free speech in relation to sexual abuse and rape of women. She also discusses recent legal cases, which blamed women for their rape, such as Anita Hill vs. Supreme-Court justice nominee Clarence Thomas.

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Man to Man
(Circa 1990s; 30mins, Color)
Produced by: The New Mexico Health and Human Service Department.
(w/News 101 Team Video Crews)
Genre: Documentary with commentary and interviews.
Issue: Cultural masculinity, male social development, male identity, and emotional and physical health.
Rating: Good general resource about gender performance and masculinity.

This locally produced health project video looks at the various elements that comprise male masculinity by asking the question, “What makes a man a man?” Men from Albuquerque, Carlsbad, Farmington, and Espanola communities in New Mexico answer this question. The men featured in this video are Judge Tommy Jewell, Martial Artist--Victor La Cerva, and Cowboy/Rancher--Don Hofman.

Men & Pornography
Two separate documentaries on one tape (28mins in total)
Men & Pornography
(1993; Color ) W/ Closed Caption in English
Created by: 20/20
Genre: TV documentary
Issue: Pornography as a sex education: image analyses.
Rating: Educational.
Note: Low visual-audio quality.

This 20/20 program interviews a group of male students at Duke University, who discuss an innovative approach to analyze pornography from male perspectives in class. They criticize pornography’s psychological and physical effects on men, who become conditioned to perceive women as inert sexual objects.

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Nobody Knows My Name
(1999; 58mins, Color)
Directed and Produced by: Rachel Raimist
Edited by Christine Kim
Genre: Documentary, personal narratives
Issue: Women in Hip-Hop music.
Rating: Innovative, informative and provocative. This video contains explicit language and deals with mature themes. Recommend for classes dealing with feminist issues, popular culture, and musical subcultures.

Rachel Raimist insightful documentary features five women who are rooted in various aspects of the Hip-Hop music scene despite the fact that as women they are often unseen and heard by the music culture they support. These artists featured are Leschea (singer), T-Love (rapper), Asia (dancer), D.J. Symphony and Lisa (wife & mother), and funk and R & B based rapper, Madusa. These women have carved out a space for themselves in a marginalized music medium. Despite their love for Hip-Hop, these women draw little fame and financial reward from their careers in this male dominated music arena. The video also raises questions about the music industry’s sexual and racial politics and calls for greater participation and visibility for women in Hip-Hop.

Peace, Propaganda & The Promised Land
(2004; 80 mins, Color--Fall 06)
Genre: Documentary
Issues: Media coverage of U.S /Israeli foreign policy, American Imperialism.
Rating: Excellent

This critically acclaimed video examines how North American elites, working in concert with Israeli public relations, shape media coverage of U.S./Israeli foreign policy to serve their interests.

Redefining Liberation (a.k.a. N.O.W.: Love Your Body)
(1996; 22mins, Color)
Directed by: Henry Chow
Produced for: National Organization for Women (NOW) Foundation
Genre: Documentary
Issue: Negative effects of advertisement.
Rating: Feminist. Informative and educational. Recommended for class.

The video examines psychological effects of advertisements on women’s health. Interviews with feminist scholars and activists, such as Jean Kilbourne and Gloria Steinem, are combined with statistics and comprehensive image analyses. The video makes a convincing argument that advertisements affect women’s eating and dieting habits, promote violence against women, and encourage smoking as a so-called feminist act.

Searching for Debra Winger
(2002; 99 mins, Color,DVD)
By: Rosanna Arquette
Distributed by: Lions Gate Home Entertainment
Genre: Documentary
Issues: Hollywood, women in show business, balancing personal lives and fame, the industry’s chauvinisms about women’s appearance, age, and creative value.

“Searching for Debra Winger is a thought-provoking documentary in which Golden Globe-nominated actress Rosanna Arquette talks to the film industry’s most talented, award-winning actresses about the pressures they face as women working in show business.” The major question being probed is how these women balance fame, family, and career. Includes commentary from Laura Dern, Jane Fonda, Whoopi Goldberg, Selma Hayek, and Sharon Stone.

Spin the Bottle
(2004; 45 mins., Color)
Produced and Edited by: Ronit Ridberg
Genre: Informational/Educational
Issues: Media advertising and alcohol, men and women’s drinking trends, alcohol and sex, violence and alcohol.
Rating: Very good teaching resources for media, gender, and popular culture courses.

This DVD/Video offers a wealth of information on the roles that contemporary popular culture play in glamorizing binge drinking, excessive drinking and other high–risk behavior among America’s youth. The video also offers practical strategies for navigating pro-alcohol propaganda.

Still Killing Us Softly: Advertising Images of Women
(1987; 31mins, Color)
Directed by: Margarette Lazarus
Created by: Cambridge Documentary Films:P.O. Box 385, MA 02139
Or, Jean Kilbourne, c/o Lordly & Dane, 51 Church St, Boston, MA 02116
Genre: Documentary
Issue: Sexism in advertisement.
Rating: Feminist classic. Informative and educational.
Note: Very low visual quality (grainy and bad tracking).

Feminist scholar Jean Kilbourne delivers a lecture at Harvard University on images of women in advertising. She analyzes advertisements as a powerful medium to disseminate sexist values and concepts. These images not only create a social climate that accepts violence against women, but also define an ideal beauty and femininity for women. The topics discussed in the video include; body image, pornography, eating disorders, sexualization of children, and appropriation of feminism by the tobacco industry.

The Righteous Babes
(1998; 50mins, Color; England)
Directed by: Pratibha Parmar
Distributed by: Women Make Movies
Genre: Documentary
Issues: Feminism, women’s activism, music as popular culture, women’s music history, politics and media.
Rating: Excellent resource for popular culture and cultural studies courses.
“Acclaimed filmmaker Pratibha Parmar (A Place of Rage, Warrior Marks) explores the intersections of feminism with popular music, focusing on the role of female recording artists in the 1990s and their influence on modern women.” Popular music entities Crissie Hynde, Ani DiFranco, Tori Amos, Sinead O’Conner and others discuss the potential politics and power of performing their music. These were are joined by Gloria Steinem, Camille Paglia and others who also critique shifts in feminism and link these shift to music’s cultural impact on realms of political activism.

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Tough Guise: Violence, Media, and the Crisis of Male Masculinity
(1999; Approx. 80mins, Color)
Directed by: Sutt Jhally (Featuring Jackson Katz)
Distributed by: Media Education Foundation
26 Center Street, Northhampton, MA 10160
Genre: Lecture/documentary.
Rating: Excellent media, communications, and gender studies resource for classroom and research use.
Issues: gender, masculinity, male violence, female violence, media’s normalization of male violence, sexualized violence, and politics and masculinity. Other topics covered are domestic violence, 1990’s rash of school shootings, and the growing militia movements.

Jackson Katz’s offers compelling arguments, connecting the constructions and socialization of masculinity directly to the increased levels of violence in American society during the past half a Century. Katz provides a decade-by-decade examination of media and commercial images that outline a relationship between how men are depicted in popular culture texts such as film, video games, actions figures and television programming and how the side affects of these depictions appear in the crimes and behaviors of young males.

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What a Girl Wants
(2001; 30 mins., Color)
Produced by: Elizabeth Massie
Edited by: Joseph Bricca
Genre: Educational/Informational
Issues: Representations of girls and women in the media.
Rating: Very Good classroom tool.

Eleven girls and young ladies between the ages of 8 and 16 critically discuss the ways girls are represented in the media and how this influences their lives.

Wrestling With Manhood: Boys, Bullying & Battering
(2002; DVD/VHS, 60 mins., Color)
Written and Directed by: Sut Jhally
Genre: Informational/Educational
Issues: Impact of violent media, professional wrestling, bullying in young males.
Rating: Excellent

Examines the popularity and pitfalls of professional wrestling and its impact on young men and women in America, addressing how wrestling as entertainment and fantasy affects real-life relationships. Through analysis of illustrated examples, this video attempts to make the connection between wrestling, media and men’s violence and bullying toward women.

Writing Desire
(2000; 25mins, Color)
Directed by: Ursula Biemann
Distributed by: Women Make Movies
Genre: Documentary
Issues: Female subjectivity in electronic media, human relationships in electronic global culture, the circulation of sex and desire across transnational landscapes through electronic media.

“A compelling video essay on the dream screen of the Internet and its impact on the global circulation of the women’s bodies from the Third World to the First.” This video also examines electronic written and visual mediums such as the Internet and email for their impact on human social and dating behaviors, and it ponders how the global market place, through electronic media facilitates the commodification of women in developing nations for Western consumers.

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Victims of Crime Resources/ Law

900 WOMEN
(2000; 72mins, Color)
Directed by: Leleh Khadivi
Distributed by: Women Make Movies
426 Broadway #500
New York, NY 10013
Genre: Documentary with biographical interviews.
Issues: Incarcerated Women, The Criminal Justice System, Prisons and Reform Polices.
Rating: Compelling and educational.

This documentary takes viewers behind the bars of the St. Gabriel, Louisiana Correctional Institute for Women. This institution houses Georgia’s most dangerous women convicts and often operates at or beyond its 900 women capacity. The camera chronicles the lives of six brave women who tell their stories and put faces on the statistics of incarcerated women. It’s an unflinching look at the challenges and sorrows these women face sandwiched between their civilian lives of addiction, unwanted pregnancy, poverty, and the American criminal justice system. This film deals with issues of criminal recidivism, women on death row and motherhood under incarceration.

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After the Robbery: Crisis to Resolution
(1997; 21mins, Color, Order Number: NCJ# 162842)
Created by: Office for Victims of Crime Resource Center: 1-800-672-6872
Produced by: U.S. Attorney’s Office, Eastern District of Wisconsin.
Genre: Educational Video, aimed at bank robbery victims
Issue: Trauma and effects of robbery. Legal procedures of testifying at court.
Rating: Informative and formal.

The video discusses emotional and physical effects of robbery on victims, and interviews mostly female bank employees for their experiences of robbery. The video provides information on victim witness assistant programs and explains legal procedures of testifying in trials.

Bitter Earth: Child Sexual Abuse in Indian Country
(1993; 45mins, Color)
Created by: U.S. Department of Justice:
The Office for Victims of Crime (OVC)
Genre: Educational Video.
Issue: Child sexual abuse and related legal procedures.
Rating: Informative and educational.

The video discusses child sexual abuse on Indian reservations, including interviews with family members of victims, police officers, lawyers, and counselors of the Indian community. The video also reviews different types of sexual abuse, its effects, and legal and cultural resources available for the protection of victims. In 1989, the Office for Victims of Crime developed a program entitled “Children’s Justice Act Discretionary Grant Program for Native Americans (CJA).” CJA assists tribes in implementing programs that would improve the investigation and prosecution of child sexual abuse cases.

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B.J. Learns About Federal and Tribal Court
(1992; 10mins, Color)
Created by: U.S. Department of Justice,
Office of Justice Programs and Office for Victims of Crime.
Produced by: U.S. Attorney’s Office, District of Arizona.
Genre: Educational Video for Native American Children.
Issue: Native American tribal court proceedings.
Protection of child victims and witnesses.
Rating: Good, general information resource.

The video prepares Native American child victims and child witnesses on how to testify in court. It explains different proceedings at a Tribal court (Salt River Pima-Maricopa Indian Community) and a federal court (the U.S. District court in Phoenix, Arizona.). The video is an educational tool to teach children the rules, vocabulary, and personnel involved in the courtroom and in trials.

Guns & Mothers
(2003; 53mins, Color-close captioned)
Directed by: Thom Powers
Distributed by: First Run/Icarus Films
32 Court Street, 21st Floor, Brooklyn, NY 11201
Genre: Documentary
Issues: Gun violence in America.
Rating: Good

This film chronicles two groups, The Million Moms and the Second Amendment Sisters, and their response to the Columbine High School shootings and persistent gun violence in urban areas. Though these groups have opposing positions on gun control, they agree that women should have a voice in shaping gun control laws in America.

Improving Case Outcomes
(Circa 1990s; 16mins, Color)
Produced by: Office of Victims of Crime Resource Center
Genre: Documentary, Public Service Program, Testimonials.
Issues: Child Sexual Exploitation, Domestic Violence, Rape and Legal Issues related to these crimes.
Rating: Educational and potentially useful to students interested in social work or community resource work associated with domestic violence.

The focus is the short and long term impact of violence on children who are directly and indirectly exposed to it. This tape particularly features the successful outcomes of a program in Boston, Mass., called the Child Witness to Violence Project that began in 1992. The programs goals are to treat children exposed to violence early on to curtail residual problems and to prevent the kids from becoming offenders themselves.

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Joining Forces Against Child Sexual Exploitation
(1997; 20mins, Color)
Produced by: the Office for the Victims of Crime and The Office of Juvenile Justice and Delinquency Prevention.
Genre: Documentary, Public Service Announcement, P.R. for the U.S. Justice Department.
Rating: Moderately informative.

This video was a product of the March 18, 1997, Huntsville, Alabama conference of national law enforcement personnel, who gathered to address methods and tactics for the prevention of child sexual exploitation. It includes comments from Laurie Robinson, former Assistant Attorney General for the Department of Justice and Ronald Laney, Director of Missing and Exploited Children’s Program office of Juvenile Justice and Delinquency. The issues addressed are children’s vulnerability due to technology and the need for a multidisciplinary approach (FBI administered task force) to dealing with the problems of child sexual abuse, child pornography, and child abduction.

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Justice for Victims
(1997; 10mins, Color)
Created by: U.S. Department of Justice;
For additional information: 1-800-627-6872, http://www.ncjrs.org
Genre: Educational Video
Issue: Information on federal crime victims’ rights and the
criminal justice system
Rating: Informative and very formal.

The video explains the rights of and needs for protection of federal crime victims. It briefly introduces recent changes in the justice system, including Victim and Witness Protection Act (1982), The Victims of Crime Act (1984), The Crime Control Act (1990), The Antiterrorism and Effective Death Penalty Act (1996).

Meeting the Mental Health: Needs of Crime Victims
(1997; 40mins, Color)
National Victim Assistance Academy (NVAA) Project
Created by: Department of Justice: Office for Victims of Crime
Produced by: The Division of Television Service:
Office of Educational Services:
Medical University of South Carolina for OVC.
Genre: Educational Video for victims of crime.
Issue: Counseling crime victims. Post Traumatic Stress Disorder (PTSD).
Rating: Somewhat informative. Aimed at social advocates and counselors,
who assist crime victims.

The video focuses on explanation of physical and psychological trauma of crime victims, and advocates for a need for long-term support.

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Prison Lullabies
(2003; 83 mins.,Color-Summer ’07)
Directed By: Lina Matta and Odile Isralson
Distributed by: Filmmakers Library
Genre: Documentary
Issues: Incarcerated Women
Rating: Excellent

This documentary looks at the lives of Monique, Ann Marie, Joann, and Amy as they attempt to navigate their prison sentences, pregnancy, and motherhood. This frank and often heartbreaking documentary follows these women’s struggle to recover from drug addiction, mend family relationships, and build new lives after being incarcerated. This video reveals the complexity of the challenges that women face as one of the fastest growing population entering the criminal justice system.  

Seniorita Extraviada
(2001; 74 mins., Color, Some Spanish w/English Subtitles)
Directed by: Lourdes Portillo
Issues: Murders of young Latina women along the U.S.-Mexico border, U.S.-Mexico relations, NAFTA, sex crimes, corruption in U.S. and Mexican law enforcement, and violence against women.
Rating: Excellent overall and an invaluable classroom tool.

This gripping documentary meticulously tells the legal, emotional and political stories about the more than 500 young women who have been abducted and murdered along the U.S.-Mexico borders. Most of them have been employed at U.S. owned factories. Evidence suggests that these young women are being preyed on by co-workers at the factory where they work and/or members of a transnational drug cartel.

Southern Poverty Law Center
(N/A; 22mins, Color)
Created by: Southern Poverty Law Center
400 Washington Ave. Montgomery, Alabama 36104
Genre: Educational video
Issue: Civil rights law suits. Teaching tolerance.
Fight against hate crime.
Rating: Informative, promotional, and political.

The Southern Poverty Law Center is a non-profit organization that offers various educational and legal supports to combat hate, intolerance, and discrimination. This promotional video introduces the center’s history and its programs, such as a momentous lawsuit against Ku Klux Klan and ‘hate watch’ project that monitors activities of white supremacist and other hate groups. Starting out as a small civil rights law firm in 1971, the center now offers educational videos, publications, website, and texts for anti-hate education.

Stranger Inside
(2002; 90 mins., Color)
Directed by: Cheryl Dunye
Genre: Feature Film
Issues: Women in prisons, women’s criminal rehabilitation, women in the criminal justice system, intergenerational criminality.
Rating: Excellent feature film, but strong content.

This film offers a gritty, candid look at a young women’s life inside the maze of the California correctional system. The film’s heroine, Treasure Lee (Yolonda Ross) travels on a psychological and emotional odyssey through a maximum security facility where she struggles to create family connections among dangerous and desperate women.

Understanding America’s Terrorist Crisis:
What Should Be Done

(2003; TBD, Color-Fall 06)
Genre: Documentary
Issues: U.S. Foreign Policy, Militarism, Rhetoric.
Rating: Good.

This interview with Harper’s Lewis H. Laphman captures Gore Vidal’s compelling critiques of U.S. foreign policy as “perpetual war for perpetual peace.” Vidal offers an explanation of how the “War on Terrorism” is being used to dismantle the Bill of Rights.

Victims of Fraud: Beyond Financial Loss
(20mins, Color)
Created by: Office for Victims of Crime, U.S. Department of Justice.
Genre: Educational Video
Issue: Helping fraud victims.
Rating: Somewhat informational.

Fraud—“white collar crime”—causes more than $40 billion damage in America every year, and affects people regardless of class, race, or gender. This educational video briefly introduces various types of fraud, such as telemarketing and home equity, and explains a legal definition of fraud.

Who Remembers Mama
(circa late 1970s; 58mins., Color)
Produced and Directed by: Cynthia Salzman Mondell
Distributed by: Media Projects, Inc.
Genre: Informational and educational docudrama with first person testimonials
Issues: Divorce, custody, middle-aged women starting new lives.
Rating: Good general informational divorce resource, though the video appears dated.

This video offers an insightful look at the economic, psychological and social impact divorce has on women who have made careers as homemakers. Using courtroom re-enactments, interviews, and statistical data, this video gives and account of the unfair and devastating treatment women sometimes receive from their spouses and the courts during divorce proceedings. Offers tips for case management and court appearances.

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Violence Against Women

Against My Will
((2003; 50 mins, Color)
Directed by: Eyfer Ergun
Distributed by: First Run/Icarus Film
32 Court Street, 21st Floor, Brooklyn, NY 11201
Genre: Documentary
Issues: Culture and women in Pakistan, domestic abuse, honor killings, human rights.
Rating: Excellent account of how cultural practices perpetuate violence against women.

This video gives an unflinching account of what women in Pakistan face when they leave abusive marriages. Shot at the Dastak women’s shelter in Lahore, a safe haven for abused women, this video shows the courage of Pakistani women saving each other and resisting pressure from their families, friends and communities to return to their marriages under the threat violence and even murder.

Any Day Now: Breaking the Cycle of Domestic Violence
(1991; 29mins, Color)
Produced by: Woman Reach, Inc. Charlotte, North Carolina
Written and Produced by: Susan Campbell, Donna Campbell
Genre: Educational Video, aimed at domestic violence survivors
Issue: Domestic Violence.
Rating: Informative and formal.
Note: Intense personal stories of abuse.

The video features short interviews with sixteen women ranging in age from twenties to sixties for their personal accounts of abuse from their husbands and partners. It examines the complex reasons why women do not immediately leave their abusers, and how women are emotionally, economically and physically abused. The video includes brief instructions on Pro Se procedures of how to file complaints and protection orders.

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Calling the Ghosts: A Story about Rape, War and Women
(1996, 63mins, Color; Subtitled in English)
Executive Producer: Julia Ormond
Directed by: Mandy Jacobson and Karmen Jelincic
Distributed by: Women Make Movies
Genre: Documentary
Issues: War crimes against women, rape, U.S. international relations policy, ethnic cleansing in Serbia, human rights, journalism activism.
Rating: Excellent historical resource.

This film focuses on the human rights violations and inhumane treatment suffered by Kosovo women following the Serbian seizure of power in April 1992. Muslim and Croat women give personal accounts of their systematic imprisonment, mistreatment and humiliation in the Serbian camp, Omarskra and they discuss their effort for restitution from the Serbian government. “Jadranka Cigelj and Nusreta Sivac, childhood friends and lawyers, enjoyed the lives of "ordinary modern women" in Bosnia-Herzegovina until they were captured and imprisoned by the Serb army as part of the program of ethnic cleansing.

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Game Over: Gender, Race & Violence in Video Games
(2001; 41mins., Color)
Produced and Directed by: Nina Huntemann
Produced by: Sut Jhally
Genre: Informational Video
Issues: Media Studies, video games and the impact of electronic media on racial, class and violent behavior.
Rating: Very good

This film examines video games as the fastest growing segment of electronic entertainment media. It also looks at video games as a cultural industry and challenges viewers to think critically about their impact on society’s youth.

Macho
(2000; 26mins, Color)
Directed by: Lucinda Broadbent
Distributed by: Women Make Movies
Genre: Documentary
Issues: Domestic and cultural violence in Latin America, machismo, alternative models of masculinity and anti-violence process work.
Rating: Excellent introduction to the previously listed subjects and recommended for classroom use.

This film focuses on the groundbreaking anti-violence work performed by a men’s organization in Managua, Nicaragua called Men Against Violence. These men have effectively organized to address issues of societal and domestic violence in Latin America, in attempts to eliminate attitudes of male chauvinism and machismo. The camera follows several of these men through their daily lives, captures their workshops and attempts to recruit young men in the community to join their efforts. Men Against Violence has developed a model to address violence and advocacy for women’s rights that is used worldwide.

Mann ke Manjeere: An album of Women’s Dreams
Produced and Distributed by Breakthrough.

This tape contains two music videos and a short documentary video, which details the making of these video projects and the album the songs appear on. The album and videos were collaborative efforts to use the popular mediums of music and music videos to inform traditional Middle Eastern communities about the impact of controversial subjects such as domestic violence and arranged marriage.

“Mann ke Manjeere" (2002; 5 mins/15secs, Color)
Directected by: Sujit Sircar and Gary
Genre: Music video
Rating: Excellent public service message about domestic abuse and an example of global self-empowered movements.
This National Screen Award winning video chronicles a woman’s journey from being a battered wife and her personal triumph of reclaiming her life, spirit, and place in society in a non-traditional occupation as a truck driver. Inspired by the real life story of Shamim Pathan.

“Babul” (2002; 5 mins/38secs, Color)
Directed by: Prasoon Pandey
Genre: Muxic video
Rating: Excellent generative tool for dialogs about global women’s movement projects.
This music video exposes, through the eyes of a young girl, the fates and limitations of young women and girls, who find themselves in abusive relationships.

“The Making of Mann ke Manjeere” (2002; 17 mins./4 secs., Color, Video)
Genre: Documentary
Directed by:
This video documents the making of the “Album of Women’s Dreams” and features artists on the album as well as the Mann ke Manjeere production team.

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P.O.W. Prisoners of Wedlock
Two separate documentaries on one tape
P.O.W. Prisoners of Wedlock: American Women Violence Against Them
(1991, 44mins, Color) W/ Closed Caption in English.
Created by: 20/20
Genre: Documentary TV program.
Issue: Domestic Violence.
Rating: Critical and intense. Supportive of the victims.
Note: Poignant personal stories of abuse, which may be disturbing.

This powerful episode of 20/20 program presents poignant testimonies by several women prisoners who killed their abusive husbands after years of physical and emotional abuse. Their testimonies reveal negligence on the side of the police to protect battered wives’ civil rights, and the inadequacy of the legal system to respond to Battered Women Syndrome.

Savage Cycle: Domestic Violence
(1990; 29mins, Color)
Produced and Written by: Bob Sykes
Created by: Lakewood Living Productions
Genre: Documentary
Issue: Cycles of domestic violence. Abuse and co-dependency.
Rating: Intense, informative and educational.

In this ‘classic’ domestic violence video, both men and women involved in abusive relationships offer poignant testimonies of the three stages of the recurrent cycle of abuse and co-dependency. By combining clips from police videos and personal interviews, the video encourages women and men to break the cycle. There is a sequel video titled The Savage Man available from Lakewood Living Productions, which focuses on the male perspectives of domestic violence.

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Scared Silent: Exposing and Ending Child Abuse
(1992; 48mins, Color) W/ Closed Caption in English
Directed and Written by: Melissa Jo Peltier, Arnold Shapiro
Distributed by: Arnold Shapiro Productions.
Hosted by: Oprah Winfrey
Genre: TV documentary
Issue: Child sexual abuse.
Rating: Controversial but critical and informative.
Note: It contains explicit descriptions of child sexual and physical abuses.

Every year 3 million child abuse and neglect cases are reported, and the majority of these children are abused by someone in their own families. Scarred by the experience, these children often grow up to be angry adults, who are six times more likely to abuse their own children. Significantly, one family traces back the cycle of abuse to the Civil War period. This acclaimed documentary presents interviews with six offenders and their victims, and helps them to break the silence.

Sex in a Cold Climate
(1998; 50 Mins., WMST Grant Film, Color and B&White-Summer ’07)
Directed By: Steve Humphries
Distributed by: The Cinema Guild, Inc.
Genre: Documentary
Issues: The Catholic Church administration of Magdalene Asylums, Catholic orphanages, administrative abuses of young women by the Catholic Church.
Rating: Excellent uncovering of a little known part of women’s history.

This documentary offers historical footage and stirring first hand accounts of women’s experiences as wards of the Magdalene laundries in Ireland.

Wrestling With Manhood: Boys, Bullying & Battering
(2002; DVD/VHS, 60 mins., Color)
Written and Directed by: Sut Jhally
Genre: Informational/Educational
Issues: Impact of violent media, professional wrestling, bullying in young males.
Rating: Excellent

Examines the popularity and pitfalls of professional wrestling and its impact on young men and women in America, addressing how wrestling as entertainment and fantasy affects real-life relationships. Through analysis of illustrated examples, this video attempts to make the connection between wrestling, media and men’s violence and bullying toward women.


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Youth

5 Girls
(2001; 113mins, Color)
A Film by: Kartemquim Educational Films
Distributed by: Women Make Movies
Genre: Documentary
Issues:
Rating:
“From the production company that made Hoop Dreams, comes this inspiring and honest portrait of five diverse girls as they bravely make their way through high school.”

A Girl’s World
(1995; 49mins, Color)
Directed by: Laurie Hepburn
Produced by: Laurie Hepburn Production
Genre: Educational Video.
Issue: Career guidance for young women and girls.
Rating: Encouraging. Somewhat instructional.

The video introduces three professional women: an airplane pilot, glass artist, and veterinarian. Three young girls join these women for one day to receive a hands-on experience of the job. It is a lighthearted and encouraging look at various career opportunities for women.

Belfast Girls
(2006; 60 mins., Color-Spring ’07)
Directed By: Malin Andersson
Distributed by: Women Make Movies
Genre: Documentary
Issues: Women in post-War Belfast Ireland
Rating: Good.

This documentary takes a look at the lives of Mairead Mc Ilkenny (Catholic) and Christine Savage (Protestant), growing up in post-war Belfast. Director Malin Andersson follows these two strong young women’s lives as they live in the same city divided by a wall that is both a symbol of their religious differences and the worlds they live in because of them.

Captive Audience: Advertising Invaded The Classroom
(2003; 45 mins., Color-Fall ‘06)
Genre: Documentary
Issues: The affects of commercializing public education.
Rating: Good

This documentary examines the ethical and philosophical questions surrounding commercial interest, such as private and public corporation, being used to fund public education.

Closer
(2000; 24mins, Color)
Directed by: Tina Gharavi
Distributed by: Women Make Movies
Genre: Documentary
Issues: Coming of age issues, coming out, sexual orientation and identity, teen lesbian sex and dating.
Rating: Good resource for classroom.
“A poignant character study of a 17-year old lesbian living in Newcastle, England … ” This experimental form documentary combines, re-enactment and dramatizations to chronicle the life of Annelise Rodger as she negotiates her lesbian identity in her family and on the streets of Newcastle. She explores the local lesbian bar scene, dating, and comes out to her family. The film is an inspiring portrait of a self-assured young woman finding her way in the world.

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Critical Mass: Women in Science
(1993; 27mins, Color)
Directed by: Doug Crawford, utilizing research by Deborah Klein.
Produced by: KNME-TV, Albuquerque, NM.
Genre: Educational Video
Issue: Encouraging young women to study science and math.
Rating: Encouraging and somewhat informative.

Aimed at young women in junior and high schools, this educational video encourages these young students to pursue their interest in science and math. Several Albuquerque teens as well as professional scientists are interviewed to talk about their experiences of combating gender stereotypes of women in science and math.

Cusp
(2000, 25mins, Color; Close Captioned)
Directed by: Ruth Sergel
Distributed by: Women Make Movies
Genre: Docudrama
Issues: Female adolescents, single parent households, mother daughter relationships, and healthy friendships.
Rating:
“Cusp is a portrait of Alice, a spirited 12 year old, hitting the wall of early adolescence. Her fierce struggle to retain her sense of self, despite the onslaught of other voices, denotes the unique experience of a girl coming of age.” This video illustrates struggles young girls face negotiating messages they receive about their place and value in their families and in society at large.

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Escuela
(2002; 53mins, Color, Subtitled sequel to La Boda)
Directed by: Hanna Weyer
Distributed by: Women Make Movies
Genre: Documentary
Issues: Migrant worker life, education, U.S./Mexico border issues, public policy, immigration and cultural studies.
Rating: Good resource for classroom on humanities and education courses.
“There are over 800,000 students enrolled in migrant education programs in the United States, and of those, only 45-50% ever finish high school.” This video takes an in-depth look at the challenges school administrators, migrant children, and their parents face in their efforts to educate migrant children. This video gives first hand accounts of what it’s like for migrant students and their families to adjust their lives to both the school calendar year and migrant work seasons. Some children split their time between as many as four or five schools within a single school year.

Girls Like Us
(1997; 57mins, Color)
Produced by: Jane C. Wagner & Tina Difeliciantonio
Distributed by: Women Make Movies
Genre: Documentary, Personal Narrative
Issue: Young women in adolescence and how they navigate peer pressure and societal influences.
Rating: Educational and relevant to social, cultural, gender and economics.

This documentary follows the lives of four very different young women raised on the urban east coast over the course of four years (while they are between the ages of 14 and 18). Lisa, Anna, De’Yona, and Raelene struggle to find themselves amidst their parent’s generational, cultural and religious influences and social pressures from their peers. This documentary is a triumphant and heartbreaking tale of four girls journeys into womanhood at the turn of the 21st Century.

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Girls Around the World
(1998-2000; 6 x 30mins, Color)
Produced by: Brenda Packerson
Distributed by: Women Make Movies
Genre: Documentary
Issues: The circumstances and living conditions young women face around the globe. The specific issues are covered in more detail below.

Anna from Benin (Monique Phoba, Benin) “One of 31 children, anna struggles to fulfill her family’s high expectations after receiving a prestigious scholarship to study music in France.”

Daughters of War (Maria Barea, Peru) “The effects of war, drugs and poverty in Peru are seen through Gabriela, the leader of a girl gang and teen mother.”

Heaven and Earth (Pascale Schmidt, Germany) “Ramona chooses to follow a religious path and leaves behind the freedoms enjoyed by other teens in Munich.”

Frontier (Kaija Jurikkala, Finland) “On an isolated farm near the Russian border, Tarja makes the painful decision to leave home in search of greater opportunities.”

Don’t Ask Why (Sabiha Sumar, Pakistan) “Anousheh, an independent-minded Pakistani teen, attempts to realized here dreams while confronting the expectations of her culture.”

NightGirl (Yingli Ma, China) “A striking portrait of Han Lin, a 17 year old who prematurely enters the workforce as a Go-Go dancer in Peking, China.”

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Jenny and Jenny
(1997, 60Mins, Color; Subtitled-Israel)
Directed by: Michal Aviad
Distributed by: Women Make Movies
Genre: Documentary
Issues: Education, family, adolescence, mandatory military service and teen dating and cross- cultural relationships.

“This moving, closely observed portrait of adolescence documents one summer in the lives of two 17 year old cousins named Jenny. As North African Jewish immigrants living on Israel’s working class Mediterranean coast, the girls’ changing environment provides a fascinating window into a culture both religious and secular.” The film also provides compelling look into the lives of these adolescent girls that reflects universal themes about identity, independence, love and family. The cousins face generational clashes with their parents, academic differences with instructors, and personal challenges with each other.

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Kinaalda, A Navajo Rite of Passage
(2000; 57mins, Color)
Directed by: Lena Carr
Distributed by: Women Make Movies
Genre: Documentary
Issues: Navajo customs, youth rites of passage, Southwest history, Native American customs and culture
Rating: Good.
This video documents director, Lena Carr’s reclamation of her Novajo ancestry through the observation of her niece Tonya’s coming of age ceremony. The Kinaalda ceremony is part of the Navajo tradition for girls between the ages of 11-14 to insure that when the girls pass through womanhood they’ll be healthy, strong, and intelligent and have beautiful lives. This documentary was shot on an Arizona Navajo Reservation. Through narration, this video attempts to explain the reasons and processes of the practices included in the Kinaalda ceremony. Yhis film is controversial and the content included in it this film has been contested by various factions of the Navajo nation.

La Boda
(2000; 53mins, Color)
Directed by: Hannah Weyer
Distributed by: Women Make Movies
Genre: Documentary
Issues: Marriage customs, migrant families, U.S./Mexican border issues, and cultural studies.
Rating: Excellent resource for cultural studies and humanities classes.
“In an intimate portrait of migrant life along the U.S.-Mexican border, Hannah Weyer’s film La Boda, delves into the challenges faced by a community striving to maintain their roots in Mexico, while pursuing the ‘American Dream’ across the border.” Twenty-two year-old Elizabeth, prepares for her wedding and recounts moments of her life as a child in a migrant working family. The story unfolds between Shafter, CA and Mission, TX, where the (Luis) family splits their time between in-season and off-season harvest work. This documentary reveals the commitment and strong relationships people fostered by living in these collectivistic communities that depend on each as friends and extended family.

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Monday’s Girls
(1993; 50mins, Color; Subtitled-England)
Directed by: Ngozi Onwurah
Distributed by: Women Make Movies
Genre: Documentary
Issues:
Rating:
“This fascinating documentary, by the acclaimed filmmaker of The Body Beautiful, follows two young Nigerian women’s different experiences of a traditional rite of passage.”

Mai’s America
(2002; 72mins, Color Subtitled)
Directed by: Marlo Poras
Distributed by: Women Make Movies
Genre: Documentary
Issues:

“Mai’s America is a personal journey that defies all expectations. Mai, a smart, vivacious, and resilient Vietnamese teenager, travels to America for her senior year of high school, shouldering her family’s high expectations and her own visions of western-style success.”

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Runaway
(2001; 87mins, Color; Subtitled-England)
A Film By: Kim Longinotto and Ziba Mir-Hosseini
Distributed by: Women Make Movies
Genre: Documentary
Issues:

“Runnaway is a powerful and heart-breaking documentary about a group of young runaway girls who are taken to a women’s shelter in Tehran, Iran.”

See Me: Five Young Latinas
(WMST Grant Film-Spring ’07)
Directed by: Lee Flynn
Distributed By: The Cinema Guild, Inc.
Genre: Documentary
Issues: Youth concern, teen urban life, adolescent girls, Latina life and experiences.
Rating: Good.

This documentary offers a close look at the lives of five young Latinas living in San Francisco as they negotiate growing up, family, friends, and the demands that urban life can make on American youth.

SPEAK UP!: Improving the Lives of Gay, Lesbian, Bisexual, & Transgendered Youth 
(2001; 30 mins., Color)
Written and Directed by: John Kazlaukas
Produced by: Sut Jhally
Genre: Documentary/Educational Video
Issues: Gender and sexuality for today’s youth and how they’ve organized to support eachother.
Rating: Very Good

This video contains interviews with students, their parents, teachers and school administrators about the need to create safe environments for queer youth. It also offers strategies and resources they have used to transform their communities to improve the climate for GLBT youth.

Teens with Gay Parents
(1987; 70mins, Color)
Directed & Produced by: Kevin White
Full Frame Productions
Genre: Personal Narrative, Documentary
Issues: Homosexuality and Parenting
Rating: Good resource because if its poignant personal stories aimed at general audiences, but it has Mediocre production quality.

This documentary allowed teens growing up in San Francisco in the 80s to give a first hand account of their experiences of being raised by gay and lesbian parents. Director Kevin White profiles the families of three teens to examine the social and psychological impacts their parents homosexuality has on them. This tape examines myths about the influences gay parents have on their children and looks the societal pressures parents endure. Content includes discussions of AIDS, child custody, sexual prejudice and how these issues strain family relationships.

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The Places You’ll Go To If You Go To School: A Guide to Educational Options for Middle School Students and Parents
(1991; 10mins, Color)
Prepared by: The New Mexico Commission on Higher Education:1(800) 279-9777
Genre: Educational Video
Issue: Prevention of middle/high school dropout.
Rating: Somewhat informative.

The video encourages middle and high school students to stay in school by showing short clips of various professional work environments and brief interviews with local students.

Uphill All the Way
(2000; 79mins, Color)
Film By: Khin May Lwin & Robert Nassau
Distributed by: Women Make Movies
Genre: Documentary
Issues: adolescents, addiction, mental health, self-help, and team-building.
Rating: Good resource for courses dealing with recovery and adolescence.
“Uphill All the Way is the astounding true story of five troubled teenage girls who face the challenge of their lives: a 2,500-mile bicycle journey along the United State Continental Divide.”
More than the triumph of completing the ride, we see these young women conquer their fears, insecurities, and previous negative behaviors to accomplish an important personal goal.

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What a Girl Wants
(2001; 30 mins., Color)
Produced by: Elizabeth Massie
Edited by: Joseph Bricca
Genre: Educational/Informational
Issues: Representations of girls and women in the media.
Rating: Very Good classroom tool.

Eleven girls and young ladies between the ages of 8 and 16 critically discuss the ways girls are represented in the media and how this influences their lives.

Working with Grieving Children
(N/A; 27mins, Color)
Directed by: Jim Hristakos
Created by: Hr Productions: Washington, DC.
Presented by: The National Organization for Victim Assistance (NOVA)
Genre: Educational Video
Issue: Crime victim assistance. Working with children.

This educational video is aimed at both counselors and children, who are dealing with the loss of people who were very close to them. Part One focuses on workshops for young children (age 2-6) who lost someone in their family. Part Two is for children (age 7-11). This section profiles Monique, a 10-year-old whose brother was shot to death. Part Three is a collection of interviews with teenagers (age 12-18), who are coping with deaths of their family members or friends.

Youth Out Loud
(Circa 1990s; 46mins, Color)
Produced by: Moon vision Productions
www.sunandmoonvision.com
Distributed By: San Diego Foundation for Change
Genre: Documentary with testimonials.
Issues: Gay, lesbian, bi-sexual and transgender issues; hate crimes, obstacles of coming out.
Rating: Informative, great basic gender issues source.

This Documentary takes a cursory look at the experiences of gay youth who have come out of the closet and encountered hostile responses and opposition from their schools and families. Through the personal tales of Bev, Jason, and Danielle viewers see the need for creating safe spaces for gay youth and for supporting them in their adolescent self-discovery.

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Women’s Body/Self-Image

Barbie Nation
(1998; 53 mins., Color)
Directed by: Susan Stern
Genre: Documentary
Issues:  The social, political, and cultural impact of the Barbie doll.
Rating: Very good resource for courses on gender and popular culture.

This film captures Barbie fans, owners, and collectors allowing them to give their personal accounts of Barbie’s impact on their lives. Additionally, this film looks at the cultural impact that Barbie (and Ken) dolls have had on the relationships young girls have had with their bodies.

Beautiful Piggies
(1993; 28mins, Color)
Directed by: Barbara Bader
Distributed by: Filmakers Library, Inc.
Genre: Autobiographical Documentary
Issue: Overweight, binging, and body image.
Rating: Imaginative and critical.

This autobiographical video is a self-portrait of Barbara, an overeater who grew up in a seemingly loving middle-class white family. The video interweaves old photographs of Barbara as a slim young woman with interviews with her and her family members who voice their concerns about Barbara’s eating disorder. Instead of providing a clinical analysis of the disorder, the video maker provides an honest and sensitive look at how she and her family cope with her binging.

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Beyond Disability
(Circa late 1990s; 26 mins., Color)
Produced by:  The empowered Fe Fes of Access Living and Beyond Media.
Genre: Documentary of interviews.
Issues: First person accounts of the challenges young women face living with disabilities.
Rating: Very good classroom tool.

This documentary captures the empowered voices of adolescent and teenage girls from a range of racial and ethnic backgrounds who decided to document their own impressions of how the general public perceives people with disabilities. The young women cover their experiences in school, dating, and following their dreams despite the limits that society attempts to place on them as disable persons.

Holistic Nursing
(circa 1990s, Color, Approx. 30 mins.)
Produced by: The National Holistic Nursing Association
Genre: Informational Video
Issues: The principles of holistic nursing.
Rating: Mildly informative, but primarily promotional.

This video is a promotional and informational tape about the American Holistic Nurses Association. Members of the organization explain its purpose and benefits. Testimonies by nurses and healers are included explaining this trilateral approach to nursing which treats the mind, body, and spirit of the patient.

Mirror, Mirror
Two separate films on one tape
(1990; 17mins, B&W, Color)
Directed by: Jan Krawitz
Distributed by: Women Make Movies, Inc.
Genre: Documentary
Issue: Body image and ideal female beauty.
Rating: Feminist. Educational.

This introductory feminist film interweaves black and white archival footage of beauty pageants in the 1950s and interviews with 13 women, who talk about their own bodies and the concept of ‘ideal’ woman’s body. It tends to homogenize women on the ground of the ‘ideal’ female body perceived by the general public in the United States.

My Left Breast
(2000; 57mins, Color)
Directed by: Gerry Rogers
Distributed by: Women Make Movies
Genre: Autobiographical documentary
Rating: Good

“Filmmaker Gerry Rogers bravely recounts her story of breast cancer survival to share with the world that life, indeed, can continue with full force and vigor.” Rogers capitalizes on humor to reflect on cancer’s impact on her life and how it affected her friends and family.

Sister Song
(2001; 30+mins., Color)
Produced by: Sister Song Women of Color Collective
Ph. (404) 344-9629 Fax (404) 346-7517
Genre: Interviews
Rating: Excellent

This collection of interviews by women of color reproductive rights activists and advocates provides a diverse range of opinions, philosophies and reflections on the subject. These women connect the political battles over reproductive health to the social, cultural an spiritual concerns that surround them for women of color.

Women’s Bodies, Women’s choices: Dr. Christian Northrup/ Holistic Nursing
two videos on one tape
(Circa 1990s; 70mins, Color)
Produced by: Jack Wilson and Associates, Inc.
Issues: Holistic medicine, breast health, menstruation, menopause and heart disease.
Genre: Lecture format
Rating: Excellent basic women’s health resource that is female body positive.

Dr. Christian Northup is considered a pioneering health care professional. Her approach combines traditional and modern medicine. She explains a new model of health which views, “The body as a living process: The emerging feminine principles of Health and Healing.” She calls for the rethinking of much women have traditionally been taught about their bodies, which leave them discounting the importance of a mind/body connection in their attempts at complete wellness.

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Women’s Health/ Disability

 

Abortion: Stories from North and South
(1984; 55 Mins., Color, Wmst Grant Film-Spring 07)
Directed by: Gail Singer
The Cinema Guild, Inc.
Genre: Documentary
Issues: Reproductive choice, reproductive health, abortion, and women’s health.
Rating: Good
Through interviews with women from Ireland, Japan, Thailand, Peru, Colombia and Canada, this film surveys how the issue of abortion transcends race, religion and social class in its cultural and political significance.

Born in the U. S. A.
(2000; 55mins, Color)
Produced by: Patchworks Productions:
Genre: TV documentary
Issue: Childbirth/Women’s health.
Rating: Informative and educational.
Note: It contains several live scenes of childbirth, which may disturb
some viewers, including nudity, blood, and cesarean section operation.

By juxtaposing options of home birth (and birth centers) and giving birth at hospital, this insightful video encourages women to rethink the process of childbirth. It includes candid interviews with state-licensed midwives, obstetricians, and patients, as well as documentary footage of actual childbirth by four women. It offers educational information on both benefits and dangers of different types of childbirth, including side effects of increasing numbers of epidural anesthesia and C-sections.

DiAna’s Hair Ego
Three separate documentaries on one tape (1990; 30mins, Color)
Directed and Produced by: Ellen Spiro
Created by: South Carolina AIDS Education Network (SCAEN)
Distributed by: Women Make Movies, Inc.
Genre: Documentary
Issue: grassroots AIDS education
Rating: Innovative, inspiring and somewhat informative.

This unique short documentary features Ms. DiAna, a remarkable black woman, who started South Carolina AIDS Education Network at her small beauty parlor in Columbia, South Carolina. The video interviews DiAna and other members of SCAEN about their grassroots activism to educate African American communities in South Carolina about AIDS. DiAna give presentations at schools, churches and community centers, and hosts a “safe sex party” to encourage open discussion of sex and AIDS prevention.

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Different Moms
(1999; 60mins [w/TV commercials], Color) W/ Closed Caption in English
Directed by: Rory Kennedy, Liz Garbus
Distributed by: Lifetime Home Video
Genre: TV documentary
Issue: Parental rights of people with mental retardation.
Rating: Educational, and empowering.
Recommended for class.

Inspirational and moving, this documentary profiles mothers with mental retardation. Before the 1960s, more than 60,000 people in the U.S. underwent forced sterilization and until 1978, 37 states still had laws restricting marriage among people with mental retardation. Although 120,000 babies are born to mentally retarded women every year, only half of these children are allowed to remain with their mothers. Interviews with three mothers, family members, and social workers reveal the challenges which parents with mental retardation face in raising their children.

Eating Disorders: Part I & II
(1989; 17mins & 16mins, Color)
Part I: Eating Disorders and the Student Athletes
Part II: Out of Balance: Nutrition and Weight
Produced and Written by: Ciceley Hand.
Created by: NCAA Production.
Genre: Educational Video
Issue: Anorexia and bulimia among student athletes.
Rating: Informative.

This educational video about risks and prevention of eating disorders is aimed at coaches, counselors, and student athletes, who often feel pressured to lose weight in order to succeed as athletes. Part One of the program introduces the types of eating disorders: Anorexia and Bulimia. Part Two discusses the importance of balanced diet and proper nutrients.

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Eating Disorders: Part III
(1989; 15mins, Color)

Part Three of the program emphasizes the importance of understanding underlying causes of eating disorders and planning appropriate actions. Coaches and student athletes interviewed in this video urge the viewers to take early actions, both psychological and medical treatments, since eating disorders create life-long health problems.

Feeding Your Baby: A Special Video for New Mothers
(1994; 30mins, Color)
Created by: Mead Johnson Company
Genre: Instructional Video
Issue: Instructions on breastfeeding.
Rating: Somewhat informative.

This video demonstrates how to breastfeed a baby, including explanations on infant reflexes, nursing positions, bottle-feeding, and instructions on solid foods, and produced by a company that sells baby formulas.

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Guide to Healthy: Information for a Winning Lifestyle
(1998; 30mins, Color)
Produced by: Ebony/National Medical Association
Johnson Publishing Company, Inc./Conrad & Associates, Inc.
Genre: Educational Video
Issues: Health and Wellness concerns for African-Americans
Rating: Informative about diabetes, hypertension, asthma and other illnesses
that have a high incidence in the Black community.

This brief informational video offers explanations for the causes of diseases that frequently affect members of African-American communities. In addition to testimonials from celebrities such as Della Reese, Malik Yoba and Patti LaBelle, expert medical advice is provided by Black physicians. The experts also provide basic fitness and wellness tips for improving physical, mental and spiritual health.

Holistic Nursing
(circa 1990s, Color, Approx. 30 mins.)
Produced by: The National Holistic Nursing Association
Genre: Informational Video
Issues: The principles of holistic nursing.
Rating: Mildly informative, but primarily promotional.
This video is a promotional and informational tape about the American Holistic Nurses Association. Members of the organization explain its purpose and benefits. Testimonies by nurses and healers are included explaining this trilateral approach to nursing which treats the mind, body, and spirit of the patient.

Mama Wahunzi!
(2002: 57 mins., Color-Subtitled)
Directed by: Lewan Kirasurade
Genre: Documentary
Issues: Grassroots organizing around disabilities, women in nontraditional roles, disabilities and stereotypes.
Rating: Good

This documentary captures the efforts of three disable East African women who organized to meet their communities’ needs for wheelchairs by learning how to build them. The group named itself Mama Wahuzi (which literally means women blacksmiths), and has been able to contest societal gender role and common perceptions about poverty and disability.

Necesitamos Poder Hablar
(2005; 60 + mins., Color, Spanish w/English Subtitiles and Manual)
Produced by: Puntos de Encuentro, Nenagua Nicaragua
www.puntos.org.in
Genre: Edcuational/Infornational
Rating: Excellent bi-lingual

Through a series of skits and dramatizations, this Spanish language video gets at some of the realities, responsibilities and risks young people face negotiating their decisions to be sexually active. The subjects of these programs include: teen pregnancy, contracting common sexually transmitted diseases and surviving sexual violence.

Our Bodies, Our Minds
(WMST Grant Film-Spring ’07)
Directed: Rebecca M. Alvin
Distributed by: The Cinema Guild, Inc.
Genre: Documentary
Issues: Contemporary feminism, Pornography, and Free Speech.
Rating: Good.

This documentary contains a series of interviews with a variety of sex positive feminist, sex workers, and sex work activists to examine the relationships between feminism, pornography and free speech.

Taking Control of Depression: Mending the Mind
(1992; 24mins, Color)
Created by: Pfizer, Inc.
Genre: Educational Video
Issue: Depression.
Rating: Formal and instructive.

This educational video is aimed at patients suffering from depression and offers information on symptoms, severity, available treatment, and side effects. However, this video cannot be used as a replacement for medical and psychological counseling and treatment, and was produced by a company that sells drugs prescribed for depression.

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The Psychology of Treating Patients with HIV Disease

(1989; 25mins, Color)
Produced by: World Health Communications, Inc.
Genre: Educational Video
Issue: HIV Depression
Rating: Formal and informative.

This professional education program is aimed at physicians and counselors working with HIV positive patients. It discusses symptoms of HIV Depression, a common psychological stage that follows after a diagnosis of the disease. The video emphasizes social as well as individual support systems for combating the depression, and advocates for a collaboration between patients and physicians.

Under the Skin Game
(1996, 18mins, Color)
Directed by: Diane Nerwen
Distributed by: Women Make Movies
Genre: Experimental short form documentary
Issue: Reproductive rights, women’s health, health and public policy, and contraception
Rating: Good brief overview of the Norplant medical and political debates.
“Visually and politically provocative, Under the Skin Game combines images from instructional films, 1950s melodrama, and the nightly news to show how the contraceptive implant Norplant is being used as an instrument of social control.” This video offers compelling evidence that women’s reproductive rights are at the heart of political, economic, and social debates.
Women Embodied
(a.k.a. Eating Disorders: Group Interviews)
(N/A; 33mins, B&W, Color)
Directed by: Christi Paige
Genre: Documentary
Issue: Eating disorders: anorexia and bulimia.
Rating: Supportive and informative.

Comprised of five short chapters, this video presents candid interviews by several women dealing with eating disorders. They describe the disorder as an ‘internal voice,’ which controls both physical and psychological aspects of their lives.

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Women Embodied
(a.k.a. Eating Disorders: Group Interviews)
(N/A; 33mins, B&W, Color)
Directed by: Christi Paige
Genre: Documentary
Issue: Eating disorders: anorexia and bulimia.
Rating: Supportive and informative.

Comprised of five short chapters, this video presents candid interviews by several women dealing with eating disorders. They describe the disorder as an ‘internal voice’ which controls both physical and psychological aspects of their lives.

Women’s Bodies, Women’s choices: Dr. Christian Northrup/ Holistic Nursing

two videos on one tape (Circa 1990s; 70mins, Color)
Produced by: Jack Wilson and Associates, Inc.
Issues: Holistic medicine, breast health, menstruation, menopause and heart disease.
Genre: Lecture format
Rating: Excellent basic women’s health resource that is female body positive.

Dr. Christian Northup is considered a pioneering health care professional. Her approach combines traditional and modern medicine. She explains a new model of health which views, “The body as a living process: The emerging feminine principles of Health and Healing.” She calls for the rethinking of much women have traditionally been taught about their bodies, which leave them discounting the importance of a mind/body connection in their attempts at complete wellness.

(Primetime): Women’s Health
Two separate documentaries on one tape (28mins in total)
(1993; Color) With closed caption in English
Created by: Primetime
Genre: TV documentary
Issue: The career of Dr. Bernadine Hearly.
Rating: Somewhat informative.

The program features Dr. Bernadine Hearly, the cardiologist and the first female director of N.I.H. (National Institutes of Health). She discusses gender-biased medical research on women’s health and the difficulty that many women face in medical professions.

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You and Your Baby
(1994; 79mins, Color)
Created by: Lamaze Institute for Family Education; Tel: 1(800) 832-0277
Genre: Educational Video
Issue: Infant care
Rating: Informative.

This educational video is aimed at pregnant and postpartum mothers. It discusses breastfeeding, bathing and massaging infants, as well as several advertisements for baby products, such as diaper, skin lotion, and detergent.

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Women’s Spirituality/ Creativity

Celebration of Age: The Croning Ceremony
(1995; 38mins, Color)
Directed by: Connie Spittler
Created by: Con Text Productions:
5405 N. Estelle Drive, Tucson, AZ 85718
(520) 888-4292; (520) 327-3536; fax (520)-888-4192
Genre: Documentary
Issue: Contemporary adaptations of ancient Croning.
Rating: Encouraging. Women’s Spirituality.

The video interviews several women who are involved in a revival movement for ‘croning,’ a spiritual ceremony to recognize and honor elder and wise women. Interviewees and participants of these ceremonies celebrate a passage of maturity and aging through drumming, singing, dancing and crowning.

Dear Lisa: A Letter to My Sister
(1990; 45mins, B&W, Color)
Directed by: J. Clements.
Created by: A High Tide Production:
Genre: Documentary
Issue: Women’s self-image, gender roles, work, and family.
Rating: Innovative, poetic, and critical.

This poetic film interweaves an autobiographical memoir (voice-over and home video footage) with interviews with eight other women, who recount their girlhood and womanhood, and examines societal expectations of gender roles and stereotypes that are at odds with many women’s childhood dreams and desires for life.

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Elizabeth Kubler-Ross: Facing Death
(2002; 57 mins, Color-Close Captioned)
Directed by: Stefan Haupt
Distributed by: First Run/Icarus Films
Genre: Interview with file footage
Issues: Death, dying, and transition
Rating: Good

This video captures the some of the final moments of the woman who is world renowned for her work in the field of death, dying and treatment for the terminally ill. Kubler-Ross looks back on her life, achievements in this interview shot at her home.

Gathering the Goddesses: Zsuzsanna Budapest
(1994; 60mins, Color)
Directed and Produced by: Melinda Hess, Peg Jordan.
Released by: Jumpin’ Productions.
Genre: General documentary (of a workshop.)
Issue: Women’s Spirituality Movement.
Rating: Somewhat political, not informative. Women’s Spirituality.

The video features interviews with a neo-pagan spiritual leader, Zsuzsanna Budapest, combined with documentary footage of a three-day workshop held in Austin, TX. Women who are involved in the workshop go through various rituals, and share their thoughts and feelings about organized religions, the end of patriarchy, and sisterhood evoked through resurrections of ancient Goddesses.

Mad Cat Women’s Film Festival
(N/A; 160mins, B&W, Color)
Genre: A collection of short narrative and experimental films
and animations presented at Mad Cat Women’s Film Festival
(June 5-6, 1999?)
Issue: Holocaust, sign language, family history, girl-hood, travelogue.
Rating: Abstract, aesthetic, and obliquely political works.
Note: An assemblage of international women’s creative works in media arts.

This collection contains 18 contemporary experimental and narrative short films and animations by international and domestic women filmmakers. Some of the topics of the films are memories of the Holocaust, migration of a Jewish family, farm life in Mexico, a woman’s neurosis, and a coming of age story.

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On the Wild Side…: Meeting with Remarkable Women
(1994; 35mins, Color)
Directed and Produced by: Marigold Fine & Shana Ross
Distributed by: Sowing Circle Productions
Genre: Documentary
Issue: Women’s creativity and spirituality.
Rating: Women’s Spirituality. Somewhat political.

Various women artists, therapists, and spiritual activists from Santa Cruz, California are interviewed to discuss their experiences of reclaiming a wild creative spirit through incorporating ‘tribal ways’ and ‘goddess cultures’ into their lives.

Song Journey
(1994; 57mins, Color)
Directed by: Arlene Bowman and Jeanine Moret
Distributed by: Women Make Movies
Rating: Good

“Song Journey takes Arlene Bowman (Navajo) on the pow-wow circuit in the hope of reviving her connection to traditional Native culture. There she finds a fascinating movement amongst Native American female musicians who are both carrying forward the musical traditions of the First Nations and conducting a gentle but effective rebellion against male monopoly of the “inner circle” represented by the drum. Song Journey is a powerful illustration of the strength of contemporary Native cultural identity and a wonderful companion to Bowman’s awarding winning Navajo Talking Picture.”

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Sweet Honey in the Rock: Singing for Freedom
(1995; 45mins, Color) W/ Sign Language
Directed by: Kate Ferris
Created by: B.J. Reagon Productions/ Music for Little People:
Genre: Performance
Issue: Peace, freedom, African American spirituality
Rating: Engaging and uplifting.

Filmed in Glide Memorial Church in San Francisco in January 1995, this live concert video captures a vibrant performance of Sweet Honey In The Rock, the a cappella activist group. Founded by Bernice Johnson Reagon, the group is often referred to as the musical embodiment of the spirit of black Americans, deeply rooted in the cultural and spiritual heritage of African diaspora and the history of slavery.

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The Desert is No Lady: Women Artist & Writers of the South West
(1995; 45mins, Color)
Directed by: Shelley Williams in collaboration with writer Susan Palmer
Distributed by: Women Make Movies
Genre: Documentary interviews.
Rating: Excellent recourse for classroom as well as an informational resource about the Southwest.

This video documentary profiles several women artists creating in the American Southwest, and their art’s relationship to the spirit of the Southwestern landscape and its people. Writer Sandra Cisneros and poet Cuci Tapahonso, along with painters Harmony Hammond, Pola Lopez de Jaramillo are included among the many artists who speak directly about the environment’s influences on their work. Some of the topics covered are borders as contentious spaces, honoring languages, deconstructing the clues and signs of identity through objects in art, and the Southwest’s color as a subliminal influence.

The Ladies Room: Where Ladies Talk Like Women
(circa 1980; 42 mins., Color)
Produced and Directed by: Cynthia Salzman Mondell
Media Projects, Inc.
Genre: Series of interviews.
Issues: Dating, marriage, divorce, sex, love, body image, self-esteem, and men.
Rating: Good.

This original and hilarious documentary captures the craziness and candor that unfolds in ladies rooms when women are free to let it all hang out and “talk like women.” Cynthia Saltzman Mondell sets up her camera in a public ladies room and gives audience members a chance to eavesdrop on the lives, loves and heartaches women share with each other during a routine bathroom break.

Unknown Secrets: Art and the Rosenberg Era
Three separate documentaries on one tape.
(1990; 46mins, Color)
Directed and Produced by: Daniel Keller, Charles Light, Rob Okun.
Genre: Video art/ Documentary
Issue: Art and politics. Anti-Semitism.
Rating: Informative. No special focus on gender/feminism.

Based on the book The Rosenbergs: Collected Visions of Artists and Writers and the art exhibit Unknown Secrets, this video interweaves archival footage, art works, and interviews with artists and historians to examine a historically contingent connection between politics and art. Both the video and art exhibit explore the political and ideological impacts of the executions of Jewish scientist Julius Rosenberg and his wife Ethel Rosenberg in 1953. Rosenbergs were convicted of espionage and Atomic Bomb conspiracy during the height of anti-communism.

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Vagina Monologues
(2000; 110mins, Color)
Created by: Women’s Resource Center, UNM.
Performance Directed and Co-Directed by: Georgette Endicott,
Sandrea Gonzales, Summer Little
Written by: Eve Ensler
Genre: Performance Video
Issue: Body Image. Women’s sexuality and identity.
Rating: Feminist, innovative and inspiring.

As a part of a V-Day 2000 College Initiative to Stop the Violence Against Women, “The Vagina Monologues,” a benefit performance for the Albuquerque Rape Crisis Center and the UNM Women’s Resource Center, performed by a group of women from the University of New Mexico and the local Albuquerque community. “The Vagina Monologues” is a collection of interviews compiled by playwright Eve Ensler, who interviewed more than 200 women about their feelings and attitudes towards their vagina.

WOMEN and SPIRITUALITY SERIES (3 Separate Tapes)
Director: Donna Read
Distributed by: Wellspring Media, Inc.
Genre: Educational and Historical Documentary
Issue: Women’s Spirituality Movement, Goddess Culture, and Paganism
Rating: Informative, Educational, Feminist and Empowering. Recommend each tape for use humanities classes.

This three part documentary series takes an in-depth look at the mythology of women in spiritual and healing roles throughout history. The videos series investigates the women’s spirituality movement in North American, as it relates to the women and earth centered spiritual traditions from pre-historic times to the Witch Hunts during the 15th through 17th Century. Director Donna Read takes her North American film crew to Africa, Malta, Crete, and Europe to reveal often hidden secrets about women’s contributions to world religions, healing, and pagan traditions.

“The Goddess Remembered”
(1989; 52mins, Color #211)
The first installment of the three part series that investigates “Goddess” centered religions and spiritual practices. Specifically this documentary looks at the goddess temples of Malta and other relics of the pre-historic periods. Other concepts examined are the Dia de los Muertos and the links between sexism and racism.

“The Burning Times”
(1990; 56mins, Color, #212)
This video tells the legends, lore and facts about witches and the reasons for their negative depictions throughout history. Director, Donna Read illustrates how the European witch hunts during the 15th and 17th Century were used to supplant medicine women and midwives as pillars of mental and physical health in rural communities. Their skills made them a threat to the church. This film also covers Joan of Arc’s historic rise as worrier, fall as a witch, and her subsequent rise to sainthood.

“Full Circle”
(1992; 56mins, Color #213)
This film uses the emerging women’s spirituality movement in North America, that took place in the early 90s, as a moment of introduction to people’s interest in returning to goddess worship, Wicka and other pagan ritual forms of self-expression. One of the concepts at the center of this movement is the idea of human beings returning their focus to the Earth as a life giving force that they are responsible to protect.

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5 Girls
900 WOMEN

A

A Century of Women: Work and Family
A Girl’s World
A Soldier’s Girl
A Fine and Long Tradition
A Question of Color
Abortion: Stories from North and South
Adelante Mujeres!
Adio Kerida
After the Robbery: Crisis to Resolution
Against My Will
Amy Goodman
And Still I Rise
Anna from Benin (From Girls Around the World)
Any Day Now: Breaking the Cycle of Domestic Violence
Apple
As The Mirror Burns

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B
B.J. Learns About Federal and Tribal Court
Beah: A Black Woman Speaks
Beautiful Piggies
Beauty in the Bricks
Beauty Leaves the Bricks
Becoming a Woman in Orika
Belfast Girls
Bell hooks: Cultural Criticism & Transformation
Beyond Beijing
Beyond Black and White
Beyond Good & Evil
Bitter Earth: Child Sexual Abuse in Indian Country
Black and White
Black Women On: The Light/Dark Thang
Black Women Writers
Born in the U. S. A.
Bringing Durban Home: Combating Racism Together
Brown Sugar: Part I, Part II, Part III & Part IV


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C

Calling the Ghosts: A Story about Rape, War and Women
Captive Audience: Advertising Invaded The Classroom
Celebration of Age: The Croning Ceremony
Closer
Consenting Adult
Constructing Public Opinion
Covered
Critical Mass: Women in Science
Cusp

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D

Dam/age
Daring to Resist
Daughters of the Dust
Daughters of War (From Girls Around the World)
Dear Lisa: A Letter to My Sister
Desert Hearts
DiAna’s Hair Ego
Different Moms
Don’t Ask Why (From Girls Around the World)
Dr. Gerda Lerner – Women and History I & II: Thinking Allowed Video Collection
Dream Worlds: Desire, Sex, and Power in Rock Video
Dreams of Equality

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E

Eating Disorders: Part I & II
Eating Disorders: Part III
Elizabeth Cady Stanton and Susan B. Anthony: Not For Ourselves Alone: Part I
Elizabeth Kubler-Ross: Facing Death
Erase the Hate
Escuela
Ethnic Notions
Everyone Their Grain of Sand

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F

Feeding Your Baby: A Special Video for New Mothers
Fiction and Other Truths: A Film About Jane Rule
Fire
Flowers for Guadalupe
Forbidden Fruit
Forbidden Love: The Unashamed Stories of Lesbian Lives
Four Women of Egypt
From Hollywood to Hanoi
Frontier (From Girls Around the World)

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G

Gathering the Goddesses: Zsuzsanna Budapest
Ghandi: A Life and Death of A Dynasty
Girls Around the World
Girls Like Us
Grrlyshow
Girls Still Dream
God Sleeps in Rwanda
Go Home Baby Girl
Guide to Healthy: Information for a Winning Lifestyle
Guns and Mothers
Guts, Gumption and Go-Ahead

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H

Hair Piece: A Film for Nappy-Headed People
Heart of the Sea
Heaven and Earth (From Girls Around the World)
Holistic Nursing
Hózhó of Native Women

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I

I Shot Andy Warhol
I, The Worst of All
I Was a Teenage Feminist
Ida B. Wells: A Passion for Justice
Impact N.M.:Violence Against Women
Improving Case Outcomes
Iraqi Women: Voices From Exile
Iron Jawed Angles

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J

Jenny and Jenny
Joining Forces Against Child Sexual Exploitation
Juchitán Queer Paradise
Justice for Victims

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K

Kinaalda, A Navajo Rite of Passage

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L

La Boda
La Cueca Sola
La Operacion
Last Call at Maud’s
Lesbian Tongues: Lesbians Talk About Life, Love and Sex
Listen Up! New Voices for Reproductive Justice
Look Us in the Eye: The Old Women’s Project

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M

Macho
MacKinnon, Catharine
Mad Cat Women’s Film Festival
Made in Thailand
Mai’s America
Man to Man
Mandela: Free at Last
Mann ke Manjeere: An Album of Women’s Dreams
-(Babul)
-(The Making of Mann ke Manjeere)
Meeting the Mental Health: Needs of Crime Victims
Men & Pornography
Mirror, Mirror
Monday’s Girls
My Left Breast
My Name is Kahentiiosta

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N

Nalini by Day, Nancy by Night
New Mexico Statewide Women’s Studies Conference
Night Girl (From Girls Around the World)
NO! Confronting Sexual Assault in our Communities
Nobody Knows My Name
Not Just Passing Through
Nu Shu: A Hidden Language of Chinese Women
NWSA Conference in Las Vegas 2002: “Political Women, Political Power”
NWSA Conference in Las Vegas 2002: “NWSA: Women of All Colors Building an Inclusive
Organization Together”
NWSA Conference in Las Vegas 2002: “Body Politic”

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O

On the Wild Side…: Meeting with Remarkable Women
One Nation Under God
Oranges Are Not The Only Fruit
Our Bodies, Our Minds
Our House
Out in Suburbia: The Stories of Eleven Lesbians
Outlaw

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P

P.O.W. Prisoners of Wedlock
Paris Was a Woman
Peace, Propaganda & The Promised Land
Performing the Border
Primetime: Women’s Health
Prison Lullabies

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R

Rabbit Proof Fence
Ramleh
Recovering Our Bodies: Overcoming Eating Disorders
Redefining Liberation (a.k.a. N.O.W.: Love Your Body)
Runaway

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S

Salt of the Earth
Savage Cycle: Domestic Violence
Scared Silent: Exposing and Ending Child Abuse
Searching for Debra Winger
See Me: Five Young Latinas
Seen but Not Heard
Sex in a Cold Climate
Sexual Harassment: Building Awareness on Campus
Sir: Just a Normal Guy
She Wants to Talk to You
Shinjuku Boys
Shortchanging Girls: Shortchanging America
Slaying the Dragon
Song Journey
Southern Poverty Law Center
Standing on my Sister's Shoulders
Step By Step: Building A Feminist Movement
Still Killing Us Softly: Advertising Images of Women
Surname Viet Given Nam
Sweet Honey in the Rock: Singing for Freedom

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T

Taking Control of Depression: Mending the Mind
Teens with Gay Parents
The Color of Fear
The Desert is No Lady: Women Artisits & Writers of the South West
The F Word
The Families We Choose: A Film About Lesbian Lives
The First People, The Last Word
The Kidnapping of Ingrid Betancourt
The Ladies Room: Where Ladies Talk Like Women
The Life and Times of Rosie the Riveter
The Life and Times of Sara Baartman: The Hottentot Venus
The Lost Tribe
The Passion of Maria Elena
The Pill
The Places You’ll Go To If You Go To School: A Guide to Educational Options for Middle School Students and Parents
The Pornography of Every Day Life
The Psychology of Treating Patients with HIV Disease
The Return of Sara Baartman
The Righteous Babes
The Sermons of Siste Jane: Believing the Unbelievable
The Shape of Water
The Way Home
Thunder in Guyana
Thunderbird Woman: Winona LaDuke
Tough Guise: Violence, Media, and the Crisis of Male Masculinity
Treyf
Trickle Down Theory of Sorrow

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U

Under the Skin Game
Understanding America's Terrorist Crisis: What Should Be Done
Unknown Secrets: Art and the Rosenberg Era
Uphill All the Way

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V

Vagina Monologues
Victims of Fraud: Beyond Financial Loss
Visions of the Spirit: A Portrait of Alice Walker

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W

Warrior Marks
Wedding Advice: Speak Now or Forever Hold Your Peace
West Coast Crones: A Glimpse into the Lives of Nine Old Lesbians
Who Remembers Mama
Women and Spirituality Series
-(The Goddess Remembered)
-(The Burning Times)
-(Full Circle)
Women Embodied
Women of Hope: Latinas Abriendo Camino
Women of Hope: Latinas Abriendo Camino
Women’s Bodies, Women’s choices: Dr. Christian Northrup/ Holistic Nursing
Women’s Studies Summit 2000
Working with Grieving Children
WRC: 20th Celebration Forum
WRC: 20th Celebration Forum Continuation
WRC: 20th Celebration: Angela Bowen, March 5, 1992
WRC: 20th Celebration: Angela Bowen
WRC: 20th Celebration: Anita Hill
Writing Desire

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X

XXXY

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Y

You and Your Baby
Youth Out Loud
Yuri Kochiyama: Passion for Justice

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